Commit c638c96c5d9574d3df47dedb0c80163d18aa39eb
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daebde4d
Rewrite the prompt-optimization system prompt against H3's own methodology
The previous system prompt asked GLM for a free-form "shot-by-shot" expansion, which reliably produced 4-5 fake cuts with timestamps running out to 8-10s — impossible for a clip fixed at ~5s (H3_GEN_PARAMS.frames / FPS). Rewrote it against docs/h3skill.md (MiniMax's own H3 prompt-writing methodology, added alongside this commit): every chat prompt has no reference images, so it's always T2VA mode, and at ~5s it's one continuous shot, never a montage. The new prompt asks for H3's actual three-field T2VA structure (integrated_multimodal_description / overall_soundscape / non_diegetic_music, fixed order and labels), a single dominant camera movement from the official vocabulary (type + amplitude + speed), concrete lighting (no hollow buzzwords like "8K"/"cinematic" alone), and — previously missing entirely — explicit sound design. Verified against the real GLM endpoint on several sample prompts: single continuous shot throughout, correct field structure, no more impossible multi-shot timestamps. Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_0144MiJ2cLjMd9jWaeEpVfUJ
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docs/h3skill.md
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| 1 | +--- | ||
| 2 | +name: h3-video-prompt-main-skill | ||
| 3 | +version: 0.6.1 (hotfix: url 载体硬不变量) | ||
| 4 | +status: enabled（2026-08-29 由 org-innovator 热修 Deploy 落位，取代 v0.6.0；回滚源 = git 或 train/evolve/SKILL_v5.md） | ||
| 5 | +source: MiniMax 官方一手飞书语料（train/hunt/cache_v5/，revision doc1=1297 / doc2=252，逐字落盘）： | ||
| 6 | + doc1 = H3 使用手册（feishu_doc1…FIWjwgL33ipnkekzk30crmKUnIh.md） | ||
| 7 | + doc2 = Prompt 写作全能指南（feishu_doc2…Vztzwstuqi3MQKkxs8QcGmxinxe.md） | ||
| 8 | + v4 及以前的 GitHub 镜像信源（base-en.txt / ref-en.txt / co-op 模板等）降为 R 级同型佐证， | ||
| 9 | + 凡本文已给 docN:line 的条款一律以 A 级一手为准。引句全部可在 cache_v5 逐字回查。 | ||
| 10 | +supersedes: v0.5.0（train/evolve/SKILL_v4.md） | ||
| 11 | +v0.6.0_changes: 按 benchmark_v5 C-1/C-2/H1-H16 做作用域重写（非追加）。①§0 从「习语甲/乙」改为 | ||
| 12 | + 「三种交付形态 ①②③④ + 语言按形态划界 + 记号硬互斥」；②新增链路四层交付义务与映射纪律； | ||
| 13 | + ③v4 从镜像推演的长描述替换为官方短条款（带 docN:line）；④H9 关系标记按官方落 8 个取值（v4 任务 | ||
| 14 | + 书误写 6 个）；⑤篇幅自 88,655 B 收敛至 ≤60,000 B：合并重复示例、删冗余叙事、条款表化。 | ||
| 15 | +v0.6.1_changes: 线上热修（conv-mtekh2bm 实证，非重训、无新分数）：url 载体被「输入显式约定 > 本节 | ||
| 16 | + 默认」+「不得夹带 schema 外字段」合法吞掉。§2 url 逐字保留升硬不变量；只有 id 时追加 | ||
| 17 | + reference_assets；§1.7 第 19 条加豁免、新增第 22 条；§7 加第 25 条。 | ||
| 18 | +--- | ||
| 19 | + | ||
| 20 | +# H3 视频提示词写作方法论 | ||
| 21 | + | ||
| 22 | +## 0. 交付形态判定（先判形态，再谈语言与记号） | ||
| 23 | + | ||
| 24 | +**第 0 步永远先判交付形态。** 形态决定正文语言、分段记号、适用硬约束与判分落点。 | ||
| 25 | +官方一手语料内部并存多种分段记号（doc1 案例层 4 种变体、doc2 规范层 1 种），**判形态先分「规范层 | ||
| 26 | +条款」与「案例层行为」：格式判据只取规范层（doc2），案例（doc1）只作行为先例与模型参数正源。** | ||
| 27 | + | ||
| 28 | +### 0.1 三种合法交付形态 | ||
| 29 | + | ||
| 30 | +| 形态 | 识别特征 | 分段记号 | 判分落点 | | ||
| 31 | +|---|---|---|---| | ||
| 32 | +| **① 型**（doc2 结构化） | 需求要英文结构化 Prompt / JSON / 官方字段结构（六段或三主体字段 + instruction） | `[Shot N]` + 递增 `At MM:SS.mmm`，第一镜不写时间戳（A：doc2:107/:111/:114/:455） | §0.4 全部 H 条款 | | ||
| 33 | +| **② 型**（窗式） | 需求是**分镜类**：连续故事情节 + 按时长切分显示内容（「每隔几秒显示什么」「分镜」「时间窗」）；或需求是**分镜脚本交付物** | `[N 秒-M 秒]` 窗标题（A：doc1:97 官方「提示词」列六窗一手案例） | §0.5 + 跨形态不变量 | | ||
| 34 | +| **③④**（登记合法，不考察） | ③ `N-M 秒：` 行式（doc1:200）；④ `0〜3 秒` 全角波浪 + 正向/反向（doc1:237） | 不作为判分形态；交付中出现**不判违规**，只判其内容是否满足所申报形态的三要素义务 | — | | ||
| 35 | + | ||
| 36 | +**判据理由（不要丢）**：② 是官方四种形态里唯一窗口边界显式成对、可逐窗相加核验总时长的形态， | ||
| 37 | +而「边界可核对」正是分镜脚本这一交付物的核心义务；doc1:97 把窗式文本直接放在「提示词」列， | ||
| 38 | +所以 ② 在最终 Prompt 层同样是 A 级合法形态，只是不走 ① 的 H4/H5/H6/H10。 | ||
| 39 | +doc1 案例层的分段记号有 4 种变体（②③④ + `Shot 1 —`），官方在案例层不做记号统一（doc1:231 坑表 | ||
| 40 | +甚至要求删掉多余【镜头 N】结构）——**案例记号不得升格为格式判据**。 | ||
| 41 | + | ||
| 42 | +### 0.2 形态切换判据（B 级内部规范；官方没有「何时选哪种」的条款，不得对外表述为官方规则） | ||
| 43 | + | ||
| 44 | +1. 输入含**连续故事情节 + 按时间切分**，或需求明确要**分镜脚本/分镜设计文档** → ② 型。 | ||
| 45 | +2. 输入要**英文结构化 Prompt / JSON / 官方字段结构** → ① 型。 | ||
| 46 | +3. **「拆成 N 个镜头」≠ ② 型**：只要求镜头切分、情节照给、无逐窗「每隔几秒显示什么」要求的， | ||
| 47 | + 是 **① 型多镜**（`[Shot 1..N]` + `At MM:SS.mmm`）——官方 ① 型本来就用 `[Shot N]` 表达多镜。 | ||
| 48 | + ② 型的判据是**逐窗显示内容**（「每隔几秒显示什么」「每窗出现什么 UI」）或**明确要分镜脚本/ | ||
| 49 | + 分镜设计文档交付物**。两者都沾时才判 ②。 | ||
| 50 | +4. 两者都不满足 → 按 §2 五模式判定（T2VA/I2VA/FL2VA/L2VA/全能参考），交付形态默认 ①。 | ||
| 51 | +5. 形态误判是 D1 档 2：分镜需求交英文六段、英文结构化需求交中文窗式散文，都算。 | ||
| 52 | + 交付说明 / 中文沟通不受此限（说明层语言自由）。 | ||
| 53 | +6. **多件交付（链路模式）**：需求同时要「分镜设计 + 分镜脚本 + 最终 Prompt」→ 按 §0.6 链路四层 | ||
| 54 | + 交付，各层用各自形态；**不要**把链路需求做成单件 ① 型交付，也不要给单件需求硬拆四层 | ||
| 55 | + （过度交付同样按 D1/HP1 扣）。 | ||
| 56 | + | ||
| 57 | +### 0.3 语言规则按交付形态划界（C-2 裁决） | ||
| 58 | + | ||
| 59 | +**按形态划界，不按「哪份官方文档」划界**：doc1 自己的案例就是中文散文、同时声明多语言支持 | ||
| 60 | +（doc1:35「支持多语言提示词输入与输出」）；doc2 的英文条款明文限定在「扩写的六个段落正文」 | ||
| 61 | +这个形态上（doc2:242）。把「正文必须英文」套到 ② 型交付上 = 判据越界违规；反向同罪。 | ||
| 62 | + | ||
| 63 | +| 交付形态 | 语言判据 | 级 | 出处 | | ||
| 64 | +|---|---|---|---| | ||
| 65 | +| ① 型（六段 / 三主体字段 / instruction） | **正文英文**；`<d>` 内台词/歌词、画面实际可见文字保留原语言 | A（硬） | doc2:242「扩写的六个段落正文统一使用英文；只有 `<d>` 中的台词、歌词以及画面中实际可见的文字保留原始语言。」 | | ||
| 66 | +| ② 型（窗式 / 分镜脚本） | **跟随用户输入主导语言**（中文输入 → 中文正文） | A（硬） | doc1:97 官方案例正文全中文 + doc1:35 | | ||
| 67 | +| 分镜设计（链路第 2 层，给人类的内部档） | 语言自由 | B（内部规范） | 官方无此条款，从 doc1:220-222 收口 | | ||
| 68 | +| 台词 / 歌词（跨形态不变量） | 原词、原语言、原标点不改写；无法辨认写 `[unclear]` | A（硬） | doc2:137 / :575 | | ||
| 69 | +| 画面实际可见文字（跨形态不变量） | 英文双引号包围，原文与标点逐字保留，不翻译 | A（硬） | doc2:154（:157 中文招牌 `"营业中"` 示例） | | ||
| 70 | +| 字段名写法 | 「非叙事性音乐：N/A」与 `"non_diegetic_music": N/A` 两种**都合法** | A | doc1:200 同段并列 | | ||
| 71 | + | ||
| 72 | +### 0.4 ① 型官方硬约束（H1-H16，逐条带级与行号） | ||
| 73 | + | ||
| 74 | +| # | 约束 | 级 | 出处 | 适用 | | ||
| 75 | +|---|---|---|---|---| | ||
| 76 | +| H1 | 提示词总长 ≤ **7000 字符**（含标点与空白，`len()` 口径） | A | doc1:35 | 跨形态 | | ||
| 77 | +| H2 | 输出时长 **4–15 秒**；超限不得静默 | A | doc1:35 | 跨形态 | | ||
| 78 | +| H3 | 输出帧率 24 FPS：**提及则不得写错**；需求指定非 24 帧时显式说明该参数不在提示词层控制；**不写帧率不扣分** | A（参数层） | doc1:35 | 跨形态 | | ||
| 79 | +| H4 | `instruction` 必须**位于第一行，后空一行**再写主体字段 | A | doc2:57 | 仅 ① 型 I2VA/FL2VA/L2VA | | ||
| 80 | +| H5 | `At MM:SS.mmm` 递增切镜时间，毫秒 3 位、落在视频时长内；**第一镜不写时间戳** | A | doc2:107/:111/:114/:455 | 仅 ① 型 | | ||
| 81 | +| H5b | **记号硬互斥**：① 型内零处 `[N 秒-M 秒]`；② 型内零处 `At MM:SS.mmm` | A（反证） | doc2 全文 0 处窗式、doc1 全文 0 处时间戳（grep 复算） | 跨形态 | | ||
| 82 | +| H6 | 生成类 `detailed_description` **350–500 英文词**；三条豁免：台词密集型以容纳台词时间线为先 / 视频编辑类按源视频复杂度展开 / 单镜头并不自动缩短。**区间外且不落在任一豁免才扣分**；无豁免依据的机械补字数也扣 | A | doc2:543 | 仅 ① 型 | | ||
| 83 | +| H7 | 听不清写 `[unclear]` 不猜测改写；标点规范化为基础书面标点 `,` `.` `?` `!`，删波浪号/emoji/装饰标点；完整陈述句/疑问句/感叹句在 `</d>` 前以 `.`/`?`/`!` 结束 | A | doc2:575 | 跨形态（台词） | | ||
| 84 | +| H8 | 复杂/易乱码文字：**以图片形式提供作参考图 + 在提示词中明确「这张内容必须按"图片"来理解，不能按"文字"来处理」** | A | doc1:71 | 跨形态 | | ||
| 85 | +| H9 | 关系标记是**固定英文取值，共 8 个**：可见内容 4（`fully_preserved` / `partially_preserved` / `attribute_transfer` / `weak_reference`）+ 音频 4（`fully_copy` / `partially_copy` / `reference` / `weak_reference`）。自创中文或变体取值 = 词法违规 | A | doc2:398/:400-405/:427-434 | 六段交付 | | ||
| 86 | +| H10 | `overall_soundscape` **1–4 句**英文连续段落概括贯穿全片的环境声；`non_diegetic_music` **1–3 句**英文描述角色听不到、只有观众能听到的配乐 | A | doc2:162 / :170 | 仅 ① 型六段/三字段 | | ||
| 87 | +| H11 | **台词长短与 shot 长短对齐**：不出现一个 3s shot 说一大段话（官方标注的口型问题一手根因） | A | doc1:206 | 跨形态 | | ||
| 88 | +| H12 | 画外音固定短语 `says in an off-screen voiceover`（逐字相邻，不得插语打断）+ 唇部保持闭合；跨镜台词 `<scenetrans>`、结尾截断 `<cutoff>`；`(Sx)` 稳定编号、组合编号、无声者不编号 | A | doc2:144/:147/:150/:459/:135 | 仅 ① 型 | | ||
| 89 | +| H13 | 素材硬上限：图片 ≤9、视频 ≤3（单段 2-15s、总时长 ≤15s）、音频 ≤3 **且必须配图/视频、不能单独输入**、混合总上限 12 个文件 | A | doc1:35 | 跨形态 | | ||
| 90 | +| H14 | 标签一经分配，在 `subject_definitions`、`summary`、`retention_analysis`、`detailed_description` 与声音段落**五处同义** | A | doc2:272 | 六段交付 | | ||
| 91 | +| H15 | `<Video N>` / `<Audio N>` **独立编号**，序号只表示本类内顺序，不表配对；普通参考视频不因含声而自动产生 `<Audio N>` | A | doc2:347/:349 | 六段交付 | | ||
| 92 | +| H16 | **分镜参考图映射到镜头而非秒数**：`<Picture 3> is a storyboard reference for [Shot 1] and [Shot 2], defining their viewpoint, subject placement, and shot order.`；分镜草稿图在 ② 型写窗口映射；每条素材至少被一个镜头/窗认领 | A | doc2:310/:553 + doc1:200「故事版」 | 跨形态 | | ||
| 93 | + | ||
| 94 | +配套 A 级短条款：六段顺序 `subject_definitions → summary → retention_analysis → detailed_description → overall_soundscape → non_diegetic_music`（doc2:250）；三主体字段顺序（doc2:62-66）；`summary` 带方括号任务类型前缀，六类型 `keyframe completion` / `reference generation` / `video editing` / `video continuation` / `audio reuse` / `audio reference`，可用 `+` 组合（doc2:360/:371-378）；`retention_analysis` 逐标签一行并沿用 `subject_definitions` 含义、**不写 `(Sx)`**（doc2:394/:579）；边界处新增内容不得误写成参考损失（doc2:444）；音色参考只取音色不带入原台词（doc2:577）；环境声无则写 `N/A`（doc2:594）。 | ||
| 95 | + | ||
| 96 | +### 0.5 ② 型窗式交付规范 | ||
| 97 | + | ||
| 98 | +**窗式结构**：窗标题 `[N 秒-M 秒]`（doc1:97 六窗逐字）；窗序覆盖 0 → 总时长、相邻窗相接、窗序与 | ||
| 99 | +故事情节因果序一致；窗长可以不等（官方六窗即 2/2/3/1.5/1.5/5 秒）；子秒节拍允许但不留 gap。 | ||
| 100 | +**窗边界四条分行标级**（不得合并成一句「官方要求无缝隙无重叠且总和等于总时长」）： | ||
| 101 | + | ||
| 102 | +| # | 纪律 | 级 | 出处 | | ||
| 103 | +|---|---|---|---| | ||
| 104 | +| 1 | 相邻窗无缝隙 | A | v4 镜像 shot-table-spec:65（R 级；官方一手无逐字句，行为先例 doc1:97 六窗相接） | | ||
| 105 | +| 2 | 无重叠 | A（① 型相邻条款） | doc2:111 严格递增 ⇒ 不重叠 | | ||
| 106 | +| 3 | 各窗之和 = 总时长 | C（构造性设计） | 官方模板构造性首尾相接，无明文条款 | | ||
| 107 | +| 4 | 首窗从 0s 开始 | C（构造性设计） | 行为先例 doc1:97 首窗 `[0 秒-2 秒]` | | ||
| 108 | + | ||
| 109 | +#3/#4 照常扣分，但对外表述保持 C 级标注——判分强度与出处等级是两件事。 | ||
| 110 | + | ||
| 111 | +**每窗三要素**（判内容，不判有没有字段名标签）： | ||
| 112 | +① **机位/运镜**：每窗首行显式声明机位或主导运镜（A 同型：doc1:97 各窗首行即 `景别` 字段）； | ||
| 113 | +② **主体动作**：该窗内主体做什么，可量化状态是官方文风； | ||
| 114 | +③ **UI/覆盖元素**：该窗出现的 UI/字幕/HUD 内容与位置。 | ||
| 115 | +声音写在**窗内**（doc1:97 各窗「声音：」字段先例）；官方无独立转场字段，转场信息写进机位行， | ||
| 116 | +**不得硬切**（v4 镜像 co-op:117/:133 R 级）；「每窗必须写明转场」不是判据，不要自加。 | ||
| 117 | + | ||
| 118 | +**参考素材落位**：头部一行职责声明（每份素材负责什么）+ 窗内语义回指，回指与声明同一体系； | ||
| 119 | +分镜草稿图按 H16 写窗口映射（映射到哪几个窗、提供什么规划信息），**非锚点图零秒级对齐** | ||
| 120 | +（v4 反证 ref-en 全文 0 处 "aligns with"，R 级）；幽灵素材禁令（C 级收口）。 | ||
| 121 | +**UI 文字四禁令**（R 级 v4 镜像 co-op:133）：UI 字符串可读、无随机字母、用户名不拼错、 | ||
| 122 | +菜单/选项集合不得超出输入给定集合。输入自带中英并列时沿用（输入事实），只给英文时英文单语， | ||
| 123 | +两种互不判违规；把中英并列表述成官方要求 = 出处纪律违规。 | ||
| 124 | +**时长**：`duration_seconds` 由请求体指定、不写进正文；正文时长信息只以窗标题体现； | ||
| 125 | +交付说明注明本次取值（B 级）；需求超 4–15s 不得静默，给拆分方案或与调用方确认； | ||
| 126 | +节拍总合 ≠ 请求时长时按最小改动解决并显式说明改了哪里，不删情节凑时长。 | ||
| 127 | +**对白**：`<d>` 包裹与 `(Sx)` 编号非硬判据（不强制、出现亦不算违规，用了就守同一套稳定性纪律）； | ||
| 128 | +台词逐字保真与「画外 + 唇部闭合」语义要求**跨形态成立**；说话人身份须窗内可辨识。 | ||
| 129 | +**词法**：url 不进正文；散文交付无 JSON 通道要求，不因「没交 JSON」扣分。 | ||
| 130 | + | ||
| 131 | +### 0.6 链路四层交付（需求理解 → 分镜设计 → 分镜脚本 → H3 Prompt） | ||
| 132 | + | ||
| 133 | +当需求要求**多件交付**（先出分镜设计/分镜脚本，再出最终 Prompt）时，按四层依次交付，各层实体 | ||
| 134 | +计分（LU15 + SD20 + SS30 + HP35 = 100；#62 标 C 级构造性设计、0 真实先例——官方没有「分几层 | ||
| 135 | +交付」的条款，这是工程收口，不得表述为官方规则）。 | ||
| 136 | + | ||
