宜博 / h3livestream

Commit c638c96c5d9574d3df47dedb0c80163d18aa39eb

Authored by yibo
1 parent daebde4d

Rewrite the prompt-optimization system prompt against H3's own methodology 

The previous system prompt asked GLM for a free-form "shot-by-shot" expansion,
which reliably produced 4-5 fake cuts with timestamps running out to 8-10s —
impossible for a clip fixed at ~5s (H3_GEN_PARAMS.frames / FPS). Rewrote it
against docs/h3skill.md (MiniMax's own H3 prompt-writing methodology, added
alongside this commit): every chat prompt has no reference images, so it's
always T2VA mode, and at ~5s it's one continuous shot, never a montage.

The new prompt asks for H3's actual three-field T2VA structure
(integrated_multimodal_description / overall_soundscape / non_diegetic_music,
fixed order and labels), a single dominant camera movement from the official
vocabulary (type + amplitude + speed), concrete lighting (no hollow buzzwords
like "8K"/"cinematic" alone), and — previously missing entirely — explicit
sound design. Verified against the real GLM endpoint on several sample
prompts: single continuous shot throughout, correct field structure, no more
impossible multi-shot timestamps.

Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_0144MiJ2cLjMd9jWaeEpVfUJ
Inline Side-by-side
Showing 3 changed files with 1063 additions and 204 deletions
docs/h3skill.md 0 → 100644
  View file @c638c96
  1 +---
  2 +name: h3-video-prompt-main-skill
  3 +version: 0.6.1 (hotfix: url 载体硬不变量)
  4 +status: enabled（2026-08-29 由 org-innovator 热修 Deploy 落位，取代 v0.6.0；回滚源 = git 或 train/evolve/SKILL_v5.md）
  5 +source: MiniMax 官方一手飞书语料（train/hunt/cache_v5/，revision doc1=1297 / doc2=252，逐字落盘）：
  6 + doc1 = H3 使用手册（feishu_doc1…FIWjwgL33ipnkekzk30crmKUnIh.md）
  7 + doc2 = Prompt 写作全能指南（feishu_doc2…Vztzwstuqi3MQKkxs8QcGmxinxe.md）
  8 + v4 及以前的 GitHub 镜像信源（base-en.txt / ref-en.txt / co-op 模板等）降为 R 级同型佐证，
  9 + 凡本文已给 docN:line 的条款一律以 A 级一手为准。引句全部可在 cache_v5 逐字回查。