| 137 | +| 层 | 义务 | | ||
| 138 | +|---|---| | ||
| 139 | +| **LU 需求理解** | 从 raw_brief 判定模式（T2VA/I2VA/FL2VA/L2VA/全能参考，doc2:28-57）+ 交付形态 ①/② + 素材组合是否合法（H13）；**逐字锁定复述** raw_brief 与 note 原文中的硬事实（时长、UI 文案集合、素材职责、必须替换类 note）——改写程度词（「必须换」→「建议优化」）= 0；零臆造（不编造 raw_brief 未给的主体/UI 文案/台词） | | ||
| 140 | +| **SD 分镜设计** | 每段时长落 4–15s（H2），需求超 15s 给拆分方案而非静默；相邻段/镜之间显式给**至少一个衔接锚点**（同一动作方向/视线目标/光/道具/轮廓/声音/受力任一），无理由跳切 = 0（B 级：TFboy1 storyboard-schema:7-11；官方相邻条款 doc1:216 切镜写清景别与主体 + doc1:231 禁无理由分镜）；每镜给镜号/时长/景别/运镜/内容/声音/转场（B 级：chiphoton 单镜 10 项 + TFboy1 7 列镜头卡；官方相邻条款 doc1:200「想要」栏字段集）；台词字数与该镜秒数不失衡（H11）。**语言自由（B 级内部规范）** | | ||
| 141 | +| **SS 分镜脚本** | **② 型**：`[N 秒-M 秒]` 窗标题覆盖 0 → 总时长、相邻窗相接；窗内零处 `At MM:SS.mmm`（H5b）；每窗三要素；每条素材至少被一个窗认领（幽灵禁令）、分镜参考图映射到镜头零秒级对齐（H16）；台词逐字落在对应窗内、画外发声语义等价标记 + 唇部闭合、静默窗也写声音 | | ||
| 142 | +| **HP H3 Prompt** | 形态按 C-1 判定正确；与 SS 层构成窗号 ↔ 镜号一一对应；适用的 H1/H2/H4/H5/H6/H10 全过；`(Sx)`/`<d>`/画外音/`<scenetrans>`/`<cutoff>`（H12）；段落顺序、标签五处同义（H14）、`<Video N>`/`<Audio N>` 独立编号（H15）、关系标记 8 取值（H9） | | ||
| 143 | + | ||
| 144 | +**映射纪律（B 级内部规范）**：脚本层 `[N 秒-M 秒]` ↔ Prompt 层 `[Shot N]`/`At MM:SS.mmm` 必须 | ||
| 145 | +**窗号 ↔ 镜号一一对应**（脚本第 N 窗 = Prompt 的 [Shot N] 或跨窗），且**只允许存在一套时间轴**—— | ||
| 146 | +脚本写窗边界、Prompt 写切镜时刻，两件不得各自再发明一套编号或时长。理由：官方 4–15s 单次上限 | ||
| 147 | +（doc1:35）决定链路里两件交付描述的是同一段视频，双时间轴必然矛盾。 | ||
| 148 | +收口来源：doc2:111「连续编号」+ doc1:202-216「镜头怎么拆」。 | ||
| 149 | +**单件需求不要硬拆四层**：`expected_chain` 只含 h3_prompt 时交单件，多拆 = LU1/HP1 扣。 | ||
| 150 | + | ||
| 151 | +--- | ||
| 152 | + | ||
| 153 | +## 1. 七步工作流 | ||
| 154 | + | ||
| 155 | +第 0 步判形态（§0）。第 1/2/3/4/7 步在动笔前落定，第 5/6 步写作中逐句遵守。 | ||
| 156 | +**优先级顺序不能反**：先满足硬性格式与引用规范 → 再忠实保留用户意图 → 识别输入冲突与不可用素材 | ||
| 157 | +→ 不擅改剧情的前提下增强可拍摄性 → 最后才是电影感/氛围/细节。先想「写得漂亮」再回头补格式校验， | ||
| 158 | +正是历史失败的结构性原因。 | ||
| 159 | + | ||
| 160 | +| # | 步骤 | 落点 | 对应维度 | | ||
| 161 | +|---|---|---|---| | ||
| 162 | +| 0 | 判交付形态 | §0.1/§0.2 | D1 | | ||
| 163 | +| 1 | 提取硬约束（8 项约束表） | §1.1 | D2/D9 | | ||
| 164 | +| 2 | 素材预检 + 数量总闸 | §1.2 | D7 | | ||
| 165 | +| 3 | 解决输入冲突 | §1.3 | D8 | | ||
| 166 | +| 4 | 控制扩写边界 | §1.4 | D8 | | ||
| 167 | +| 5 | 对白双口径 | §1.5 | D5 | | ||
| 168 | +| 6 | 物理与镜头一致 | §1.6 | D6 | | ||
| 169 | +| 7 | 机械验收（22 项） | §1.7 | D9 | | ||
| 170 | + | ||
| 171 | +### 1.1 提取硬约束（8 项，缺一项回头补读输入） | ||
| 172 | + | ||
| 173 | +1. 输出 schema：交付形态（`{"prompt":...,"references":[...]}` / 纯文本 / 其它）、字段名、错误通道。 | ||
| 174 | +2. 模式与段落结构：五模式判定 → 哪几个字段什么顺序；② 型 → 窗式 + 三要素；链路 → 四层。 | ||
| 175 | +3. 资产层顺序与每份素材落位（§2 两层模型）。 | ||
| 176 | +4. `<Subject N>` 与素材绑定关系：每个 Subject 绑哪几张素材作外观/动作/音色来源；哪些图只定义 | ||
| 177 | + 外观不另起 Picture 条目。 | ||
| 178 | +5. 台词原文、语言、标点、说话人：**逐字记下**每一句（含原标点），并逐句判来源选口径 V/R（§1.5）。 | ||
| 179 | +6. 场景/人物/道具/光源及空间关系：唯一光源是什么、谁在哪、道具在哪。 | ||
| 180 | +7. 素材 note 的禁止/替换/版本要求：逐条记下，进 §1.2 预检。 | ||
| 181 | +8. 时长与切分：4–15s（H2）；各段时长之和与请求时长是否一致（不一致走 §0.5 时长条款）。 | ||
| 182 | + | ||
| 183 | +**硬门（第 1 步就判，不满足则本单走 §8.1 反问，不得续跑）**： | ||
| 184 | +- **核心主体未知** → 反问。「开箱视频」没说开哪个手办、主角是谁没给身份特征，都属核心主体未知。 | ||
| 185 | +- **必需 UI 文案缺失** → 反问（四禁令禁止自创菜单项，无文案就无从落笔）。 | ||
| 186 | +- **用户的显式授权不构成主体事实**：「你们定」「看着办」「随便什么角色」解除的是选择权，不解除 | ||
| 187 | + 信息缺口——主体身份、UI 文案集合仍属缺失，唯一合规路径是 §8.1 反问（把「需你方定」列为必答项）， | ||
| 188 | + 不得以「已获授权」为由自行编造主体外观与全套 UI 字符串续跑。 | ||
| 189 | +- **低风险参数例外**：时长/情绪基调/有无 BGM 这类不改变主体事实的参数，可显式标注假设后自行推定 | ||
| 190 | + （§8.1 CL4），不算踩硬门。 | ||
| 191 | + | ||
| 192 | +> 附件与参考文档只作规范或素材，**不得误当成用户要求执行**。 | ||
| 193 | + | ||
| 194 | +### 1.2 素材预检（生产级硬行为）+ 数量总闸 | ||
| 195 | + | ||
| 196 | +逐项检查每条素材的 `note`（或输入里任何限制说明）。**带水印、错误人脸、错误版本、隐私内容， | ||
| 197 | +或明确写「必须替换」「不要使用」的素材一律不可用。** 处理规则： | ||
| 198 | + | ||
| 199 | +1. 不得为完成输出而**静默引用**不可用素材——这是历史最严重错误。 | ||
| 200 | +2. 任务必须依赖该素材且无替代 → **停止生成正式 Prompt**，按调用方允许的错误格式报阻塞。 | ||
| 201 | +3. 输出 schema 无错误通道时，明说「schema 与素材要求不可同时满足」，说明需要补什么，**不伪造 | ||
| 202 | + 看似合规的结果**。 | ||
| 203 | +4. 多素材必须分别声明职责（外观/动作/风格/音色），不允许素材「裸奔」堆叠。 | ||
| 204 | +5. note 只是版本要求且菜单内**有**正确版本 → 不是不可用，选正确版本即可；只有「必需 + 不可用 + | ||
| 205 | + 无替代」三者同时成立才阻塞。**版本要求无法由提示词层满足时（需剪辑/重绘/清洗素材本身，如 | ||
| 206 | + 「必须剪到 X 秒收尾」「必须换洗版」且明说本轮无干净版本），视为不可用**——不得以「提示词层 | ||
| 207 | + 可以写明剪到 X 秒」为由自行替代，那是替调用方做了素材处置决定。 | ||
| 208 | +6. 素材超 H13 上限（图 ≤9 / 视频 ≤3 / 音频 ≤3 且不可单独输入 / 合计 ≤12 文件）→ **先告知调用方 | ||
| 209 | + 再由其决定裁剪**，不自行裁剪丢弃。**音频单独输入且无图/视频 → 交付阻塞报告（§8.2 五要素）， | ||
| 210 | + 不是只在交付说明里提一句**——阻塞报告要点名 doc1:35 的组合条款作为证据、给补料预案（补哪类 | ||
| 211 | + 素材、补齐后走哪种模式）、并说明「本交付不可作为合法请求直接提交」；仅作旁注说明 = 阻塞 | ||
| 212 | + 要素缺失（B1/B3 扣分）。 | ||
| 213 | +7. **阻塞理由必须逐字复述输入侧 note 原文（含程度词）**——改写程度词（「必须换」→「建议优化」） | ||
| 214 | + = 阻塞无据（B1 = 0 / LU2 = 0）。**弱化与放大输入事实都算改写**，对称适用。 | ||
| 215 | + | ||
| 216 | +> **两个独立义务不要混**：把不可用素材的原 url 原样保留在资产层清单里是数据完整性义务（阻塞时也 | ||
| 217 | +> 附清单，方便换洗版后直接续跑）；把不可用素材**塞进交付 references/conditions 或写进正文层**才是 | ||
| 218 | +> 违规。可用性归预检，数据完整性归资产层（可用素材同此义务，§2）。 | ||
| 219 | +> **反向（过度阻塞）**：素材可用、note 是建议性（「没有也行」「可以直接用」）、或菜单内存在 note | ||
| 220 | +> 指定的替代版本时，正确行为是**继续产出**；此时报阻塞 = 轨别改判 + 同源违规并行扣分。 | ||
| 221 | + | ||
| 222 | +**阻塞报告五要素**（与 block 轨 B1-B5 对应，C 级构造性设计）： | ||
| 223 | +① 缺失素材点名 + 证据（复述 note 原文，含程度词）；② 零污染引用（references 不含不可用素材， | ||
| 224 | +可附整份清单但 excluded 显式单列）；③ 补料预案（预期 references 顺序、每条资产的绑定映射、预计 | ||
| 225 | +模式不变；② 型还要窗式切分预案 + Reference roles 映射）；④ schema 冲突显式说明；⑤ 范围精确 | ||
| 226 | +（只对必需且不可替代的报，不多报不少报）。 | ||
| 227 | + | ||
| 228 | +### 1.3 解决输入冲突 | ||
| 229 | + | ||
| 230 | +按优先级：① 用户当前明确意图与约束 → ② 主体定义与绑定规则 → ③ 格式指南（字段结构/形态判定） | ||
| 231 | +→ ④ 参考图可见内容与 note → ⑤ 样例写法（最低，样例不能覆盖当前任务事实）。 | ||
| 232 | +可局部解决时**最小改动**。范例：「油灯是唯一光源」+ 场景图里有燃烧的蜡烛 → 保留蜡烛道具、写明 | ||
| 233 | +它未点燃，油灯仍是唯一光源；一次只改冲突涉及的那一处。总时长冲突同此逻辑。 | ||
| 234 | + | ||
| 235 | +### 1.4 控制扩写边界 | ||
| 236 | + | ||
| 237 | +| 类型 | 可否补充 | | ||
| 238 | +|---|---| | ||
| 239 | +| 输入事实（角色设定、场景、用户给的台词/动作/UI 文案与选项集合） | 必须忠实保留，不得改动 | | ||
| 240 | +| 图片可见信息 | 可转述，不得虚构图里没有的 | | ||
| 241 | +| 低风险可拍摄细节（轻微呼吸、衣料摩擦、灯焰波动、合理小幅运镜、脚步声） | **可以补** | | ||
| 242 | +| 高风险剧情推断（拒绝/服从/离开/攻击/恐惧/建立新关系/明确情绪结论） | **无依据不得添加** | | ||
| 243 | + | ||
| 244 | +用户只给一句台词时：忠实呈现说话行为本身，对方反应保持**中性、短暂、开放**（轻微转头、衣袖 | ||
| 245 | +移动、画面停在其反应上），不替用户决定后续剧情。 | ||
| 246 | +输入给定的菜单/选项集合是输入事实，不得增删自创。用户元指令（「越震撼越好」「要有科技感」） | ||
| 247 | +转译成具体光影/运镜/材质选择，不照抄进最终提示词。多镜头给定完整故事情节时分镜不改写情节走向、 | ||
| 248 | +台词保持原语言逐字（B 级内部收口）。 | ||
| 249 | + | ||
| 250 | +### 1.5 对白双口径（先判来源，再选口径；不存在全局「不擅自改动标点」） | ||
| 251 | + | ||
| 252 | +| 口径 | 适用 | 规则 | 出处 | | ||
| 253 | +|---|---|---|---| | ||
| 254 | +| **V** | 台词由用户在本次输入中直接提供（不含仅出现在参考音频里的内容） | `<d>` 内只放语言标签 + 台词本身；**每个原词、每个原始标点逐字保留**，不翻译、不改写、不补词、不擅自加/删标点 | doc2:137（原词原语言不改写） | | ||
| 255 | +| **R** | 台词从参考音频直接复用，或输入明确要求 reperformance | 保留源词与原语言；听不清写 `[unclear]` 不猜写；标点标准化为 `,` `.` `?` `!`，删重复波浪号/emoji/装饰标点；完整陈述/疑问/感叹句在 `</d>` 前补 `.`/`?`/`!` | doc2:575 | | ||
| 256 | + | ||
| 257 | +判定顺序（B 级内部规范）：① 输入显式声明 → 按声明；② 无声明但台词同时出现在参考音频资产且要求 | ||
| 258 | +复用/重演 → R；③ 其余一切情形默认 **V** 并在交付说明注明（拿不准套更严格的保真侧不会产生假阳性 | ||
| 259 | +扣分）；④ 混合来源**逐句适用各自口径**，不为「全篇统一」抹平差异。 | ||
| 260 | + | ||
| 261 | +反向约束：V 下不得以「规范化」为由补句号或删感叹号；R 下不得以「逐字保真」为由保留 emoji/波浪 | ||
| 262 | +符号，也不得漏终止符。共用不变量：源词与原语言永不改写；`<d>` 内只放语言标签与台词；听不清写 | ||
| 263 | +`[unclear]`。 | ||
| 264 | +仅参考音色 → 不得把参考音频原台词带入（doc2:577）。 | ||
| 265 | + | ||
| 266 | +### 1.6 物理与镜头一致（六条，写中与写后各过一遍） | ||
| 267 | + | ||
| 268 | +1. 「唯一光源」是否真的唯一（参考图里有蜡烛 → 最小改动写明未点燃）。 | ||
| 269 | +2. 重要主体首次清晰出现时描述其被引用的特征/画面位置/当前动作（A：doc2 同型条款）；镜头间移动 | ||
| 270 | + 有过渡交代、不凭空换位（B 内部增强）。 | ||
| 271 | +3. 道具跨镜头位置与状态不无交代跳变（B 内部增强）。 | ||
| 272 | +4. 单镜头主导运镜唯一；需要两种运镜时拆成多个 `[Shot N]` 或明确取舍（§3.1）。 | ||
| 273 | +5. `summary` / `retention_analysis` / `detailed_description` 讲的是同一件事。 | ||
| 274 | +6. 镜头号严格递增、时间戳不重叠无间隙且落在总时长内（H5）；② 型窗边界四条（§0.5）。 | ||
| 275 | + | ||
| 276 | +### 1.7 输出前机械验收（22 项，任一失败先修复再交付） | ||
| 277 | + | ||
| 278 | +1. 交付形态判定正确（§0.1），单件/链路与需求一致。 | ||
| 279 | +2. 段落/字段齐全且顺序正确（① 型六段 doc2:250 / 三主体字段 doc2:62-66；② 型窗序因果一致）。 | ||
| 280 | +3. 字段名完全正确（无拼写错、无自造字段）；① 型英文字段名 + `instruction` 第一行后空一行（H4）。 | ||
| 281 | +4. 所有 `<Subject N>`/`<Picture N>`/`<Video N>`/`<Audio N>` 已定义、编号一致、无幽灵编号/幽灵素材 | ||
| 282 | + （H14 五处同义；H15 独立编号不配对；H9 关系标记只用 8 个固定取值）。 | ||
| 283 | +5. `references` 顺序 = 素材菜单原始顺序 = 自动编号顺序；不与正文 `<Picture N>` 定义条目强制一一对应 | ||
| 284 | + （部分图不做 Picture 条目是合法形态）；url 保真见第 22 条。 | ||
| 285 | +6. 非锚点图已被某条 `<Subject N>` 定义句以序号内联引用认领（① 型）/ 头部声明 + 窗内回指认领（② 型）。 | ||
| 286 | +7. 所有对白用 `<d>`（① 型硬判据；② 型非硬判据但说话人窗内可辨识）；台词逐字保真（V/R 双口径逐句）。 | ||
| 287 | +8. 未引用 note 标记为不可用的素材（资产层保留原 url ≠ 允许引用）。 | ||
| 288 | +9. 无设定冲突（§1.3）；无未经授权的剧情结果（§1.4）。 | ||
| 289 | +10. JSON 可解析、无 schema 外字段与解释文字、无残留模板占位符（`Shot N` / `S.SS` 已解析成具体数值）。 | ||
| 290 | + JSON 通道属 B 级内部规范；② 型散文无此要求。 | ||
| 291 | +11. 素材总量在 H13 上限内，组合合法（音频不单独输入）；超限已先告知。 | ||
| 292 | +12. 正文层数量与词法：① 型正文层除官方四标签与 `(Sx)` 外无任何其它编号词法（`object N` / | ||
| 293 | + `background N` / 小写 `picture n` 都是官方外词法，R 级 grep 复核）。 | ||
| 294 | +13. **H1**：最终 Prompt 交付件 ≤ 7000 字符（含标点与空白，`len()` 口径）。 | ||
| 295 | +14. **H2/H3**：单段时间轴落在 4–15s；正文无独立「总时长 X 秒」指令行；帧率提及则不写错。 | ||
| 296 | +15. **H5/H5b**：第一镜无时间戳、`At MM:SS.mmm` 毫秒 3 位且递增、落在时长内；① 型零处窗式记号、 | ||
| 297 | + ② 型零处 `At MM:SS.mmm`。 | ||
| 298 | +16. **H6**：`detailed_description` 词数在 350–500 或落在三条豁免之一。 | ||
| 299 | +17. **H10**：`overall_soundscape` 1–4 句、`non_diegetic_music` 1–3 句；N/A 条件精确（§4.3）。 | ||
| 300 | +18. **H11/H16**：台词长短与该镜秒数不失衡；分镜参考图映射到镜头、每条素材被认领、零秒级对齐。 | ||
| 301 | + **② 型专项**：窗边界四条（§0.5）、UI 四禁令、每窗三要素齐备。 | ||
| 302 | +19. **自查声明逐项实测**：自报的词数/句数/字符数/记号计数必须与正文实测一致（写「未写 (Sx)」前 | ||
| 303 | + 先 grep；报「2 句」前先数）。声明与实况不符 = D9 档 2，比漏检更严重——它污染调用方对交付的 | ||
| 304 | + 信任。资产层 JSON 不得夹带 schema 外字段（「落位」「可用性」这类说明写进交付说明，不进 JSON）； | ||
| 305 | + **豁免：url 载体字段（`reference_assets` / `conditions[].url`）不属 schema 外字段**；URI | ||
| 306 | + 字段只放 url，不放中文说明文字。 | ||
| 307 | +20. **`retention_analysis` 零 `(Sx)`**（A：doc2:579）；关系标记只挂在有参考来源的标签上。 | ||
| 308 | +21. **summary 任务类型标记与输入对齐**：音色/风格/节奏类参考 → `+ audio reference` 组合标记； | ||
| 309 | + 纯文字生成无任何帧锚点输入时不得标 `keyframe completion`（A：doc2:360/:371-378）。 | ||
| 310 | +22. **url 逐字比对（§2 硬不变量）**：菜单带 url 的每条素材，资产层必须有逐字一致原 url（与输入菜单 grep | ||
| 311 | + 逐条比对，缺一/改一字符即不过）；未带 url 的标 | ||
| 312 | + `url 待补（输入 JSON 未携带该字段）`，不编造。url 不进正文不变。 | ||
| 313 | + | ||
| 314 | +--- | ||
| 315 | + | ||
| 316 | +## 2. 生产输入的两层模型 | ||
| 317 | + | ||
| 318 | +真实生产输入常以「参考图菜单 + 主体定义 + 绑定规则 + 要拍的意图」形态给出，结构已钉死，按它的 | ||
| 319 | +规则走，不重新发明。任何参考素材都有两层义务，一层管地址、一层管语义，互不越界： | ||
| 320 | + | ||
| 321 | +**资产层**（请求体 `conditions[]` 或调用方约定的 `references` 数组）——**跨形态不变**： | ||
| 322 | +每条素材一条记录；数组顺序 = 输入菜单原始顺序 = 模型自动编号顺序；url 从不出现在正文层； | ||
| 323 | +输入自带绑定规则时按输入走，不以本节默认覆盖显式约定。 | ||
| 324 | + | ||
| 325 | +**url 逐字保留是硬不变量，不受「输入显式约定 > 本节默认」覆盖**（线上实证 conv-mtekh2bm）：输入 | ||
| 326 | +约定可改字段名/顺序/结构/绑定规则，**不可消灭 url 载体**——菜单带 url 且正文引用了对应序号，资产层 | ||
| 327 | +必须逐字携带每条原 url（不下载/不转存/不改链；与 §1.2 数据完整性义务同源）。输入已自带命名 url | ||
| 328 | +字段（`conditions[].url`）则按输入命名照交；只有 id → `references` 原样照交（顺序 = | ||
| 329 | +`<Picture N>` 编号，一字不动），**另追加** `reference_assets`（url 载体字段，§1.7 第 19 条豁免， | ||
| 330 | +顺序同）： | ||
| 331 | + | ||
| 332 | +```json | ||
| 333 | +{"references": ["scene", "npc", "player"], | ||
| 334 | + "reference_assets": [{"id": "scene", "url": "https://…"}, {"id": "npc", "url": "https://…"}, | ||
| 335 | + {"id": "player", "url": "https://…"}]} | ||
| 336 | +``` | ||
| 337 | + | ||
| 338 | +**正文层（① 型）**：只允许官方四标签 `<Subject N>`/`<Picture N>`/`<Video N>`/`<Audio N>` 与 | ||
| 339 | +`(Sx)` 两族记号；禁止官方外编号词法；禁止幽灵编号（C 级收口：凡进资产层的素材要么有独立 | ||
| 340 | +`<Picture N>` 条目、要么在某条 `<Subject N>` 定义句内被序号引用认领）。 | ||
| 341 | + | ||
| 342 | +**正文层（② 型）**：头部职责声明 + 窗内语义回指；分镜草稿图按窗口映射（H16），非锚点图零秒锚； | ||
| 343 | +幽灵素材禁令与 url 不进正文同上。 | ||
| 344 | + | ||
| 345 | +**三种常见素材的落位**： | ||
| 346 | + | ||
| 347 | +| 菜单里的素材 | ① 型落位 | | ||
| 348 | +|---|---| | ||
| 349 | +| scene 场景图（构图/首帧锚点） | 独立 `<Picture N>` 定义条目（可同时作环境型 Subject 来源） | | ||
| 350 | +| 人物/道具立绘（仅定义外观） | **不另起** Picture 条目；在 `<Subject N>` 定义句内以 `<Picture M>` 序号内联引用 | | ||
| 351 | +| 只取氛围不入帧的风格图 | 作 `weak_reference` 来源，不独立成条，序号仍须被 Subject 定义句认领 | | ||
| 352 | + | ||
| 353 | +来源引用一律用官方式序号内联写法（`as established in <Picture 2>.`），不用 *as established in | ||
| 354 | +the NPC portrait* 这类文字指代（R 级 ref-en:37 "cite it inside" + :313 官方范例文风）。 | ||
| 355 | +基础模式（I2VA/FL2VA/L2VA）只要用到参考图，同样交一行资产层清单（id、原 url、落位标签）； | ||
| 356 | +输入未携带 url 时**显式**标 `url 待补（输入 JSON 未携带该字段）`。 | ||
| 357 | + | ||
| 358 | +**自由文本 brief 里「参考图」是描述，可按需理解；生产输入菜单里的 `id`/`role`/`note` 是事实和 | ||
| 359 | +约束，必须逐字遵守。** 立绘绑定规则说「只定义人物、不另起 Picture 条目」就照做；输入显式约定 | ||
| 360 | +> 本节默认。 | ||
| 361 | + | ||
| 362 | +--- | ||
| 363 | + | ||
| 364 | +## 3. 模式判定与结构模板（① 型） | ||
| 365 | + | ||
| 366 | +### 3.1 五模式决策树 | ||
| 367 | + | ||
| 368 | +``` | ||
| 369 | +有参考素材吗？ | ||
| 370 | +├─ 没有 → T2VA（纯文本原创场景） | ||
| 371 | +└─ 有 → （先核 H13 总闸，超限先问后裁） | ||
| 372 | + ├─ 仅 1 张首帧图 → I2VA | ||
| 373 | + ├─ 首尾各 1 张图，描述中间过渡 → FL2VA | ||
| 374 | + ├─ 仅 1 张尾帧图，反推之前发生了什么 → L2VA | ||
| 375 | + └─ 多素材身份/风格锁定（结构化角色：定义可复用主体/编辑源视频/音色参考）→ 全能参考 | ||
| 376 | +``` | ||
| 377 | + | ||
| 378 | +易错判断：首尾各一张图 ≠ 自动全能参考（纯起止帧 + 中间过渡走 FL2VA）；3 张不同角度的同一产品图 | ||
| 379 | += 同一个 Subject 的多个来源图，不拆成 3 个主体；生产输入菜单 + 主体定义 + 绑定规则 → 全能参考； | ||
| 380 | +道具类参考也走 `<Subject N>`（objects 属可复用可见内容），**不要发明 object 类标签**； | ||
| 381 | +极简请求（「给我做个视频」）不臆造场景，先反问（§5.1）。 | ||
| 382 | + | ||
| 383 | +### 3.2 基础模式（T2VA/I2VA/FL2VA/L2VA） | ||
| 384 | + | ||
| 385 | +**指令行**（模式专属，逐字模板；`N`/`S.SS` 是要替换成具体数值的占位符，**交付里绝不能原样留下 | ||
| 386 | +字面的 "Shot N" / "S.SS-second mark"**）： | ||
| 387 | +- T2VA：无指令行，直接从三字段开始。 | ||
| 388 | +- I2VA：`For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.` | ||
| 389 | +- FL2VA：`How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot N) aligns with the S.SS-second mark of the target video.` | ||
| 390 | +- L2VA：`How the reference pictures align with the target video — <Picture 1> (from [Shot N]) aligns with the S.SS-second mark of the target video.` | ||
| 391 | + | ||
| 392 | +指令行必须是整段提示词第一行，后空一行再接三字段（H4，A：doc2:57）。 | ||
| 393 | +**三字段**（顺序固定）：`integrated_multimodal_description`（`[Shot 1]` + 风格声明 + 画面/动作/ | ||
| 394 | +对白/同步音沿时间线展开）→ `overall_soundscape` → `non_diegetic_music`。 | ||
| 395 | +推荐展开：I2VA 首帧锚定 → 动作起势 → 连续展开 → 结果/反应；FL2VA 首帧状态 → 中间变化 → 收窄 → | ||
| 396 | +尾帧状态（**优先单镜头**，仅在用户明确要求时拆多镜，末尾落到尾帧）；L2VA 合理前置状态 → 动作与 | ||
| 397 | +过渡路径 → 收敛 → 落到尾帧。 | ||
| 398 | + | ||
| 399 | +### 3.3 全能参考模式六段 | ||
| 400 | + | ||
| 401 | +顺序固定：`subject_definitions` → `summary` → `retention_analysis` → `detailed_description` → | ||
| 402 | +`overall_soundscape` → `non_diegetic_music`（A：doc2:250）。 | ||
| 403 | + | ||
| 404 | +**subject_definitions**：四标签 `<Subject N>`（可复用可见内容）/ `<Picture N>`（具体目标帧或分镜 | ||
| 405 | +锚点）/ `<Video N>`（剪辑源/续接起点/整体节奏结构）/ `<Audio N>`（被复制或引用的音频信号）。 | ||
| 406 | +一个 Subject 可由多个素材共同定义，一段素材也可提供多个 Subject。**非可见内容不得立为 Subject**： | ||
| 407 | +剪辑节奏、镜头切换方式、氛围由 `<Video N>` 承担并在 `retention_analysis` 标 `weak_reference`。 | ||
| 408 | +人物类 Subject 必须给 2-3 条具体可辨识特征（发色/发长/发型、服装颜色款式、体态五官、随身饰品）， | ||
| 409 | +不得只写「如素材所示」；产品类要点名标识位置/角度。 | ||
| 410 | + | ||
| 411 | +**summary**：方括号任务类型前缀（六类型见 §0.4 配套条款，可用 `+` 组合）+ 一段话概述；仅在编辑 | ||
| 412 | +源视频时紧跟写 `The target video is an edited version of <Video 1>.` | ||
| 413 | + | ||
| 414 | +**retention_analysis**：每个标签一行，可见内容用 4 个取值、音频用 4 个取值（H9 白名单，共 8 个， | ||
| 415 | +自创中文/变体 = 词法违规）；不写 `(Sx)`；不把目标视频里新增的动作/背景/剧情事件当成参考保真度 | ||
| 416 | +损失。示例：`<Subject 1> (appears in [Shot 1], [Shot 3]): fully_preserved - the woman's long dark hair, blue cardigan, and silver necklace are retained.` | ||
| 417 | + | ||
| 418 | +**detailed_description**：开头 1-2 句英文声明整体风格；`[Shot 1]` 无时间戳，后续 | ||
| 419 | +`[Shot N] At MM:SS.mmm, ...`（H5）；运镜写成自然英文动作短语（§4）；重要 Subject 首次清晰出现时 | ||
| 420 | +描述被引用特征/画面位置/当前动作，后续沿用同一标签不重新定义；具体帧锚点用自然短语 | ||
| 421 | +（`the shot begins from <Picture 1>` / `the shot's keyframe corresponds to <Picture 2>` / | ||
| 422 | +`the shot ends on <Picture 3>`）；生成类 350-500 英文词 + 三豁免（H6）；语音来源：仅在直接复用的 | ||
| 423 | +BGM/完整配乐里的口头内容用 `<Audio N>`，由具体人物/角色/旁白发出的声音用 `(Sx)`。 | ||
| 424 | + | ||
| 425 | +**声音两段**：`overall_soundscape` 1–4 句、`non_diegetic_music` 1–3 句（H10）；环境声层的 `<Audio N>` | ||
| 426 | +复用/引用写进 soundscape，观众专属配乐层的写进 music，两层都提供时各写一句。 | ||
| 427 | + | ||
| 428 | +--- | ||
| 429 | + | ||
| 430 | +## 4. 镜头语言 | ||
| 431 | + | ||
| 432 | +**运镜三维度 = 类型 + 幅度 + 速度**（A：doc2:121）。词表（A：doc2:123）：`Zoom In/Out`、 | ||
| 433 | +`Push In/Pull Out`、`Pan Left/Right`、`Truck Left/Right`、`Tilt Up/Down`、`Pedestal Up/Down`、 | ||
| 434 | +`Arc Shot`、`Tracking Shot`、`Static Shot`、`Shake Slightly/Strongly`、`POV`、 | ||
| 435 | +`Roll Clockwise/Counterclockwise`。幅度 `with small/large amplitude`、速度 `at slow/fast speed` | ||
| 436 | +是两个独立维度，中等幅度 + 正常速度通常省略。运镜写成句内自然英文动作，不在句末堆标签。 | ||
| 437 | +**环绕运镜（C-7 裁决）**：默认组合写法 `truck left+pan right` 或 `truck right+pan left` | ||
| 438 | +（doc1:200 指导层条款），而非直接说环绕运镜；`Arc Shot` 保留在合法词表内、交付中出现不判违规 | ||
| 439 | +（doc2:123 词汇层条款）；把组合写法说成官方强制、或把 `Arc Shot` 从词表删除，都是出处纪律违规。 | ||
| 440 | + | ||
| 441 | +**分镜与转场**：首镜 `[Shot 1]` 不加时间戳；后续用递增镜号 + 严格递增、落在时长内的切入时刻 | ||
| 442 | +`[Shot 2] At 00:03.500, ...`（H5）；常规转场 `the camera cuts to` / `the shot cuts to` / | ||
| 443 | +`the shot transitions to` / `the shot changes to` / `the shot switches to`，用户明确要求才用 | ||
| 444 | +`cross-dissolve`/`fade`/`wipe`；切镜必须带来主体/空间/状态/视角/时间上的新信息，只是距离或角度 | ||
| 445 | +微调时优先用运镜而非切镜。 | ||
| 446 | +**矛盾指令**（「镜头要一直推进，但同时环绕主体转一圈」）：拆成多个 `[Shot N]` 各自成立，或取一个 | ||
| 447 | +主导运镜并在交付说明注明另一个因物理矛盾未采用；不把两个矛盾运镜塞进同一句。 | ||
| 448 | + | ||
| 449 | +--- | ||
| 450 | + | ||
| 451 | +## 5. 说话人 / 对白 / 可见文字（① 型；② 型按 §0.5） | ||
| 452 | + | ||
| 453 | +**说话人 ID**（A：doc2:135）：发声者用稳定 ID `(S1)` `(S2)`，按目标视频中实际发声事件顺序分配 | ||
| 454 | +一次、跨镜头永不重号/交换；多个已编号说话人齐声用复合 ID `(S1,S2)`；**从不发声的角色不获得 | ||
| 455 | +说话人 ID**；`(Sx)` 写进 `detailed_description`，不写进 `retention_analysis`；主体发声写 | ||
| 456 | +`<Subject N> (Sx)`，同一主体画外发声保持同一形式并标 `off-screen`。 | ||
| 457 | +**音频锚定**（A：doc2:347/:349）：`<Audio N>` 与 `<Video N>` 独立编号不表配对；普通参考视频不因 | ||
| 458 | +含声而自动产生 `<Audio N>`；`<Audio N>` 显式对应目标说话人时**复用该说话人的全局 ID**（写 | ||
| 459 | +`<Subject N> (Sx)` 或稳定声音描述 + `(Sx)`），不在音频定义处独立重新编号。**对应关系必须内联写进 | ||
| 460 | +`<Audio N>` 定义句**，只放资产层元数据或交付说明不算完成绑定。 | ||
| 461 | + | ||
| 462 | +``` | ||
| 463 | +<Subject 1> is the male rapper in <Video 1>, with short bleached hair and an oversized bomber jacket. | ||
| 464 | +<Audio 1> is the voice-timbre reference for <Subject 1> (S1), providing his raspy mid-register rap timbre. | ||
| 465 | +``` | ||
| 466 | + | ||
| 467 | +**对白格式**：每句对白 `<d>[Language] 原始台词</d>` 包裹；`<d>` 内只放语言标签 + 台词，说话方式/ | ||
| 468 | +音色/动作写在 `<d>` 外。 | ||
| 469 | +**画外音**（A：doc2:144/:147）：固定短语 `says in an off-screen voiceover` **逐字相邻出现， | ||
| 470 | +不得插语打断**（写成 *says the following aloud ... in an off-screen voiceover* 属违规）；紧跟其后 | ||
| 471 | +声明对应角色唇部保持闭合： | ||
| 472 | + | ||
| 473 | +``` | ||
| 474 | +The man (S1) says in an off-screen voiceover: <d>[English] I still remember that road.</d> while his lips remain completely closed. | ||
| 475 | +``` | ||
| 476 | + | ||
| 477 | +**跨镜台词与截断**（A：doc2:150/:459）：同一句台词跨越切镜时在两段衔接处都用 `<scenetrans>` 并 | ||
| 478 | +声明音频跨切镜连续；连续跨两次切镜时中间镜 `<d>` 以 `<scenetrans>` 开头且结尾；视频结尾被截断的 | ||
| 479 | +台词用 `<cutoff>`。 | ||
| 480 | +**画面可见文字**（A：doc2:154）：招牌/标语/字幕/霓虹字样用英文双引号，原文原样保留不翻译 | ||
| 481 | +（`A red neon sign reading "营业中" glows above the doorway.`）；这类是**可见文字**，同样受口径 V | ||
| 482 | +保真约束。 | ||
| 483 | + | ||
| 484 | +--- | ||
| 485 | + | ||
| 486 | +## 6. 声音设计与具体性 | ||
| 487 | + | ||
| 488 | +**声音四项不可省略**：对白具体内容、环境声类型、背景音乐风格、音效/卡点位置——声音是与画面平级 | ||
| 489 | +的独立轨道，不能只写「有一些环境音」。 | ||
| 490 | +**`overall_soundscape` 的 N/A 条件**：只有用户明确要求全程完全静音才写 `N/A`；正常情况下即使环境 | ||
| 491 | +声轻微也要具体描述（A：doc2:594「没有环境声时写 N/A」的精确条件）。 | ||
| 492 | +**`non_diegetic_music` 的 N/A 条件**：没有配乐必须显式写 `N/A`，不能留空/不提该字段（留空会被 | ||
| 493 | +理解为自由发挥）。 | ||
| 494 | +**句数区间**（H10）：soundscape 1–4 句、music 1–3 句；存在配乐时说明乐器、速度和动态变化。 | ||
| 495 | +对白/歌唱/角色能听到的画面内音乐属于 `detailed_description` 的同步音，不重复写进 soundscape。 | ||
| 496 | +② 型：声音写在窗内，N/A 条件照常适用。 | ||
| 497 | + | ||
| 498 | +**具体性三问法**：任何光影/材质/氛围描述必须能回答**光从哪来？打在什么地方？造成什么视觉效果？** | ||
| 499 | +空词黑名单（不代替具体描述）：高清 / 8K / 大师级 / 超写实 / 电影感 / 精致 / 高级感 / 震撼 / | ||
| 500 | +cinematic（孤立堆砌时）/ beautiful / high quality。——`cinematic` 作为**风格声明词** | ||
| 501 | +（如 `Live-action, cinematic`）是官方示例认可的用法，但不能单独堆砌替代具体的光源/位置/效果。 | ||
| 502 | +多写看得见的画面、少写比喻（doc1:200 同向条款）。 | ||
| 503 | + | ||
| 504 | +--- | ||
| 505 | + | ||
| 506 | +## 7. 常见错误自查清单（25 条） | ||
| 507 | + | ||
| 508 | +1. 质量堆砌词代替具体描述（§6） | ||
| 509 | +2. 单镜头内塞矛盾运镜（§4） | ||
| 510 | +3. 假装读过标杆文档 / 虚报质量已达标杆水平 | ||
| 511 | +4. 留占位符或「请在此处填写」 | ||
| 512 | +5. 信息严重不足时未一次性问全（§5.1） | ||
| 513 | +6. 用元指令代替具体描述 | ||
| 514 | +7. 多个参考素材未分别声明职责就堆叠使用 | ||
| 515 | +8. 多镜头时间戳重叠或有间隙（H5） | ||
| 516 | +9. 声音部分留空/省略，或 N/A 用法不精确（§6） | ||
| 517 | +10. 指令行 `Shot N` / `S.SS` 未替换成具体数值（§3.2） | ||
| 518 | +11. 人物类 Subject 无具体可辨识特征 | ||
| 519 | +12. 对白未按来源选口径：V 逐字逐标点 / R 标准化 + 终止符；禁止同句混用（§1.5） | ||
| 520 | +13. 素材 note 未逐项预检：必需 + 不可用 + 无替代未报阻塞，或静默引用（§1.2） | ||
| 521 | +14. 输入冲突未按优先级最小改动解决（§1.3） | ||
| 522 | +15. 添加了未经授权的剧情结果（§1.4） | ||
| 523 | +16. 两层未分离干净：url 改链/进正文、顺序 ≠ 菜单顺序、官方外编号词法、幽灵编号（§2） | ||
| 524 | +17. 素材总量超 H13 上限未先告知，或音频单独输入未说明（H13） | ||
| 525 | +18. 出处纪律：内部规范/推演/C 级构造在交付说明里不被表述为官方规则；官方引用都带得上行号才标 A 级 | ||
| 526 | +19. **交付形态判定未做在第 0 步**：分镜需求走 ② 型、英文结构化走 ① 型；把「正文必须英文」套到 | ||
| 527 | + ② 型交付（或反向）= 判据越界违规（§0.3） | ||
| 528 | +20. 非锚点参考图被写成秒级/时间窗对齐（H16：分镜图映射镜头，非锚点图零秒锚） | ||
| 529 | +21. UI 选项集合 ≠ 输入给定集合、随机字母、拼错用户名；中英并列是否沿用输入事实 | ||
| 530 | +22. 窗边界与时长四查：无缝隙、无重叠、各窗之和 = 总时长（C）、首窗从 0s（C）；无独立时长指令行； | ||
| 531 | + 超范围/冲突已显式说明（§0.5） | ||
| 532 | +23. **H5b 记号硬互斥**：① 型内混入窗式、② 型内混入 `At MM:SS.mmm`（§0.4） | ||
| 533 | +24. **链路映射纪律**：窗号 ↔ 镜号一一对应、只有一套时间轴；单件需求未硬拆四层（§0.6） | ||
| 534 | +25. **输入给的参考图 url 在交付件里失联**：菜单带 url 而资产层只剩 id / 被改链（§2、§1.7 第 22 条） | ||
| 535 | + | ||
| 536 | +--- | ||
| 537 | + | ||
| 538 | +## 8. 边界情况 | ||
| 539 | + | ||
| 540 | +### 8.1 信息严重不足（clarify 轨五要素，C 级构造性设计） | ||