  10 +supersedes: v0.5.0（train/evolve/SKILL_v4.md）
  11 +v0.6.0_changes: 按 benchmark_v5 C-1/C-2/H1-H16 做作用域重写（非追加）。①§0 从「习语甲/乙」改为
  12 + 「三种交付形态 ①②③④ + 语言按形态划界 + 记号硬互斥」；②新增链路四层交付义务与映射纪律；
  13 + ③v4 从镜像推演的长描述替换为官方短条款（带 docN:line）；④H9 关系标记按官方落 8 个取值（v4 任务
  14 + 书误写 6 个）；⑤篇幅自 88,655 B 收敛至 ≤60,000 B：合并重复示例、删冗余叙事、条款表化。
  15 +v0.6.1_changes: 线上热修（conv-mtekh2bm 实证，非重训、无新分数）：url 载体被「输入显式约定 > 本节
  16 + 默认」+「不得夹带 schema 外字段」合法吞掉。§2 url 逐字保留升硬不变量；只有 id 时追加
  17 + reference_assets；§1.7 第 19 条加豁免、新增第 22 条；§7 加第 25 条。
  18 +---
  19 +
  20 +# H3 视频提示词写作方法论
  21 +
  22 +## 0. 交付形态判定（先判形态，再谈语言与记号）
  23 +
  24 +**第 0 步永远先判交付形态。** 形态决定正文语言、分段记号、适用硬约束与判分落点。
  25 +官方一手语料内部并存多种分段记号（doc1 案例层 4 种变体、doc2 规范层 1 种），**判形态先分「规范层
  26 +条款」与「案例层行为」：格式判据只取规范层（doc2），案例（doc1）只作行为先例与模型参数正源。**
  27 +
  28 +### 0.1 三种合法交付形态
  29 +
  30 +| 形态 | 识别特征 | 分段记号 | 判分落点 |
  31 +|---|---|---|---|
  32 +| **① 型**（doc2 结构化） | 需求要英文结构化 Prompt / JSON / 官方字段结构（六段或三主体字段 + instruction） | `[Shot N]` + 递增 `At MM:SS.mmm`，第一镜不写时间戳（A：doc2:107/:111/:114/:455） | §0.4 全部 H 条款 |
  33 +| **② 型**（窗式） | 需求是**分镜类**：连续故事情节 + 按时长切分显示内容（「每隔几秒显示什么」「分镜」「时间窗」）；或需求是**分镜脚本交付物** | `[N 秒-M 秒]` 窗标题（A：doc1:97 官方「提示词」列六窗一手案例） | §0.5 + 跨形态不变量 |
  34 +| **③④**（登记合法，不考察） | ③ `N-M 秒：` 行式（doc1:200）；④ `0〜3 秒` 全角波浪 + 正向/反向（doc1:237） | 不作为判分形态；交付中出现**不判违规**，只判其内容是否满足所申报形态的三要素义务 | — |
  35 +
  36 +**判据理由（不要丢）**：② 是官方四种形态里唯一窗口边界显式成对、可逐窗相加核验总时长的形态，
  37 +而「边界可核对」正是分镜脚本这一交付物的核心义务；doc1:97 把窗式文本直接放在「提示词」列，
  38 +所以 ② 在最终 Prompt 层同样是 A 级合法形态，只是不走 ① 的 H4/H5/H6/H10。
  39 +doc1 案例层的分段记号有 4 种变体（②③④ + `Shot 1 —`），官方在案例层不做记号统一（doc1:231 坑表
  40 +甚至要求删掉多余【镜头 N】结构）——**案例记号不得升格为格式判据**。
  41 +
  42 +### 0.2 形态切换判据（B 级内部规范；官方没有「何时选哪种」的条款，不得对外表述为官方规则）
  43 +
  44 +1. 输入含**连续故事情节 + 按时间切分**，或需求明确要**分镜脚本/分镜设计文档** → ② 型。
  45 +2. 输入要**英文结构化 Prompt / JSON / 官方字段结构** → ① 型。
  46 +3. **「拆成 N 个镜头」≠ ② 型**：只要求镜头切分、情节照给、无逐窗「每隔几秒显示什么」要求的，
  47 + 是 **① 型多镜**（`[Shot 1..N]` + `At MM:SS.mmm`）——官方 ① 型本来就用 `[Shot N]` 表达多镜。
  48 + ② 型的判据是**逐窗显示内容**（「每隔几秒显示什么」「每窗出现什么 UI」）或**明确要分镜脚本/
  49 + 分镜设计文档交付物**。两者都沾时才判 ②。
  50 +4. 两者都不满足 → 按 §2 五模式判定（T2VA/I2VA/FL2VA/L2VA/全能参考），交付形态默认 ①。
  51 +5. 形态误判是 D1 档 2：分镜需求交英文六段、英文结构化需求交中文窗式散文，都算。
  52 + 交付说明 / 中文沟通不受此限（说明层语言自由）。
  53 +6. **多件交付（链路模式）**：需求同时要「分镜设计 + 分镜脚本 + 最终 Prompt」→ 按 §0.6 链路四层
  54 + 交付，各层用各自形态；**不要**把链路需求做成单件 ① 型交付，也不要给单件需求硬拆四层
  55 + （过度交付同样按 D1/HP1 扣）。
  56 +
  57 +### 0.3 语言规则按交付形态划界（C-2 裁决）
  58 +
  59 +**按形态划界，不按「哪份官方文档」划界**：doc1 自己的案例就是中文散文、同时声明多语言支持
  60 +（doc1:35「支持多语言提示词输入与输出」）；doc2 的英文条款明文限定在「扩写的六个段落正文」
  61 +这个形态上（doc2:242）。把「正文必须英文」套到 ② 型交付上 = 判据越界违规；反向同罪。
  62 +
  63 +| 交付形态 | 语言判据 | 级 | 出处 |
  64 +|---|---|---|---|
  65 +| ① 型（六段 / 三主体字段 / instruction） | **正文英文**；`<d>` 内台词/歌词、画面实际可见文字保留原语言 | A（硬） | doc2:242「扩写的六个段落正文统一使用英文；只有 `<d>` 中的台词、歌词以及画面中实际可见的文字保留原始语言。」 |
  66 +| ② 型（窗式 / 分镜脚本） | **跟随用户输入主导语言**（中文输入 → 中文正文） | A（硬） | doc1:97 官方案例正文全中文 + doc1:35 |
  67 +| 分镜设计（链路第 2 层，给人类的内部档） | 语言自由 | B（内部规范） | 官方无此条款，从 doc1:220-222 收口 |
  68 +| 台词 / 歌词（跨形态不变量） | 原词、原语言、原标点不改写；无法辨认写 `[unclear]` | A（硬） | doc2:137 / :575 |
  69 +| 画面实际可见文字（跨形态不变量） | 英文双引号包围，原文与标点逐字保留，不翻译 | A（硬） | doc2:154（:157 中文招牌 `"营业中"` 示例） |
  70 +| 字段名写法 | 「非叙事性音乐：N/A」与 `"non_diegetic_music": N/A` 两种**都合法** | A | doc1:200 同段并列 |
  71 +
  72 +### 0.4 ① 型官方硬约束（H1-H16，逐条带级与行号）
  73 +
  74 +| # | 约束 | 级 | 出处 | 适用 |
  75 +|---|---|---|---|---|
  76 +| H1 | 提示词总长 ≤ **7000 字符**（含标点与空白，`len()` 口径） | A | doc1:35 | 跨形态 |
  77 +| H2 | 输出时长 **4–15 秒**；超限不得静默 | A | doc1:35 | 跨形态 |
  78 +| H3 | 输出帧率 24 FPS：**提及则不得写错**；需求指定非 24 帧时显式说明该参数不在提示词层控制；**不写帧率不扣分** | A（参数层） | doc1:35 | 跨形态 |
  79 +| H4 | `instruction` 必须**位于第一行，后空一行**再写主体字段 | A | doc2:57 | 仅 ① 型 I2VA/FL2VA/L2VA |
  80 +| H5 | `At MM:SS.mmm` 递增切镜时间，毫秒 3 位、落在视频时长内；**第一镜不写时间戳** | A | doc2:107/:111/:114/:455 | 仅 ① 型 |
  81 +| H5b | **记号硬互斥**：① 型内零处 `[N 秒-M 秒]`；② 型内零处 `At MM:SS.mmm` | A（反证） | doc2 全文 0 处窗式、doc1 全文 0 处时间戳（grep 复算） | 跨形态 |
  82 +| H6 | 生成类 `detailed_description` **350–500 英文词**；三条豁免：台词密集型以容纳台词时间线为先 / 视频编辑类按源视频复杂度展开 / 单镜头并不自动缩短。**区间外且不落在任一豁免才扣分**；无豁免依据的机械补字数也扣 | A | doc2:543 | 仅 ① 型 |