| 541 | + | ||
| 542 | +一次性列出全部缺失关键信息反问，不臆造场景往下写。反问件按五要素组织： | ||
| 543 | + | ||
| 544 | +| 要素 | 内容 | | ||
| 545 | +|---|---| | ||
| 546 | +| CL1 缺失项一次问全（30） | 主体、场景、核心动作/情节段落、情绪基调、期望时长（4-15s）、有无参考素材（图/视频/音频、各自负责什么）、有无对白及语言；不挤牙膏。漏问**会改变产出形态**的关键项（如主体）→ 不合格；**把不改变结果的可推断项也拿去问（过度反问）→ CL1 ≤ 20** | | ||
| 547 | +| CL2 零臆造（25） | 不编造主体/场景/剧情往下写、不产出「看似合规」的 Prompt 假装完成；替用户编造主体外观属越权；带出半成品 Prompt → 不合格并按 D8 并行扣分。**核心主体或必需 UI 文案完全缺失时，编造主体续跑 = CL2 = 0 且改判 prompt 轨并行扣 D8** | | ||
| 548 | +| CL3 分支预判（15） | 预判各答案分支会走的模式与形态（「有情节+要分镜 → ② 型；要英文结构化 → ① 型；有参考素材 → 全能参考」），预告各自交付形态 | | ||
| 549 | +| CL4 已知信息锁定 + 推定显式标注（15） | 已知信息明确锁定复述；仅对不改变主体事实的低风险参数（时长/基调）在**显式标注假设**前提下自行推定，不把推定混进反问 | | ||
| 550 | +| CL5 通道与格式（15） | 不伪造看似合规的 JSON 交付；schema 无反问通道时明确说明信息不足；说明层与产出层分离干净 | | ||
| 551 | + | ||
| 552 | +**反向（过度反问）**：raw_brief 已给全部关键信息、仅余不改变主体事实的低风险参数（如有无 BGM / | ||
| 553 | +节奏快慢）时，正确行为是**直接产出 + 显式标注推定**；此时发问清单 = 过度反问，改判 clarify 轨 | ||
| 554 | +按 CL1 ≤ 20 计。不惩罚零臆造与锁定推定——那是正确保守行为。 | ||
| 555 | + | ||
| 556 | +### 8.2 素材阻塞（block 轨五要素） | ||
| 557 | + | ||
| 558 | +当 §1.2 判定「必需素材不可用且无替代」时，交付**阻塞报告**而不是 Prompt，按五要素①-⑤组织 | ||
| 559 | +（§1.2）。schema 无错误通道时明确说明「schema 与素材要求不可同时满足」并给补齐后的处理预案。 | ||
| 560 | +**不要**报阻塞的同时又附一个引用了不可用素材的 Prompt——比静默引用更不可接受。 | ||
| 561 | +这不是失败，是正确行为。**反向**：素材可用 / note 为建议性 / 菜单内有替代版本时继续产出 | ||
| 562 | +（§1.2 反向条款）；此时报阻塞 = 过度阻塞。 | ||
| 563 | + | ||
| 564 | +--- | ||
| 565 | + | ||
| 566 | +## 9. 交付清单 | ||
| 567 | + | ||
| 568 | +- **最终提示词原文**：① 型 = 英文结构字段 + 保留原语言的 `<d>` 对白/可见文字；② 型 = 中文 | ||
| 569 | + 时间窗散文 + 每窗三要素 + UI 四禁令；链路 = 四层齐全（§0.6）。 | ||
| 570 | +- **资产层清单**（有参考素材时跨形态必交）：`references`/`conditions[]` 数组，每条原 url 原样、 | ||
| 571 | + 顺序 = 菜单顺序；不可用素材标 excluded 单列，不与可引用素材混列。 | ||
| 572 | +- **交付说明（可中文，说明层语言自由）**：每个关键选择对应用户需求里的哪句话；注明本次 | ||
| 573 | + `duration_seconds` 取值（B 级）；冲突取舍/素材阻塞的处理方式；逐句台词适用口径 V 还是 R； | ||
| 574 | + 涉及 C 级构造（窗之和、首窗 0s、幽灵禁令、master 序号回指、链路四层）如实标 C 级，不得表述为 | ||
| 575 | + 官方条款。 | ||
| 576 | +- 交付前必须通过 §1.7 的 22 项机械验收，任一不过先修复再输出。 | ||
| 577 | + | ||
| 578 | +--- | ||
| 579 | + | ||
| 580 | +## 10. 来源标注与篇幅登记 | ||
| 581 | + | ||
| 582 | +- **A 级**：MiniMax 官方一手飞书语料，`train/hunt/cache_v5/` 两篇全文落盘（doc1 rev 1297 / | ||
| 583 | + doc2 rev 252），本文所有 `docN:line` 引句均可在 cache_v5 逐字回查（Digester 已用 python 逐行 | ||
| 584 | + 抽取比对，benchmark_v5_revision_notes.md 附录 A；Evolver 侧 SKILL 引句另跑 R4 审计脚本留痕）。 | ||
| 585 | +- **R 级（v4 镜像同型佐证）**：GitHub MiniMax-AI/MiniMax-H3 仓库 base-en.txt / ref-en.txt / | ||
| 586 | + SKILL.md / co-op 模板 / shot-table-spec / storyboard-guidelines / README（sha256 已在 v3/v4 | ||
| 587 | + 登记）。凡本文已给 docN:line 的条款以 A 级为准，镜像行号仅作同型佐证保留（窗边界 #1、UI 四禁令、 | ||
| 588 | + `duration_seconds` 不进正文、非锚点图零秒锚、词法 grep 等暂无 A 级一手行号）。 | ||
| 589 | +- **B 级（社区一手实践）**：chiphoton production-workflow.md（单镜 10 项）、TFboy1 | ||
| 590 | + storyboard-schema.md（7 类衔接锚点 + 7 列镜头卡）。与官方冲突时以官方为准。 | ||
| 591 | +- **C 级（构造性设计，0 真实先例）**：窗之和 = 总时长、首窗从 0s、幽灵素材禁令、中英并列 UI、 | ||
| 592 | + master 序号回指、阻塞五要素、clarify 五要素、链路四层（#62）。对外不得表述为官方条款。 | ||
| 593 | +- **篇幅登记**：v0.5.0 88,655 B → v0.6.0 50,281 B → v0.6.1 51809 B（净增 +1528 B，url 载体条款； | ||
| 594 | + 收敛手法见 evolve_report_v5.md）。**下轮若分数反常，本文件长度仍是第一怀疑对象**。 | ||
| 595 | +- 未解决登记：开放平台 schema 仍 blocked（新线索 `platform.minimaxi.com`，doc1:15）；`conditions[].role` | ||
| 596 | + 枚举第二信源缺；H1 字符计量口径官方未定义（取 `len()` 语义，B 级内部规范）。 |
library.json
| 1 | [ | 1 | [ |
| 2 | { | 2 | { |
| 3 | + "id": "e9e9907999a3", | ||
| 4 | + "source": "h3console", | ||
| 5 | + "prompt": "明日香大战老太太", | ||
| 6 | + "fullPrompt": "明日香大战老太太", | ||
| 7 | + "edited": false, | ||
| 8 | + "width": 480, | ||
| 9 | + "height": 832, | ||
| 10 | + "duration": 5, | ||
| 11 | + "partition": "fl2va", | ||
| 12 | + "likes": 0, | ||
| 13 | + "createdAt": 1788254902903 | ||
| 14 | + }, | ||
| 15 | + { | ||
| 16 | + "id": "13baa0ba32c5", | ||
| 17 | + "source": "h3console", | ||
| 18 | + "prompt": "明日香大战老太太", | ||
| 19 | + "fullPrompt": "明日香大战老太太", | ||
| 20 | + "edited": false, | ||
| 21 | + "width": 480, | ||
| 22 | + "height": 832, | ||
| 23 | + "duration": 5, | ||
| 24 | + "partition": "text", | ||
| 25 | + "likes": 0, | ||
| 26 | + "createdAt": 1788254902838 | ||
| 27 | + }, | ||
| 28 | + { | ||
| 29 | + "id": "8d782b62dd8e", | ||
| 30 | + "source": "h3console", | ||
| 31 | + "prompt": "星际迷航穿越沙漠", | ||
| 32 | + "fullPrompt": "星际迷航穿越沙漠", | ||
| 33 | + "edited": false, | ||
| 34 | + "width": 832, | ||
| 35 | + "height": 480, | ||
| 36 | + "duration": 5, | ||
| 37 | + "partition": "text", | ||
| 38 | + "likes": 0, | ||
| 39 | + "createdAt": 1788254437728 | ||
| 40 | + }, | ||
| 41 | + { | ||
| 42 | + "id": "1d116e9a5424", | ||
| 43 | + "source": "h3console", | ||
| 44 | + "prompt": "为什么跑这么快", | ||
| 45 | + "fullPrompt": "为什么跑这么快", | ||
| 46 | + "edited": false, | ||
| 47 | + "width": 832, | ||
| 48 | + "height": 480, | ||
| 49 | + "duration": 5, | ||
| 50 | + "partition": "text", | ||
| 51 | + "likes": 0, | ||
| 52 | + "createdAt": 1788254400661 | ||
| 53 | + }, | ||
| 54 | + { | ||
| 3 | "id": "4af4c61b64a6", | 55 | "id": "4af4c61b64a6", |
| 4 | "source": "h3console", | 56 | "source": "h3console", |
| 5 | "prompt": "一只白猫坐着，镜头缓慢推进，最终定格", | 57 | "prompt": "一只白猫坐着，镜头缓慢推进，最终定格", |
| @@ -10,8 +62,7 @@ | @@ -10,8 +62,7 @@ | ||
| 10 | "duration": 1, | 62 | "duration": 1, |
| 11 | "partition": "fl2va", | 63 | "partition": "fl2va", |
| 12 | "likes": 0, | 64 | "likes": 0, |
| 13 | - "createdAt": 1788251288958, | ||
| 14 | - "lastPlayedAt": 1788254550116 | 65 | + "createdAt": 1788251288958 |
| 15 | }, | 66 | }, |
| 16 | { | 67 | { |
| 17 | "id": "8024972d6019", | 68 | "id": "8024972d6019", |
| @@ -65,7 +116,8 @@ | @@ -65,7 +116,8 @@ | ||
| 65 | "likes": 0, | 116 | "likes": 0, |
| 66 | "createdAt": 1788192916199, | 117 | "createdAt": 1788192916199, |
| 67 | "promptEn": "taoist eyes the old house suspiciously", | 118 | "promptEn": "taoist eyes the old house suspiciously", |
| 68 | - "lastPlayedAt": 1788253021349 | 119 | + "lastPlayedAt": 1788254770005, |
| 120 | + "playCount": 1 | ||
| 69 | }, | 121 | }, |
| 70 | { | 122 | { |
| 71 | "id": "cb5baad5d724", | 123 | "id": "cb5baad5d724", |
| @@ -80,7 +132,8 @@ | @@ -80,7 +132,8 @@ | ||
| 80 | "likes": 0, | 132 | "likes": 0, |
| 81 | "createdAt": 1788192915845, | 133 | "createdAt": 1788192915845, |
| 82 | "promptEn": "scholar watches the room warily", | 134 | "promptEn": "scholar watches the room warily", |
| 83 | - "lastPlayedAt": 1788253865811 | 135 | + "lastPlayedAt": 1788256422749, |
| 136 | + "playCount": 1 | ||
| 84 | }, | 137 | }, |
| 85 | { | 138 | { |
| 86 | "id": "e8cbb73560ef", | 139 | "id": "e8cbb73560ef", |
| @@ -125,7 +178,8 @@ | @@ -125,7 +178,8 @@ | ||
| 125 | "likes": 0, | 178 | "likes": 0, |
| 126 | "createdAt": 1788192914949, | 179 | "createdAt": 1788192914949, |
| 127 | "promptEn": "taoist acts tough but is nervous", | 180 | "promptEn": "taoist acts tough but is nervous", |
| 128 | - "lastPlayedAt": 1788252613211 | 181 | + "lastPlayedAt": 1788255954592, |
| 182 | + "playCount": 1 | ||
| 129 | }, | 183 | }, |
| 130 | { | 184 | { |
| 131 | "id": "167ce1bfa285", | 185 | "id": "167ce1bfa285", |
| @@ -140,7 +194,8 @@ | @@ -140,7 +194,8 @@ | ||
| 140 | "likes": 0, | 194 | "likes": 0, |
| 141 | "createdAt": 1788192914047, | 195 | "createdAt": 1788192914047, |
| 142 | "promptEn": "scholar looks scared, wants to flee", | 196 | "promptEn": "scholar looks scared, wants to flee", |
| 143 | - "lastPlayedAt": 1788252155012 | 197 | + "lastPlayedAt": 1788254591422, |
| 198 | + "playCount": 1 | ||
| 144 | }, | 199 | }, |
| 145 | { | 200 | { |
| 146 | "id": "053bc957b4f8", | 201 | "id": "053bc957b4f8", |
| @@ -155,7 +210,8 @@ | @@ -155,7 +210,8 @@ | ||
| 155 | "likes": 0, | 210 | "likes": 0, |
| 156 | "createdAt": 1788192913886, | 211 | "createdAt": 1788192913886, |
| 157 | "promptEn": "taoist panics, freaked out", | 212 | "promptEn": "taoist panics, freaked out", |
| 158 | - "lastPlayedAt": 1788253751763 | 213 | + "lastPlayedAt": 1788256170460, |
| 214 | + "playCount": 1 | ||
| 159 | }, | 215 | }, |
| 160 | { | 216 | { |
| 161 | "id": "45c1136d1e05", | 217 | "id": "45c1136d1e05", |
| @@ -170,7 +226,8 @@ | @@ -170,7 +226,8 @@ | ||
| 170 | "likes": 0, | 226 | "likes": 0, |
| 171 | "createdAt": 1788192913551, | 227 | "createdAt": 1788192913551, |
| 172 | "promptEn": "taoist looking panicked and scared", | 228 | "promptEn": "taoist looking panicked and scared", |
| 173 | - "lastPlayedAt": 1788252637227 | 229 | + "lastPlayedAt": 1788254914080, |
| 230 | + "playCount": 1 | ||
| 174 | }, | 231 | }, |
| 175 | { | 232 | { |
| 176 | "id": "d169d42a67de", | 233 | "id": "d169d42a67de", |
| @@ -185,7 +242,8 @@ | @@ -185,7 +242,8 @@ | ||
| 185 | "likes": 0, | 242 | "likes": 0, |
| 186 | "createdAt": 1788192913492, | 243 | "createdAt": 1788192913492, |
| 187 | "promptEn": "scholar defiant out of desperation", | 244 | "promptEn": "scholar defiant out of desperation", |
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| 1853 | - "lastPlayedAt": 1788252799252 | 1977 | + "lastPlayedAt": 1788256356716, |
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| 1854 | }, | 1979 | }, |
| 1855 | { | 1980 | { |
| 1856 | "id": "5dd52c568f66", | 1981 | "id": "5dd52c568f66", |
| @@ -1865,7 +1990,8 @@ | @@ -1865,7 +1990,8 @@ | ||
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| 1867 | "promptEn": "facing Mahito, stayed passive and got cornered", | 1992 | "promptEn": "facing Mahito, stayed passive and got cornered", |
| 1868 | - "lastPlayedAt": 1788253899831 | 1993 | + "lastPlayedAt": 1788256128678, |
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| 1869 | }, | 1995 | }, |
| 1870 | { | 1996 | { |
| 1871 | "id": "f4a2870386c6", | 1997 | "id": "f4a2870386c6", |
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| 1927 | "promptEn": "facing Enmu, stayed passive and got cornered", | 2053 | "promptEn": "facing Enmu, stayed passive and got cornered", |
| 1928 | - "lastPlayedAt": 1788252727219 | 2054 | + "lastPlayedAt": 1788254595913, |
| 2055 | + "playCount": 1 | ||
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| 1930 | { | 2057 | { |
| 1931 | "id": "a3f39da74c1f", | 2058 | "id": "a3f39da74c1f", |
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| 1942 | "promptEn": "facing Reiner, exploiting a flaw to counter him", | 2069 | "promptEn": "facing Reiner, exploiting a flaw to counter him", |
| 1943 | - "lastPlayedAt": 1788254288010 | 2070 | + "lastPlayedAt": 1788255768521, |
| 2071 | + "playCount": 1 | ||
| 1944 | }, | 2072 | }, |
| 1945 | { | 2073 | { |
| 1946 | "id": "ea8b38014674", | 2074 | "id": "ea8b38014674", |
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| 2000 | "likes": 0, | 2128 | "likes": 0, |
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| 2002 | "promptEn": "basement in Shiganshina, the titan secret weighing down on you", | 2130 | "promptEn": "basement in Shiganshina, the titan secret weighing down on you", |
| 2003 | - "lastPlayedAt": 1788252675244 | 2131 | + "lastPlayedAt": 1788255694482, |
| 2132 | + "playCount": 1 | ||
| 2004 | }, | 2133 | }, |
| 2005 | { | 2134 | { |
| 2006 | "id": "7c2351a27a96", | 2135 | "id": "7c2351a27a96", |
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| 2015 | "likes": 0, | 2144 | "likes": 0, |
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| 2017 | "promptEn": "in the ruins of Konoha, exploiting a flaw to counter Pain", | 2146 | "promptEn": "in the ruins of Konoha, exploiting a flaw to counter Pain", |
| 2018 | - "lastPlayedAt": 1788253801782 | 2147 | + "lastPlayedAt": 1788255128181, |
| 2148 | + "playCount": 1 | ||
| 2019 | }, | 2149 | }, |
| 2020 | { | 2150 | { |
| 2021 | "id": "79304c061606", | 2151 | "id": "79304c061606", |
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| 2048 | - "lastPlayedAt": 1788253477606 | 2178 | + "lastPlayedAt": 1788255410335, |
| 2179 | + "playCount": 1 | ||
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| 2050 | { | 2181 | { |
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| 2063 | - "lastPlayedAt": 1788254115931 | 2194 | + "lastPlayedAt": 1788255476364, |
| 2195 | + "playCount": 1 | ||
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| 2065 | { | 2197 | { |
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| 2092 | "promptEn": "facing Pain, stayed passive and got cornered", | 2224 | "promptEn": "facing Pain, stayed passive and got cornered", |
| 2093 | - "lastPlayedAt": 1788253009344 | 2225 | + "lastPlayedAt": 1788255208219, |
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| 2095 | { | 2228 | { |
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| 2108 | - "lastPlayedAt": 1788253434714 | 2241 | + "lastPlayedAt": 1788255484369, |
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| 2110 | { | 2244 | { |
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| 2123 | - "lastPlayedAt": 1788253821783 | 2257 | + "lastPlayedAt": 1788255314291, |
| 2258 | + "playCount": 1 | ||
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| 2125 | { | 2260 | { |
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| 2138 | - "lastPlayedAt": 1788251688777 | 2273 | + "lastPlayedAt": 1788255056146, |
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| 2139 | }, | 2275 | }, |
| 2140 | { | 2276 | { |
| 2141 | "id": "677941e683c4", | 2277 | "id": "677941e683c4", |
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| 2152 | "promptEn": "facing Sakazuki, went in head-on and got seen through", | 2288 | "promptEn": "facing Sakazuki, went in head-on and got seen through", |
| 2153 | - "lastPlayedAt": 1788251912902 | 2289 | + "lastPlayedAt": 1788255042142, |
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| 2155 | { | 2292 | { |
| 2156 | "id": "932d15f7f8bd", | 2293 | "id": "932d15f7f8bd", |
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| 2167 | "promptEn": "facing Sakazuki, went in head-on and got seen through", | 2304 | "promptEn": "facing Sakazuki, went in head-on and got seen through", |
| 2168 | - "lastPlayedAt": 1788253777771 | 2305 | + "lastPlayedAt": 1788255204217, |
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| 2170 | { | 2308 | { |
| 2171 | "id": "a8b8b4430ee3", | 2309 | "id": "a8b8b4430ee3", |
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| 2197 | "promptEn": "execution platform at Marineford, Ace about to be executed, navy vs pirates", | 2335 | "promptEn": "execution platform at Marineford, Ace about to be executed, navy vs pirates", |
| 2198 | - "lastPlayedAt": 1788253025350 | 2336 | + "lastPlayedAt": 1788254924211, |
| 2337 | + "playCount": 1 | ||
| 2199 | }, | 2338 | }, |
| 2200 | { | 2339 | { |
| 2201 | "id": "00476b62bf75", | 2340 | "id": "00476b62bf75", |
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| 2212 | "promptEn": "constable asks if she's always been alone here, she doesn't answer", | 2351 | "promptEn": "constable asks if she's always been alone here, she doesn't answer", |
| 2213 | - "lastPlayedAt": 1788253047365 | 2352 | + "lastPlayedAt": 1788255504379, |
| 2353 | + "playCount": 1 | ||
| 2214 | }, | 2354 | }, |
| 2215 | { | 2355 | { |
| 2216 | "id": "2ab2094e5679", | 2356 | "id": "2ab2094e5679", |
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| 2240 | "likes": 0, | 2380 | "likes": 0, |
| 2241 | "createdAt": 1787850191899, | 2381 | "createdAt": 1787850191899, |
| 2242 | "promptEn": "constable reaches out to touch her hand through the screen gap, no response", | 2382 | "promptEn": "constable reaches out to touch her hand through the screen gap, no response", |
| 2243 | - "lastPlayedAt": 1788251708784 | 2383 | + "lastPlayedAt": 1788255918582, |
| 2384 | + "playCount": 1 | ||
| 2244 | }, | 2385 | }, |
| 2245 | { | 2386 | { |
| 2246 | "id": "9bd8c9fbf1f6", | 2387 | "id": "9bd8c9fbf1f6", |
| @@ -2255,7 +2396,8 @@ | @@ -2255,7 +2396,8 @@ | ||
| 2255 | "likes": 0, | 2396 | "likes": 0, |
| 2256 | "createdAt": 1787847447661, | 2397 | "createdAt": 1787847447661, |
| 2257 | "promptEn": "constable tells the woman behind the screen he'll trust her tonight", | 2398 | "promptEn": "constable tells the woman behind the screen he'll trust her tonight", |
| 2258 | - "lastPlayedAt": 1788253581662 | 2399 | + "lastPlayedAt": 1788256396733, |
| 2400 | + "playCount": 1 | ||
| 2259 | }, | 2401 | }, |
| 2260 | { | 2402 | { |
| 2261 | "id": "8cb493338cb3", | 2403 | "id": "8cb493338cb3", |
| @@ -2285,7 +2427,8 @@ | @@ -2285,7 +2427,8 @@ | ||
| 2285 | "likes": 0, | 2427 | "likes": 0, |
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| 2287 | "promptEn": "woman tells him from behind the screen to go check outside, he steps out warily", | 2429 | "promptEn": "woman tells him from behind the screen to go check outside, he steps out warily", |
| 2288 | - "lastPlayedAt": 1788250091902 | 2430 | + "lastPlayedAt": 1788255062148, |
| 2431 | + "playCount": 1 | ||
| 2289 | }, | 2432 | }, |
| 2290 | { | 2433 | { |
| 2291 | "id": "47a6de809c61", | 2434 | "id": "47a6de809c61", |
| @@ -2300,7 +2443,8 @@ | @@ -2300,7 +2443,8 @@ | ||
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| 2302 | "promptEn": "woman behind the screen stirs and softly reassures him", | 2445 | "promptEn": "woman behind the screen stirs and softly reassures him", |
| 2303 | - "lastPlayedAt": 1788251932913 | 2446 | + "lastPlayedAt": 1788255220228, |
| 2447 | + "playCount": 1 | ||
| 2304 | }, | 2448 | }, |
| 2305 | { | 2449 | { |
| 2306 | "id": "0abf6e529c92", | 2450 | "id": "0abf6e529c92", |
| @@ -2330,7 +2474,8 @@ | @@ -2330,7 +2474,8 @@ | ||
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| 2332 | "promptEn": "constable stares at her through the screen, silent, saying nothing", | 2476 | "promptEn": "constable stares at her through the screen, silent, saying nothing", |
| 2333 | - "lastPlayedAt": 1788251618745 | 2477 | + "lastPlayedAt": 1788256182461, |
| 2478 | + "playCount": 1 | ||
| 2334 | }, | 2479 | }, |
| 2335 | { | 2480 | { |
| 2336 | "id": "59711a102e84", | 2481 | "id": "59711a102e84", |
| @@ -2345,7 +2490,8 @@ | @@ -2345,7 +2490,8 @@ | ||
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| 2347 | "promptEn": "constable stands under the lamp, holding her gaze through the screen, not backing away", | 2492 | "promptEn": "constable stands under the lamp, holding her gaze through the screen, not backing away", |
| 2348 | - "lastPlayedAt": 1788253631690 | 2493 | + "lastPlayedAt": 1788254940098, |
| 2494 | + "playCount": 1 | ||
| 2349 | }, | 2495 | }, |
| 2350 | { | 2496 | { |
| 2351 | "id": "f2e70205766b", | 2497 | "id": "f2e70205766b", |
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| 2375 | "likes": 0, | 2521 | "likes": 0, |
| 2376 | "createdAt": 1787730413689, | 2522 | "createdAt": 1787730413689, |
| 2377 | "promptEn": "constable grabs the oil lamp and hurls it at the portrait, the scroll catches fire", | 2523 | "promptEn": "constable grabs the oil lamp and hurls it at the portrait, the scroll catches fire", |
| 2378 | - "lastPlayedAt": 1788253556971 | 2524 | + "lastPlayedAt": 1788255020134, |
| 2525 | + "playCount": 1 | ||
| 2379 | }, | 2526 | }, |
| 2380 | { | 2527 | { |
| 2381 | "id": "e6c23c6adc42", | 2528 | "id": "e6c23c6adc42", |
| @@ -2405,7 +2552,8 @@ | @@ -2405,7 +2552,8 @@ | ||
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| 2406 | "createdAt": 1787730331663, | 2553 | "createdAt": 1787730331663, |
| 2407 | "promptEn": "constable steps in from the rainy night, spots her, introduces himself with a cover story", | 2554 | "promptEn": "constable steps in from the rainy night, spots her, introduces himself with a cover story", |
| 2408 | - "lastPlayedAt": 1788253781772 | 2555 | + "lastPlayedAt": 1788256000614, |
| 2556 | + "playCount": 1 | ||
| 2409 | }, | 2557 | }, |
| 2410 | { | 2558 | { |
| 2411 | "id": "84e8337de242", | 2559 | "id": "84e8337de242", |
| @@ -2420,7 +2568,8 @@ | @@ -2420,7 +2568,8 @@ | ||
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| 2422 | "promptEn": "first-person view bursting into the room, glancing back in fear, the woman startled", | 2570 | "promptEn": "first-person view bursting into the room, glancing back in fear, the woman startled", |
| 2423 | - "lastPlayedAt": 1788252843270 | 2571 | + "lastPlayedAt": 1788254753999, |
| 2572 | + "playCount": 1 | ||
| 2424 | }, | 2573 | }, |
| 2425 | { | 2574 | { |
| 2426 | "id": "81b6c3789111", | 2575 | "id": "81b6c3789111", |
| @@ -2435,7 +2584,8 @@ | @@ -2435,7 +2584,8 @@ | ||
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| 2436 | "createdAt": 1787708713767, | 2585 | "createdAt": 1787708713767, |
| 2437 | "promptEn": "constable stops looking around, turns to face the screen, speaks to her silhouette", | 2586 | "promptEn": "constable stops looking around, turns to face the screen, speaks to her silhouette", |
| 2438 | - "lastPlayedAt": 1788254322029 | 2587 | + "lastPlayedAt": 1788255720502, |
| 2588 | + "playCount": 1 | ||
| 2439 | }, | 2589 | }, |
| 2440 | { | 2590 | { |
| 2441 | "id": "5dc95a15cd5d", | 2591 | "id": "5dc95a15cd5d", |
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| 2452 | "promptEn": "constable gently tells her he'll stay and keep her company", | 2602 | "promptEn": "constable gently tells her he'll stay and keep her company", |
| 2453 | - "lastPlayedAt": 1788252873286 | 2603 | + "lastPlayedAt": 1788255778520, |
| 2604 | + "playCount": 1 | ||
| 2454 | }, | 2605 | }, |
| 2455 | { | 2606 | { |
| 2456 | "id": "8d9c1dad041f", | 2607 | "id": "8d9c1dad041f", |
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| 2481 | "createdAt": 1787708684658, | 2632 | "createdAt": 1787708684658, |
| 2482 | "promptEn": "constable sees her silent gesture, lets go of his sword hilt, steps closer and agrees", | 2633 | "promptEn": "constable sees her silent gesture, lets go of his sword hilt, steps closer and agrees", |