  83 +| H7 | 听不清写 `[unclear]` 不猜测改写；标点规范化为基础书面标点 `,` `.` `?` `!`，删波浪号/emoji/装饰标点；完整陈述句/疑问句/感叹句在 `</d>` 前以 `.`/`?`/`!` 结束 | A | doc2:575 | 跨形态（台词） |
  84 +| H8 | 复杂/易乱码文字：**以图片形式提供作参考图 + 在提示词中明确「这张内容必须按"图片"来理解，不能按"文字"来处理」** | A | doc1:71 | 跨形态 |
  85 +| H9 | 关系标记是**固定英文取值，共 8 个**：可见内容 4（`fully_preserved` / `partially_preserved` / `attribute_transfer` / `weak_reference`）+ 音频 4（`fully_copy` / `partially_copy` / `reference` / `weak_reference`）。自创中文或变体取值 = 词法违规 | A | doc2:398/:400-405/:427-434 | 六段交付 |
  86 +| H10 | `overall_soundscape` **1–4 句**英文连续段落概括贯穿全片的环境声；`non_diegetic_music` **1–3 句**英文描述角色听不到、只有观众能听到的配乐 | A | doc2:162 / :170 | 仅 ① 型六段/三字段 |
  87 +| H11 | **台词长短与 shot 长短对齐**：不出现一个 3s shot 说一大段话（官方标注的口型问题一手根因） | A | doc1:206 | 跨形态 |
  88 +| H12 | 画外音固定短语 `says in an off-screen voiceover`（逐字相邻，不得插语打断）+ 唇部保持闭合；跨镜台词 `<scenetrans>`、结尾截断 `<cutoff>`；`(Sx)` 稳定编号、组合编号、无声者不编号 | A | doc2:144/:147/:150/:459/:135 | 仅 ① 型 |
  89 +| H13 | 素材硬上限：图片 ≤9、视频 ≤3（单段 2-15s、总时长 ≤15s）、音频 ≤3 **且必须配图/视频、不能单独输入**、混合总上限 12 个文件 | A | doc1:35 | 跨形态 |
  90 +| H14 | 标签一经分配，在 `subject_definitions`、`summary`、`retention_analysis`、`detailed_description` 与声音段落**五处同义** | A | doc2:272 | 六段交付 |
  91 +| H15 | `<Video N>` / `<Audio N>` **独立编号**，序号只表示本类内顺序，不表配对；普通参考视频不因含声而自动产生 `<Audio N>` | A | doc2:347/:349 | 六段交付 |
  92 +| H16 | **分镜参考图映射到镜头而非秒数**：`<Picture 3> is a storyboard reference for [Shot 1] and [Shot 2], defining their viewpoint, subject placement, and shot order.`；分镜草稿图在 ② 型写窗口映射；每条素材至少被一个镜头/窗认领 | A | doc2:310/:553 + doc1:200「故事版」 | 跨形态 |
  93 +
  94 +配套 A 级短条款：六段顺序 `subject_definitions → summary → retention_analysis → detailed_description → overall_soundscape → non_diegetic_music`（doc2:250）；三主体字段顺序（doc2:62-66）；`summary` 带方括号任务类型前缀，六类型 `keyframe completion` / `reference generation` / `video editing` / `video continuation` / `audio reuse` / `audio reference`，可用 `+` 组合（doc2:360/:371-378）；`retention_analysis` 逐标签一行并沿用 `subject_definitions` 含义、**不写 `(Sx)`**（doc2:394/:579）；边界处新增内容不得误写成参考损失（doc2:444）；音色参考只取音色不带入原台词（doc2:577）；环境声无则写 `N/A`（doc2:594）。
  95 +
  96 +### 0.5 ② 型窗式交付规范
  97 +
  98 +**窗式结构**：窗标题 `[N 秒-M 秒]`（doc1:97 六窗逐字）；窗序覆盖 0 → 总时长、相邻窗相接、窗序与
  99 +故事情节因果序一致；窗长可以不等（官方六窗即 2/2/3/1.5/1.5/5 秒）；子秒节拍允许但不留 gap。
  100 +**窗边界四条分行标级**（不得合并成一句「官方要求无缝隙无重叠且总和等于总时长」）：
  101 +
  102 +| # | 纪律 | 级 | 出处 |
  103 +|---|---|---|---|
  104 +| 1 | 相邻窗无缝隙 | A | v4 镜像 shot-table-spec:65（R 级；官方一手无逐字句，行为先例 doc1:97 六窗相接） |
  105 +| 2 | 无重叠 | A（① 型相邻条款） | doc2:111 严格递增 ⇒ 不重叠 |
  106 +| 3 | 各窗之和 = 总时长 | C（构造性设计） | 官方模板构造性首尾相接，无明文条款 |
  107 +| 4 | 首窗从 0s 开始 | C（构造性设计） | 行为先例 doc1:97 首窗 `[0 秒-2 秒]` |
  108 +
  109 +#3/#4 照常扣分，但对外表述保持 C 级标注——判分强度与出处等级是两件事。
  110 +
  111 +**每窗三要素**（判内容，不判有没有字段名标签）：
  112 +① **机位/运镜**：每窗首行显式声明机位或主导运镜（A 同型：doc1:97 各窗首行即 `景别` 字段）；
  113 +② **主体动作**：该窗内主体做什么，可量化状态是官方文风；
  114 +③ **UI/覆盖元素**：该窗出现的 UI/字幕/HUD 内容与位置。
  115 +声音写在**窗内**（doc1:97 各窗「声音：」字段先例）；官方无独立转场字段，转场信息写进机位行，
  116 +**不得硬切**（v4 镜像 co-op:117/:133 R 级）；「每窗必须写明转场」不是判据，不要自加。
  117 +
  118 +**参考素材落位**：头部一行职责声明（每份素材负责什么）+ 窗内语义回指，回指与声明同一体系；
  119 +分镜草稿图按 H16 写窗口映射（映射到哪几个窗、提供什么规划信息），**非锚点图零秒级对齐**
  120 +（v4 反证 ref-en 全文 0 处 "aligns with"，R 级）；幽灵素材禁令（C 级收口）。
  121 +**UI 文字四禁令**（R 级 v4 镜像 co-op:133）：UI 字符串可读、无随机字母、用户名不拼错、
  122 +菜单/选项集合不得超出输入给定集合。输入自带中英并列时沿用（输入事实），只给英文时英文单语，
  123 +两种互不判违规；把中英并列表述成官方要求 = 出处纪律违规。
  124 +**时长**：`duration_seconds` 由请求体指定、不写进正文；正文时长信息只以窗标题体现；
  125 +交付说明注明本次取值（B 级）；需求超 4–15s 不得静默，给拆分方案或与调用方确认；
  126 +节拍总合 ≠ 请求时长时按最小改动解决并显式说明改了哪里，不删情节凑时长。
  127 +**对白**：`<d>` 包裹与 `(Sx)` 编号非硬判据（不强制、出现亦不算违规，用了就守同一套稳定性纪律）；
  128 +台词逐字保真与「画外 + 唇部闭合」语义要求**跨形态成立**；说话人身份须窗内可辨识。
  129 +**词法**：url 不进正文；散文交付无 JSON 通道要求，不因「没交 JSON」扣分。
  130 +
  131 +### 0.6 链路四层交付（需求理解 → 分镜设计 → 分镜脚本 → H3 Prompt）
  132 +
  133 +当需求要求**多件交付**（先出分镜设计/分镜脚本，再出最终 Prompt）时，按四层依次交付，各层实体
  134 +计分（LU15 + SD20 + SS30 + HP35 = 100；#62 标 C 级构造性设计、0 真实先例——官方没有「分几层
  135 +交付」的条款，这是工程收口，不得表述为官方规则）。