| 2483 | - "lastPlayedAt": 1788251970926 | 2634 | + "lastPlayedAt": 1788254641958, |
| 2635 | + "playCount": 1 | ||
| 2484 | }, | 2636 | }, |
| 2485 | { | 2637 | { |
| 2486 | "id": "abdbe25f3121", | 2638 | "id": "abdbe25f3121", |
| @@ -2495,7 +2647,8 @@ | @@ -2495,7 +2647,8 @@ | ||
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| 2497 | "promptEn": "constable sees through her painted disguise and rips her face off, revealing a demonic visage underneath", | 2649 | "promptEn": "constable sees through her painted disguise and rips her face off, revealing a demonic visage underneath", |
| 2498 | - "lastPlayedAt": 1788252661239 | 2650 | + "lastPlayedAt": 1788254693983, |
| 2651 | + "playCount": 1 | ||
| 2499 | }, | 2652 | }, |
| 2500 | { | 2653 | { |
| 2501 | "id": "6d433dcc104c", | 2654 | "id": "6d433dcc104c", |
| @@ -2510,7 +2663,8 @@ | @@ -2510,7 +2663,8 @@ | ||
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| 2511 | "createdAt": 1787708663418, | 2664 | "createdAt": 1787708663418, |
| 2512 | "promptEn": "constable catches his breath, thanks her, and rests on the couch while she watches", | 2665 | "promptEn": "constable catches his breath, thanks her, and rests on the couch while she watches", |
| 2513 | - "lastPlayedAt": 1788253353548 | 2666 | + "lastPlayedAt": 1788256266678, |
| 2667 | + "playCount": 1 | ||
| 2514 | }, | 2668 | }, |
| 2515 | { | 2669 | { |
| 2516 | "id": "cd22c2b491fc", | 2670 | "id": "cd22c2b491fc", |
| @@ -2540,7 +2694,8 @@ | @@ -2540,7 +2694,8 @@ | ||
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| 2541 | "createdAt": 1787708648409, | 2695 | "createdAt": 1787708648409, |
| 2542 | "promptEn": "she reaches a hand through the screen gap beckoning him, he steps back and firmly refuses", | 2696 | "promptEn": "she reaches a hand through the screen gap beckoning him, he steps back and firmly refuses", |
| 2543 | - "lastPlayedAt": 1788254125936 | 2697 | + "lastPlayedAt": 1788256362719, |
| 2698 | + "playCount": 1 | ||
| 2544 | }, | 2699 | }, |
| 2545 | { | 2700 | { |
| 2546 | "id": "3f0c28f5373a", | 2701 | "id": "3f0c28f5373a", |
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| 2556 | "createdAt": 1787708646888, | 2711 | "createdAt": 1787708646888, |
| 2557 | "promptEn": "constable studies her through the screen growing suspicious, hand drifting to his sword", | 2712 | "promptEn": "constable studies her through the screen growing suspicious, hand drifting to his sword", |
| 2558 | - "lastPlayedAt": 1788253697730 | 2713 | + "lastPlayedAt": 1788255522386, |
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| 2559 | }, | 2715 | }, |
| 2560 | { | 2716 | { |
| 2561 | "id": "1c0c203cfb3b", | 2717 | "id": "1c0c203cfb3b", |
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| 2571 | "createdAt": 1787708641782, | 2727 | "createdAt": 1787708641782, |
| 2572 | "promptEn": "constable sits down at the table, studying her expression through the screen", | 2728 | "promptEn": "constable sits down at the table, studying her expression through the screen", |
| 2573 | - "lastPlayedAt": 1788252435140 | 2729 | + "lastPlayedAt": 1788255934591, |
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| 2574 | }, | 2731 | }, |
| 2575 | { | 2732 | { |
| 2576 | "id": "89975be9def4", | 2733 | "id": "89975be9def4", |
| @@ -2585,7 +2742,8 @@ | @@ -2585,7 +2742,8 @@ | ||
| 2585 | "likes": 0, | 2742 | "likes": 0, |
| 2586 | "createdAt": 1787708626228, | 2743 | "createdAt": 1787708626228, |
| 2587 | "promptEn": "constable drinks some water first, thanks her, watching the screen warily as he drinks", | 2744 | "promptEn": "constable drinks some water first, thanks her, watching the screen warily as he drinks", |
| 2588 | - "lastPlayedAt": 1788253265514 | 2745 | + "lastPlayedAt": 1788254986119, |
| 2746 | + "playCount": 1 | ||
| 2589 | }, | 2747 | }, |
| 2590 | { | 2748 | { |
| 2591 | "id": "e08f7f7e54dd", | 2749 | "id": "e08f7f7e54dd", |
| @@ -2600,7 +2758,8 @@ | @@ -2600,7 +2758,8 @@ | ||
| 2600 | "likes": 0, | 2758 | "likes": 0, |
| 2601 | "createdAt": 1787708622306, | 2759 | "createdAt": 1787708622306, |
| 2602 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", | 2760 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", |
| 2603 | - "lastPlayedAt": 1788250263997 | 2761 | + "lastPlayedAt": 1788256382726, |
| 2762 | + "playCount": 1 | ||
| 2604 | }, | 2763 | }, |
| 2605 | { | 2764 | { |
| 2606 | "id": "538dc7e5746f", | 2765 | "id": "538dc7e5746f", |
| @@ -2615,7 +2774,8 @@ | @@ -2615,7 +2774,8 @@ | ||
| 2615 | "likes": 0, | 2774 | "likes": 0, |
| 2616 | "createdAt": 1787708622178, | 2775 | "createdAt": 1787708622178, |
| 2617 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", | 2776 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", |
| 2618 | - "lastPlayedAt": 1788253057370 | 2777 | + "lastPlayedAt": 1788256532860, |
| 2778 | + "playCount": 1 | ||
| 2619 | }, | 2779 | }, |
| 2620 | { | 2780 | { |
| 2621 | "id": "1721c75dbc3b", | 2781 | "id": "1721c75dbc3b", |
| @@ -2630,7 +2790,8 @@ | @@ -2630,7 +2790,8 @@ | ||
| 2630 | "likes": 0, | 2790 | "likes": 0, |
| 2631 | "createdAt": 1787708615415, | 2791 | "createdAt": 1787708615415, |
| 2632 | "promptEn": "she slides her hand through the screen gap asking him to warm it, he hesitates without touching", | 2792 | "promptEn": "she slides her hand through the screen gap asking him to warm it, he hesitates without touching", |
| 2633 | - "lastPlayedAt": 1788252911303 | 2793 | + "lastPlayedAt": 1788254789321, |
| 2794 | + "playCount": 1 | ||
| 2634 | }, | 2795 | }, |
| 2635 | { | 2796 | { |
| 2636 | "id": "c2b145b111e2", | 2797 | "id": "c2b145b111e2", |
| @@ -2645,7 +2806,8 @@ | @@ -2645,7 +2806,8 @@ | ||
| 2645 | "likes": 0, | 2806 | "likes": 0, |
| 2646 | "createdAt": 1787708613364, | 2807 | "createdAt": 1787708613364, |
| 2647 | "promptEn": "constable steps in, notices her behind the screen, greets her, she just watches silently", | 2808 | "promptEn": "constable steps in, notices her behind the screen, greets her, she just watches silently", |
| 2648 | - "lastPlayedAt": 1788252945316 | 2809 | + "lastPlayedAt": 1788254723988, |
| 2810 | + "playCount": 1 | ||
| 2649 | }, | 2811 | }, |
| 2650 | { | 2812 | { |
| 2651 | "id": "a5d5d353bbf8", | 2813 | "id": "a5d5d353bbf8", |
| @@ -2660,7 +2822,8 @@ | @@ -2660,7 +2822,8 @@ | ||
| 2660 | "likes": 0, | 2822 | "likes": 0, |
| 2661 | "createdAt": 1787674768144, | 2823 | "createdAt": 1787674768144, |
| 2662 | "promptEn": "constable lifts a bronze mirror, reflecting candlelight onto the portrait on the wall", | 2824 | "promptEn": "constable lifts a bronze mirror, reflecting candlelight onto the portrait on the wall", |
| 2663 | - "lastPlayedAt": 1788251856874 | 2825 | + "lastPlayedAt": 1788255968600, |
| 2826 | + "playCount": 1 | ||
| 2664 | }, | 2827 | }, |
| 2665 | { | 2828 | { |
| 2666 | "id": "3be1f275fde2", | 2829 | "id": "3be1f275fde2", |
| @@ -2675,7 +2838,8 @@ | @@ -2675,7 +2838,8 @@ | ||
| 2675 | "likes": 0, | 2838 | "likes": 0, |
| 2676 | "createdAt": 1787674743188, | 2839 | "createdAt": 1787674743188, |
| 2677 | "promptEn": "constable draws his sword and breaks the sealed talisman on the screen, revealing her behind it", | 2840 | "promptEn": "constable draws his sword and breaks the sealed talisman on the screen, revealing her behind it", |
| 2678 | - "lastPlayedAt": 1788252539184 | 2841 | + "lastPlayedAt": 1788255174203, |
| 2842 | + "playCount": 1 | ||
| 2679 | }, | 2843 | }, |
| 2680 | { | 2844 | { |
| 2681 | "id": "693e0b9ca66a", | 2845 | "id": "693e0b9ca66a", |
| @@ -2705,7 +2869,8 @@ | @@ -2705,7 +2869,8 @@ | ||
| 2705 | "likes": 0, | 2869 | "likes": 0, |
| 2706 | "createdAt": 1787674716075, | 2870 | "createdAt": 1787674716075, |
| 2707 | "promptEn": "constable watches the oil lamp flame flicker, her silhouette motionless behind the screen", | 2871 | "promptEn": "constable watches the oil lamp flame flicker, her silhouette motionless behind the screen", |
| 2708 | - "lastPlayedAt": 1788251352521 | 2872 | + "lastPlayedAt": 1788255706491, |
| 2873 | + "playCount": 1 | ||
| 2709 | }, | 2874 | }, |
| 2710 | { | 2875 | { |
| 2711 | "id": "23d1ae1982e6", | 2876 | "id": "23d1ae1982e6", |
| @@ -2720,7 +2885,8 @@ | @@ -2720,7 +2885,8 @@ | ||
| 2720 | "likes": 0, | 2885 | "likes": 0, |
| 2721 | "createdAt": 1787674713724, | 2886 | "createdAt": 1787674713724, |
| 2722 | "promptEn": "constable enters and cautiously looks around, his gaze settling on her silhouette behind the screen", | 2887 | "promptEn": "constable enters and cautiously looks around, his gaze settling on her silhouette behind the screen", |
| 2723 | - "lastPlayedAt": 1788252056963 | 2888 | + "lastPlayedAt": 1788254882052, |
| 2889 | + "playCount": 1 | ||
| 2724 | }, | 2890 | }, |
| 2725 | { | 2891 | { |
| 2726 | "id": "b69389094416", | 2892 | "id": "b69389094416", |
| @@ -2735,7 +2901,8 @@ | @@ -2735,7 +2901,8 @@ | ||
| 2735 | "likes": 0, | 2901 | "likes": 0, |
| 2736 | "createdAt": 1787674695703, | 2902 | "createdAt": 1787674695703, |
| 2737 | "promptEn": "constable stops, faces the screen, quietly promises to keep his voice down", | 2903 | "promptEn": "constable stops, faces the screen, quietly promises to keep his voice down", |
| 2738 | - "lastPlayedAt": 1788252743222 | 2904 | + "lastPlayedAt": 1788254661960, |
| 2905 | + "playCount": 1 | ||
| 2739 | }, | 2906 | }, |
| 2740 | { | 2907 | { |
| 2741 | "id": "94dc455e26bf", | 2908 | "id": "94dc455e26bf", |
| @@ -2750,7 +2917,8 @@ | @@ -2750,7 +2917,8 @@ | ||
| 2750 | "likes": 0, | 2917 | "likes": 0, |
| 2751 | "createdAt": 1787674688717, | 2918 | "createdAt": 1787674688717, |
| 2752 | "promptEn": "constable agrees to stay, lets his guard down, she gives a barely-there nod", | 2919 | "promptEn": "constable agrees to stay, lets his guard down, she gives a barely-there nod", |
| 2753 | - "lastPlayedAt": 1788254161950 | 2920 | + "lastPlayedAt": 1788256144453, |
| 2921 | + "playCount": 1 | ||
| 2754 | }, | 2922 | }, |
| 2755 | { | 2923 | { |
| 2756 | "id": "4874fe3fdbc9", | 2924 | "id": "4874fe3fdbc9", |
| @@ -2780,7 +2948,8 @@ | @@ -2780,7 +2948,8 @@ | ||
| 2780 | "likes": 0, | 2948 | "likes": 0, |
| 2781 | "createdAt": 1787674642139, | 2949 | "createdAt": 1787674642139, |
| 2782 | "promptEn": "constable forms hand seals and summons a giant toad out of smoke", | 2950 | "promptEn": "constable forms hand seals and summons a giant toad out of smoke", |
| 2783 | - "lastPlayedAt": 1788254251995 | 2951 | + "lastPlayedAt": 1788256216659, |
| 2952 | + "playCount": 1 | ||
| 2784 | }, | 2953 | }, |
| 2785 | { | 2954 | { |
| 2786 | "id": "e9a6320e18a9", | 2955 | "id": "e9a6320e18a9", |
| @@ -2810,7 +2979,8 @@ | @@ -2810,7 +2979,8 @@ | ||
| 2810 | "likes": 0, | 2979 | "likes": 0, |