  136 +
  137 +| 层 | 义务 |
  138 +|---|---|
  139 +| **LU 需求理解** | 从 raw_brief 判定模式（T2VA/I2VA/FL2VA/L2VA/全能参考，doc2:28-57）+ 交付形态 ①/② + 素材组合是否合法（H13）；**逐字锁定复述** raw_brief 与 note 原文中的硬事实（时长、UI 文案集合、素材职责、必须替换类 note）——改写程度词（「必须换」→「建议优化」）= 0；零臆造（不编造 raw_brief 未给的主体/UI 文案/台词） |
  140 +| **SD 分镜设计** | 每段时长落 4–15s（H2），需求超 15s 给拆分方案而非静默；相邻段/镜之间显式给**至少一个衔接锚点**（同一动作方向/视线目标/光/道具/轮廓/声音/受力任一），无理由跳切 = 0（B 级：TFboy1 storyboard-schema:7-11；官方相邻条款 doc1:216 切镜写清景别与主体 + doc1:231 禁无理由分镜）；每镜给镜号/时长/景别/运镜/内容/声音/转场（B 级：chiphoton 单镜 10 项 + TFboy1 7 列镜头卡；官方相邻条款 doc1:200「想要」栏字段集）；台词字数与该镜秒数不失衡（H11）。**语言自由（B 级内部规范）** |
  141 +| **SS 分镜脚本** | **② 型**：`[N 秒-M 秒]` 窗标题覆盖 0 → 总时长、相邻窗相接；窗内零处 `At MM:SS.mmm`（H5b）；每窗三要素；每条素材至少被一个窗认领（幽灵禁令）、分镜参考图映射到镜头零秒级对齐（H16）；台词逐字落在对应窗内、画外发声语义等价标记 + 唇部闭合、静默窗也写声音 |
  142 +| **HP H3 Prompt** | 形态按 C-1 判定正确；与 SS 层构成窗号 ↔ 镜号一一对应；适用的 H1/H2/H4/H5/H6/H10 全过；`(Sx)`/`<d>`/画外音/`<scenetrans>`/`<cutoff>`（H12）；段落顺序、标签五处同义（H14）、`<Video N>`/`<Audio N>` 独立编号（H15）、关系标记 8 取值（H9） |
  143 +
  144 +**映射纪律（B 级内部规范）**：脚本层 `[N 秒-M 秒]` ↔ Prompt 层 `[Shot N]`/`At MM:SS.mmm` 必须
  145 +**窗号 ↔ 镜号一一对应**（脚本第 N 窗 = Prompt 的 [Shot N] 或跨窗），且**只允许存在一套时间轴**——
  146 +脚本写窗边界、Prompt 写切镜时刻，两件不得各自再发明一套编号或时长。理由：官方 4–15s 单次上限
  147 +（doc1:35）决定链路里两件交付描述的是同一段视频，双时间轴必然矛盾。
  148 +收口来源：doc2:111「连续编号」+ doc1:202-216「镜头怎么拆」。
  149 +**单件需求不要硬拆四层**：`expected_chain` 只含 h3_prompt 时交单件，多拆 = LU1/HP1 扣。
  150 +
  151 +---
  152 +
  153 +## 1. 七步工作流
  154 +
  155 +第 0 步判形态（§0）。第 1/2/3/4/7 步在动笔前落定，第 5/6 步写作中逐句遵守。
  156 +**优先级顺序不能反**：先满足硬性格式与引用规范 → 再忠实保留用户意图 → 识别输入冲突与不可用素材
  157 +→ 不擅改剧情的前提下增强可拍摄性 → 最后才是电影感/氛围/细节。先想「写得漂亮」再回头补格式校验，
  158 +正是历史失败的结构性原因。
  159 +
  160 +| # | 步骤 | 落点 | 对应维度 |
  161 +|---|---|---|---|
  162 +| 0 | 判交付形态 | §0.1/§0.2 | D1 |
  163 +| 1 | 提取硬约束（8 项约束表） | §1.1 | D2/D9 |
  164 +| 2 | 素材预检 + 数量总闸 | §1.2 | D7 |
  165 +| 3 | 解决输入冲突 | §1.3 | D8 |
  166 +| 4 | 控制扩写边界 | §1.4 | D8 |
  167 +| 5 | 对白双口径 | §1.5 | D5 |
  168 +| 6 | 物理与镜头一致 | §1.6 | D6 |
  169 +| 7 | 机械验收（22 项） | §1.7 | D9 |
  170 +
  171 +### 1.1 提取硬约束（8 项，缺一项回头补读输入）
  172 +
  173 +1. 输出 schema：交付形态（`{"prompt":...,"references":[...]}` / 纯文本 / 其它）、字段名、错误通道。
  174 +2. 模式与段落结构：五模式判定 → 哪几个字段什么顺序；② 型 → 窗式 + 三要素；链路 → 四层。
  175 +3. 资产层顺序与每份素材落位（§2 两层模型）。
  176 +4. `<Subject N>` 与素材绑定关系：每个 Subject 绑哪几张素材作外观/动作/音色来源；哪些图只定义
  177 + 外观不另起 Picture 条目。
  178 +5. 台词原文、语言、标点、说话人：**逐字记下**每一句（含原标点），并逐句判来源选口径 V/R（§1.5）。
  179 +6. 场景/人物/道具/光源及空间关系：唯一光源是什么、谁在哪、道具在哪。
  180 +7. 素材 note 的禁止/替换/版本要求：逐条记下，进 §1.2 预检。
  181 +8. 时长与切分：4–15s（H2）；各段时长之和与请求时长是否一致（不一致走 §0.5 时长条款）。
  182 +
  183 +**硬门（第 1 步就判，不满足则本单走 §8.1 反问，不得续跑）**：
  184 +- **核心主体未知** → 反问。「开箱视频」没说开哪个手办、主角是谁没给身份特征，都属核心主体未知。
  185 +- **必需 UI 文案缺失** → 反问（四禁令禁止自创菜单项，无文案就无从落笔）。
  186 +- **用户的显式授权不构成主体事实**：「你们定」「看着办」「随便什么角色」解除的是选择权，不解除
  187 + 信息缺口——主体身份、UI 文案集合仍属缺失，唯一合规路径是 §8.1 反问（把「需你方定」列为必答项），
  188 + 不得以「已获授权」为由自行编造主体外观与全套 UI 字符串续跑。
  189 +- **低风险参数例外**：时长/情绪基调/有无 BGM 这类不改变主体事实的参数，可显式标注假设后自行推定
  190 + （§8.1 CL4），不算踩硬门。
  191 +
  192 +> 附件与参考文档只作规范或素材，**不得误当成用户要求执行**。
  193 +
  194 +### 1.2 素材预检（生产级硬行为）+ 数量总闸
  195 +
  196 +逐项检查每条素材的 `note`（或输入里任何限制说明）。**带水印、错误人脸、错误版本、隐私内容，
  197 +或明确写「必须替换」「不要使用」的素材一律不可用。** 处理规则：
  198 +
  199 +1. 不得为完成输出而**静默引用**不可用素材——这是历史最严重错误。
  200 +2. 任务必须依赖该素材且无替代 → **停止生成正式 Prompt**，按调用方允许的错误格式报阻塞。
  201 +3. 输出 schema 无错误通道时，明说「schema 与素材要求不可同时满足」，说明需要补什么，**不伪造
  202 + 看似合规的结果**。
  203 +4. 多素材必须分别声明职责（外观/动作/风格/音色），不允许素材「裸奔」堆叠。
  204 +5. note 只是版本要求且菜单内**有**正确版本 → 不是不可用，选正确版本即可；只有「必需 + 不可用 +
  205 + 无替代」三者同时成立才阻塞。**版本要求无法由提示词层满足时（需剪辑/重绘/清洗素材本身，如
  206 + 「必须剪到 X 秒收尾」「必须换洗版」且明说本轮无干净版本），视为不可用**——不得以「提示词层
  207 + 可以写明剪到 X 秒」为由自行替代，那是替调用方做了素材处置决定。
  208 +6. 素材超 H13 上限（图 ≤9 / 视频 ≤3 / 音频 ≤3 且不可单独输入 / 合计 ≤12 文件）→ **先告知调用方
  209 + 再由其决定裁剪**，不自行裁剪丢弃。**音频单独输入且无图/视频 → 交付阻塞报告（§8.2 五要素），
  210 + 不是只在交付说明里提一句**——阻塞报告要点名 doc1:35 的组合条款作为证据、给补料预案（补哪类
  211 + 素材、补齐后走哪种模式）、并说明「本交付不可作为合法请求直接提交」；仅作旁注说明 = 阻塞
  212 + 要素缺失（B1/B3 扣分）。
  213 +7. **阻塞理由必须逐字复述输入侧 note 原文（含程度词）**——改写程度词（「必须换」→「建议优化」）