| 2811 | "createdAt": 1787674639055, | 2980 | "createdAt": 1787674639055, |
| 2812 | "promptEn": "constable checks his reflection in the mirror, sees her behind his shoulder in it, turns around to find the screen empty", | 2981 | "promptEn": "constable checks his reflection in the mirror, sees her behind his shoulder in it, turns around to find the screen empty", |
| 2813 | - "lastPlayedAt": 1788253073377 | 2982 | + "lastPlayedAt": 1788255000140, |
| 2983 | + "playCount": 1 | ||
| 2814 | }, | 2984 | }, |
| 2815 | { | 2985 | { |
| 2816 | "id": "ebaf0dde3d9f", | 2986 | "id": "ebaf0dde3d9f", |
| @@ -2825,7 +2995,8 @@ | @@ -2825,7 +2995,8 @@ | ||
| 2825 | "likes": 0, | 2995 | "likes": 0, |
| 2826 | "createdAt": 1787674623678, | 2996 | "createdAt": 1787674623678, |
| 2827 | "promptEn": "constable bows to the screen, thanking her for sheltering him", | 2997 | "promptEn": "constable bows to the screen, thanking her for sheltering him", |
| 2828 | - "lastPlayedAt": 1788253536965 | 2998 | + "lastPlayedAt": 1788254739995, |
| 2999 | + "playCount": 1 | ||
| 2829 | }, | 3000 | }, |
| 2830 | { | 3001 | { |
| 2831 | "id": "d94991a1e21b", | 3002 | "id": "d94991a1e21b", |
| @@ -2840,7 +3011,8 @@ | @@ -2840,7 +3011,8 @@ | ||
| 2840 | "likes": 0, | 3011 | "likes": 0, |
| 2841 | "createdAt": 1787674609636, | 3012 | "createdAt": 1787674609636, |
| 2842 | "promptEn": "constable silently watches her through the screen gaps, camera slowly zooming in on her face", | 3013 | "promptEn": "constable silently watches her through the screen gaps, camera slowly zooming in on her face", |
| 2843 | - "lastPlayedAt": 1788253983858 | 3014 | + "lastPlayedAt": 1788256196466, |
| 3015 | + "playCount": 1 | ||
| 2844 | }, | 3016 | }, |
| 2845 | { | 3017 | { |
| 2846 | "id": "5e53f7f5fe9b", | 3018 | "id": "5e53f7f5fe9b", |
| @@ -2855,7 +3027,8 @@ | @@ -2855,7 +3027,8 @@ | ||
| 2855 | "likes": 0, | 3027 | "likes": 0, |
| 2856 | "createdAt": 1787674446841, | 3028 | "createdAt": 1787674446841, |
| 2857 | "promptEn": "player panics into the room, glances back, out of breath, says something's chasing him outside", | 3029 | "promptEn": "player panics into the room, glances back, out of breath, says something's chasing him outside", |
| 2858 | - "lastPlayedAt": 1788254185961 | 3030 | + "lastPlayedAt": 1788256062650, |
| 3031 | + "playCount": 1 | ||
| 2859 | }, | 3032 | }, |
| 2860 | { | 3033 | { |
| 2861 | "id": "c25d53a5e086", | 3034 | "id": "c25d53a5e086", |
| @@ -2885,7 +3058,8 @@ | @@ -2885,7 +3058,8 @@ | ||
| 2885 | "likes": 0, | 3058 | "likes": 0, |
| 2886 | "createdAt": 1787674361187, | 3059 | "createdAt": 1787674361187, |
| 2887 | "promptEn": "constable presses his hand to his chest, vowing his heart to her, she gives a knowing smile", | 3060 | "promptEn": "constable presses his hand to his chest, vowing his heart to her, she gives a knowing smile", |
| 2888 | - "lastPlayedAt": 1788252451148 | 3061 | + "lastPlayedAt": 1788254774002, |
| 3062 | + "playCount": 1 | ||
| 2889 | }, | 3063 | }, |
| 2890 | { | 3064 | { |
| 2891 | "id": "8aba0a6bf05b", | 3065 | "id": "8aba0a6bf05b", |
| @@ -2900,7 +3074,8 @@ | @@ -2900,7 +3074,8 @@ | ||
| 2900 | "likes": 0, | 3074 | "likes": 0, |
| 2901 | "createdAt": 1787674351536, | 3075 | "createdAt": 1787674351536, |
| 2902 | "promptEn": "constable searches an old house at night, candle flickering, woman hiding behind the screen", | 3076 | "promptEn": "constable searches an old house at night, candle flickering, woman hiding behind the screen", |
| 2903 | - "lastPlayedAt": 1788253615680 | 3077 | + "lastPlayedAt": 1788255680474, |
| 3078 | + "playCount": 1 | ||
| 2904 | }, | 3079 | }, |
| 2905 | { | 3080 | { |
| 2906 | "id": "dc13e4f165dc", | 3081 | "id": "dc13e4f165dc", |
| @@ -2930,7 +3105,8 @@ | @@ -2930,7 +3105,8 @@ | ||
| 2930 | "likes": 0, | 3105 | "likes": 0, |
| 2931 | "createdAt": 1787665100787, | 3106 | "createdAt": 1787665100787, |
| 2932 | "promptEn": "constable politely asks the woman behind the screen for tea", | 3107 | "promptEn": "constable politely asks the woman behind the screen for tea", |
| 2933 | - "lastPlayedAt": 1788253439598 | 3108 | + "lastPlayedAt": 1788254709984, |
| 3109 | + "playCount": 1 | ||
| 2934 | }, | 3110 | }, |
| 2935 | { | 3111 | { |
| 2936 | "id": "d2c77b87b84b", | 3112 | "id": "d2c77b87b84b", |
| @@ -2960,7 +3136,8 @@ | @@ -2960,7 +3136,8 @@ | ||
| 2960 | "likes": 0, | 3136 | "likes": 0, |
| 2961 | "createdAt": 1787642579766, | 3137 | "createdAt": 1787642579766, |
| 2962 | "promptEn": "a summoner chants and calls a giant toad, which swallows the white-robed ghost whole", | 3138 | "promptEn": "a summoner chants and calls a giant toad, which swallows the white-robed ghost whole", |
| 2963 | - "lastPlayedAt": 1788253597668 | 3139 | + "lastPlayedAt": 1788256502800, |
| 3140 | + "playCount": 1 | ||
| 2964 | }, | 3141 | }, |
| 2965 | { | 3142 | { |
| 2966 | "id": "22a666455198", | 3143 | "id": "22a666455198", |
| @@ -2989,8 +3166,9 @@ | @@ -2989,8 +3166,9 @@ | ||
| 2989 | "partition": "ref2va", | 3166 | "partition": "ref2va", |
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| 2991 | "createdAt": 1787639957338, | 3168 | "createdAt": 1787639957338, |
| 2992 | - "lastPlayedAt": 1788251344514, | ||
| 2993 | - "promptEn": "constable talking to the woman through the screen" | 3169 | + "lastPlayedAt": 1788254613432, |
| 3170 | + "promptEn": "constable talking to the woman through the screen", | ||
| 3171 | + "playCount": 1 | ||
| 2994 | }, | 3172 | }, |
| 2995 | { | 3173 | { |
| 2996 | "id": "9f9638cb5b62", | 3174 | "id": "9f9638cb5b62", |
| @@ -3020,7 +3198,8 @@ | @@ -3020,7 +3198,8 @@ | ||
| 3020 | "likes": 0, | 3198 | "likes": 0, |
| 3021 | "createdAt": 1787635935502, | 3199 | "createdAt": 1787635935502, |
| 3022 | "promptEn": "constable bursts in panicked, spots the woman behind the screen", | 3200 | "promptEn": "constable bursts in panicked, spots the woman behind the screen", |
| 3023 | - "lastPlayedAt": 1788250520137 | 3201 | + "lastPlayedAt": 1788255092168, |
| 3202 | + "playCount": 1 | ||
| 3024 | }, | 3203 | }, |
| 3025 | { | 3204 | { |
| 3026 | "id": "b32769bf80db", | 3205 | "id": "b32769bf80db", |
| @@ -3035,7 +3214,8 @@ | @@ -3035,7 +3214,8 @@ | ||
| 3035 | "likes": 0, | 3214 | "likes": 0, |
| 3036 | "createdAt": 1787632587351, | 3215 | "createdAt": 1787632587351, |
| 3037 | "promptEn": "constable bursts in panicked, spots the woman behind the screen", | 3216 | "promptEn": "constable bursts in panicked, spots the woman behind the screen", |
| 3038 | - "lastPlayedAt": 1788250612184 | 3217 | + "lastPlayedAt": 1788255382318, |
| 3218 | + "playCount": 1 | ||
| 3039 | }, | 3219 | }, |
| 3040 | { | 3220 | { |
| 3041 | "id": "282281777d1b", | 3221 | "id": "282281777d1b", |
| @@ -3050,7 +3230,8 @@ | @@ -3050,7 +3230,8 @@ | ||
| 3050 | "likes": 0, | 3230 | "likes": 0, |
| 3051 | "createdAt": 1787615243753, | 3231 | "createdAt": 1787615243753, |
| 3052 | "promptEn": "robot arm picks up a red block and puts it down", | 3232 | "promptEn": "robot arm picks up a red block and puts it down", |
| 3053 | - "lastPlayedAt": 1788251258468 | 3233 | + "lastPlayedAt": 1788254681970, |
| 3234 | + "playCount": 1 | ||
| 3054 | }, | 3235 | }, |
| 3055 | { | 3236 | { |
| 3056 | "id": "d040eec16a88", | 3237 | "id": "d040eec16a88", |
| @@ -3065,7 +3246,8 @@ | @@ -3065,7 +3246,8 @@ | ||
| 3065 | "likes": 0, | 3246 | "likes": 0, |
| 3066 | "createdAt": 1787615242602, | 3247 | "createdAt": 1787615242602, |
| 3067 | "promptEn": "otome game male lead showcase PV", | 3248 | "promptEn": "otome game male lead showcase PV", |
| 3068 | - "lastPlayedAt": 1788251108401 | 3249 | + "lastPlayedAt": 1788256248669, |
| 3250 | + "playCount": 1 | ||
| 3069 | }, | 3251 | }, |
| 3070 | { | 3252 | { |
| 3071 | "id": "423a20afba5a", | 3253 | "id": "423a20afba5a", |
| @@ -3080,7 +3262,8 @@ | @@ -3080,7 +3262,8 @@ | ||
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| 3081 | "createdAt": 1787615241814, | 3263 | "createdAt": 1787615241814, |
| 3082 | "promptEn": "xianxia character turning, only back and side profile shown", | 3264 | "promptEn": "xianxia character turning, only back and side profile shown", |
| 3083 | - "lastPlayedAt": 1788253329541 | 3265 | + "lastPlayedAt": 1788256310695, |
| 3266 | + "playCount": 1 | ||
| 3084 | }, | 3267 | }, |
| 3085 | { | 3268 | { |
| 3086 | "id": "1a398591663e", | 3269 | "id": "1a398591663e", |
| @@ -3155,7 +3338,8 @@ | @@ -3155,7 +3338,8 @@ | ||
| 3155 | "likes": 0, | 3338 | "likes": 0, |
| 3156 | "createdAt": 1787588545243, | 3339 | "createdAt": 1787588545243, |
| 3157 | "promptEn": "ergonomic office chair 360 showcase ad", | 3340 | "promptEn": "ergonomic office chair 360 showcase ad", |
| 3158 | - "lastPlayedAt": 1788253031360 | 3341 | + "lastPlayedAt": 1788256232664, |
| 3342 | + "playCount": 1 | ||
| 3159 | }, | 3343 | }, |
| 3160 | { | 3344 | { |
| 3161 | "id": "b0d258352c3c", | 3345 | "id": "b0d258352c3c", |
| @@ -3170,7 +3354,8 @@ | @@ -3170,7 +3354,8 @@ | ||
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| 3172 | "promptEn": "white studio shoot, two models wearing futuristic glasses", | 3356 | "promptEn": "white studio shoot, two models wearing futuristic glasses", |
| 3173 | - "lastPlayedAt": 1788248729194 | 3357 | + "lastPlayedAt": 1788255666469, |
| 3358 | + "playCount": 1 | ||
| 3174 | }, | 3359 | }, |
| 3175 | { | 3360 | { |
| 3176 | "id": "71a4d093aebc", | 3361 | "id": "71a4d093aebc", |
| @@ -3215,7 +3400,8 @@ | @@ -3215,7 +3400,8 @@ | ||
| 3215 | "likes": 0, | 3400 | "likes": 0, |
| 3216 | "createdAt": 1787588542968, | 3401 | "createdAt": 1787588542968, |
| 3217 | "promptEn": "mystery crime title sequence, collage split-screen credits", | 3402 | "promptEn": "mystery crime title sequence, collage split-screen credits", |
| 3218 | - "lastPlayedAt": 1788251444607 | 3403 | + "lastPlayedAt": 1788255236243, |
| 3404 | + "playCount": 1 | ||
| 3219 | }, | 3405 | }, |
| 3220 | { | 3406 | { |
| 3221 | "id": "67ababbea78f", | 3407 | "id": "67ababbea78f", |
| @@ -3230,7 +3416,8 @@ | @@ -3230,7 +3416,8 @@ | ||
| 3230 | "likes": 0, | 3416 | "likes": 0, |
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| 3232 | "promptEn": "fashion guy in sunglasses and coat by a fire", | 3418 | "promptEn": "fashion guy in sunglasses and coat by a fire", |
| 3233 | - "lastPlayedAt": 1788250364064 | 3419 | + "lastPlayedAt": 1788255510380, |
| 3420 | + "playCount": 1 | ||
| 3234 | }, | 3421 | }, |
| 3235 | { | 3422 | { |
| 3236 | "id": "c1237b599bf4", | 3423 | "id": "c1237b599bf4", |
| @@ -3260,7 +3447,8 @@ | @@ -3260,7 +3447,8 @@ | ||
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| 3262 | "promptEn": "tiny silhouette before a huge cosmic gate, title fades in", | 3449 | "promptEn": "tiny silhouette before a huge cosmic gate, title fades in", |
| 3263 | - "lastPlayedAt": 1788252110986 | 3450 | + "lastPlayedAt": 1788255982612, |
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| 3264 | }, | 3452 | }, |
| 3265 | { | 3453 | { |
| 3266 | "id": "5cc09dcdf470", | 3454 | "id": "5cc09dcdf470", |
| @@ -3275,7 +3463,8 @@ | @@ -3275,7 +3463,8 @@ | ||
| 3275 | "likes": 0, | 3463 | "likes": 0, |
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| 3277 | "promptEn": "telescope view searching for a MiniMax device, fashionable passerby", | 3465 | "promptEn": "telescope view searching for a MiniMax device, fashionable passerby", |
| 3278 | - "lastPlayedAt": 1788250804249 | 3466 | + "lastPlayedAt": 1788256452766, |
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| 3279 | }, | 3468 | }, |
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| 4193 | - "lastPlayedAt": 1788245394359 | 4415 | + "lastPlayedAt": 1788255700490, |
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| 4210 | { | 4434 | { |
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| 4223 | - "lastPlayedAt": 1788253532966 | 4447 | + "lastPlayedAt": 1788256324704, |
| 4448 | + "playCount": 1 | ||
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| 4225 | { | 4450 | { |
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| 4238 | - "lastPlayedAt": 1788252725215 | 4463 | + "lastPlayedAt": 1788255090167, |
| 4464 | + "playCount": 1 | ||
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| 4240 | { | 4466 | { |
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| 4253 | - "lastPlayedAt": 1788252407133 | 4479 | + "lastPlayedAt": 1788255736512, |
| 4480 | + "playCount": 1 | ||
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| 4255 | { | 4482 | { |
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| 4511 | + "playCount": 1 | ||
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| 4312 | "promptEn": "protagonist leaps across rooftops fleeing pursuers", | 4540 | "promptEn": "protagonist leaps across rooftops fleeing pursuers", |
| 4313 | - "lastPlayedAt": 1788254362044 | 4541 | + "lastPlayedAt": 1788256296687, |
| 4542 | + "playCount": 1 | ||
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| 4315 | { | 4544 | { |
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| 4328 | - "lastPlayedAt": 1788253717746 | 4557 | + "lastPlayedAt": 1788255076159, |
| 4558 | + "playCount": 1 | ||
| 4329 | }, | 4559 | }, |
| 4330 | { | 4560 | { |
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| 4340 | "likes": 0, | 4570 | "likes": 0, |
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| 4342 | "promptEn": "golden portal opens, man in green jacket throws a glowing spear", | 4572 | "promptEn": "golden portal opens, man in green jacket throws a glowing spear", |
| 4343 | - "lastPlayedAt": 1788253407577 | 4573 | + "lastPlayedAt": 1788255218227, |
| 4574 | + "playCount": 1 | ||
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| 4345 | { | 4576 | { |
| 4346 | "id": "a5688d8f5db3", | 4577 | "id": "a5688d8f5db3", |
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| 4355 | "likes": 0, | 4586 | "likes": 0, |
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| 4357 | "promptEn": "a red apple on a wooden table, cinematic lighting", | 4588 | "promptEn": "a red apple on a wooden table, cinematic lighting", |
| 4358 | - "lastPlayedAt": 1788253473602 | 4589 | + "lastPlayedAt": 1788256286688, |
| 4590 | + "playCount": 1 | ||
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| 4360 | { | 4592 | { |
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| 4370 | "likes": 0, | 4602 | "likes": 0, |
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| 4372 | "promptEn": "misty Jiangnan old town at dawn, woman walking with an oil-paper umbrella", | 4604 | "promptEn": "misty Jiangnan old town at dawn, woman walking with an oil-paper umbrella", |
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| 4375 | { | 4608 | { |
| 4376 | "id": "ab42a6fba515", | 4609 | "id": "ab42a6fba515", |
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| 4402 | "promptEn": "transparent gaming mouse product film, blue and orange lighting", | 4635 | "promptEn": "transparent gaming mouse product film, blue and orange lighting", |
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| 4405 | { | 4639 | { |
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| 4418 | - "lastPlayedAt": 1788253209480 | 4652 | + "lastPlayedAt": 1788255494373, |
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| 4419 | }, | 4654 | }, |
| 4420 | { | 4655 | { |
| 4421 | "id": "e23b04ac2c78", | 4656 | "id": "e23b04ac2c78", |
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| 4432 | "promptEn": "protagonist leaps across rooftops fleeing pursuers", | 4667 | "promptEn": "protagonist leaps across rooftops fleeing pursuers", |
| 4433 | - "lastPlayedAt": 1788253051367 | 4668 | + "lastPlayedAt": 1788254820032, |
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| 4435 | { | 4671 | { |
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| 4447 | "promptEn": "constable asks how she's sure it's not human, she says a person would make a sound", | 4683 | "promptEn": "constable asks how she's sure it's not human, she says a person would make a sound", |
| 4448 | - "lastPlayedAt": 1788251466626 | 4684 | + "lastPlayedAt": 1788255188208, |
| 4685 | + "playCount": 1 | ||
| 4449 | }, | 4686 | }, |
| 4450 | { | 4687 | { |
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| 4478 | - "lastPlayedAt": 1788253747759 | 4715 | + "lastPlayedAt": 1788255414334, |
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| 4480 | { | 4718 | { |
| 4481 | "id": "06bb43196c46", | 4719 | "id": "06bb43196c46", |
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| 4492 | "promptEn": "misty Jiangnan old town at dawn, woman walking with an oil-paper umbrella", | 4730 | "promptEn": "misty Jiangnan old town at dawn, woman walking with an oil-paper umbrella", |
| 4493 | - "lastPlayedAt": 1788253429580 | 4731 | + "lastPlayedAt": 1788254852045, |
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| 4494 | }, | 4733 | }, |
| 4495 | { | 4734 | { |
| 4496 | "id": "0f22388f7847", | 4735 | "id": "0f22388f7847", |
| @@ -4564,8 +4803,9 @@ | @@ -4564,8 +4803,9 @@ | ||
| 4564 | "partition": "fl2va", | 4803 | "partition": "fl2va", |
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| 4567 | - "lastPlayedAt": 1788252757232, | ||
| 4568 | - "promptEn": "constable burns the beauty portrait with the lamp, the door opens on its own" | 4806 | + "lastPlayedAt": 1788254966105, |
| 4807 | + "promptEn": "constable burns the beauty portrait with the lamp, the door opens on its own", | ||
| 4808 | + "playCount": 1 | ||
| 4569 | }, | 4809 | }, |
| 4570 | { | 4810 | { |
| 4571 | "id": "f78ebe4c01c8", | 4811 | "id": "f78ebe4c01c8", |
| @@ -4595,6 +4835,7 @@ | @@ -4595,6 +4835,7 @@ | ||
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| 4597 | "promptEn": "gothic castle at night, vampire noble carries a princess, rose petals falling", | 4837 | "promptEn": "gothic castle at night, vampire noble carries a princess, rose petals falling", |
| 4598 | - "lastPlayedAt": 1788253381560 | 4838 | + "lastPlayedAt": 1788254675967, |
| 4839 | + "playCount": 1 | ||
| 4599 | } | 4840 | } |
| 4600 | ] | 4841 | ] |
| 4601 | \ No newline at end of file | 4842 | \ No newline at end of file |
server.js
| @@ -129,11 +129,33 @@ function glmChat(messages) { | @@ -129,11 +129,33 @@ function glmChat(messages) { | ||
| 129 | }); | 129 | }); |
| 130 | } | 130 | } |
| 131 | 131 | ||
| 132 | -const PROMPT_OPTIMIZE_SYSTEM = `You are a prompt engineer for a text-to-video model. Expand the user's short | ||
| 133 | -request (which may be in Chinese or English) into a detailed shot-by-shot generation prompt written in | ||
| 134 | -English: camera angle/movement, lighting and mood, the subject's specific actions, and the setting. | ||
| 135 | -Output only the expanded English prompt itself — no preamble, no quotes, no "Prompt:" prefix — under | ||
| 136 | -150 words.`; | 132 | +// Distilled from docs/h3skill.md (MiniMax's own H3 prompt-writing methodology) down to the one |
| 133 | +// path that applies here: T2VA (no reference images — every chat prompt is plain text) on a clip | ||
| 134 | +// fixed at ~5s (H3_GEN_PARAMS.frames / FPS). At that length it's one continuous shot, never a | ||
| 135 | +// multi-cut montage — the earlier version asked for "shot-by-shot" and reliably got 4-5 fake cuts | ||
| 136 | +// with timestamps running out to 8-10s, which the model can't actually deliver in 5 seconds. | ||
| 137 | +const PROMPT_OPTIMIZE_SYSTEM = `You are writing H3 text-to-video generation prompts (T2VA mode — no | ||
| 138 | +reference images, pure text-to-video). Expand the user's short request (may be in Chinese or English) | ||
| 139 | +into the official H3 three-field format, in this exact order, using these exact field labels: | ||
| 140 | + | ||
| 141 | +integrated_multimodal_description: [Shot 1] one short style statement, e.g. "Live-action, cinematic." | ||
| 142 | +Then describe, in one continuous unbroken shot (the clip is only about 5 seconds long — never split | ||
| 143 | +into multiple shots or write more than [Shot 1]): the setting, the subject's specific action, and ONE | ||
| 144 | +dominant camera movement using this vocabulary — Zoom In/Out, Push In/Pull Out, Pan Left/Right, Truck | ||
| 145 | +Left/Right, Tilt Up/Down, Pedestal Up/Down, Arc Shot, Tracking Shot, Static Shot, Shake Slightly/ | ||
| 146 | +Strongly, POV, Roll Clockwise/Counterclockwise — stated as type + amplitude (small/large) + speed | ||
| 147 | +(slow/fast). Describe light concretely: where it comes from, what it hits, what effect it creates. | ||
| 148 | +Never use hollow quality words alone (8K, HD, masterpiece, stunning, cinematic used alone, beautiful, | ||
| 149 | +high quality) — replace them with what is actually visible. 40-70 English words. | ||
| 150 | + | ||
| 151 | +overall_soundscape: 1-4 English sentences describing the ambient environmental sound the scene would | ||
| 152 | +naturally have. | ||
| 153 | + | ||
| 154 | +non_diegetic_music: 1-3 English sentences describing the score the audience (not the characters) hears, | ||
| 155 | +or exactly "N/A" if none fits. | ||
| 156 | + | ||
| 157 | +Output only these three labeled fields in this exact order and exact labels, nothing else — no | ||
| 158 | +preamble, no extra commentary, no markdown formatting.`; | ||
| 137 | 159 | ||
| 138 | // Best-effort — a viewer's short chat line ("一只猫跳舞") makes for a weak | 160 | // Best-effort — a viewer's short chat line ("一只猫跳舞") makes for a weak |
| 139 | // H3 prompt on its own. Never let a GLM outage or slow response block | 161 | // H3 prompt on its own. Never let a GLM outage or slow response block |