  214 + = 阻塞无据（B1 = 0 / LU2 = 0）。**弱化与放大输入事实都算改写**，对称适用。
  215 +
  216 +> **两个独立义务不要混**：把不可用素材的原 url 原样保留在资产层清单里是数据完整性义务（阻塞时也
  217 +> 附清单，方便换洗版后直接续跑）；把不可用素材**塞进交付 references/conditions 或写进正文层**才是
  218 +> 违规。可用性归预检，数据完整性归资产层（可用素材同此义务，§2）。
  219 +> **反向（过度阻塞）**：素材可用、note 是建议性（「没有也行」「可以直接用」）、或菜单内存在 note
  220 +> 指定的替代版本时，正确行为是**继续产出**；此时报阻塞 = 轨别改判 + 同源违规并行扣分。
  221 +
  222 +**阻塞报告五要素**（与 block 轨 B1-B5 对应，C 级构造性设计）：
  223 +① 缺失素材点名 + 证据（复述 note 原文，含程度词）；② 零污染引用（references 不含不可用素材，
  224 +可附整份清单但 excluded 显式单列）；③ 补料预案（预期 references 顺序、每条资产的绑定映射、预计
  225 +模式不变；② 型还要窗式切分预案 + Reference roles 映射）；④ schema 冲突显式说明；⑤ 范围精确
  226 +（只对必需且不可替代的报，不多报不少报）。
  227 +
  228 +### 1.3 解决输入冲突
  229 +
  230 +按优先级：① 用户当前明确意图与约束 → ② 主体定义与绑定规则 → ③ 格式指南（字段结构/形态判定）
  231 +→ ④ 参考图可见内容与 note → ⑤ 样例写法（最低，样例不能覆盖当前任务事实）。
  232 +可局部解决时**最小改动**。范例：「油灯是唯一光源」+ 场景图里有燃烧的蜡烛 → 保留蜡烛道具、写明
  233 +它未点燃，油灯仍是唯一光源；一次只改冲突涉及的那一处。总时长冲突同此逻辑。
  234 +
  235 +### 1.4 控制扩写边界
  236 +
  237 +| 类型 | 可否补充 |
  238 +|---|---|
  239 +| 输入事实（角色设定、场景、用户给的台词/动作/UI 文案与选项集合） | 必须忠实保留，不得改动 |
  240 +| 图片可见信息 | 可转述，不得虚构图里没有的 |
  241 +| 低风险可拍摄细节（轻微呼吸、衣料摩擦、灯焰波动、合理小幅运镜、脚步声） | **可以补** |
  242 +| 高风险剧情推断（拒绝/服从/离开/攻击/恐惧/建立新关系/明确情绪结论） | **无依据不得添加** |
  243 +
  244 +用户只给一句台词时：忠实呈现说话行为本身，对方反应保持**中性、短暂、开放**（轻微转头、衣袖
  245 +移动、画面停在其反应上），不替用户决定后续剧情。
  246 +输入给定的菜单/选项集合是输入事实，不得增删自创。用户元指令（「越震撼越好」「要有科技感」）
  247 +转译成具体光影/运镜/材质选择，不照抄进最终提示词。多镜头给定完整故事情节时分镜不改写情节走向、
  248 +台词保持原语言逐字（B 级内部收口）。
  249 +
  250 +### 1.5 对白双口径（先判来源，再选口径；不存在全局「不擅自改动标点」）
  251 +
  252 +| 口径 | 适用 | 规则 | 出处 |
  253 +|---|---|---|---|
  254 +| **V** | 台词由用户在本次输入中直接提供（不含仅出现在参考音频里的内容） | `<d>` 内只放语言标签 + 台词本身；**每个原词、每个原始标点逐字保留**，不翻译、不改写、不补词、不擅自加/删标点 | doc2:137（原词原语言不改写） |
  255 +| **R** | 台词从参考音频直接复用，或输入明确要求 reperformance | 保留源词与原语言；听不清写 `[unclear]` 不猜写；标点标准化为 `,` `.` `?` `!`，删重复波浪号/emoji/装饰标点；完整陈述/疑问/感叹句在 `</d>` 前补 `.`/`?`/`!` | doc2:575 |
  256 +
  257 +判定顺序（B 级内部规范）：① 输入显式声明 → 按声明；② 无声明但台词同时出现在参考音频资产且要求
  258 +复用/重演 → R；③ 其余一切情形默认 **V** 并在交付说明注明（拿不准套更严格的保真侧不会产生假阳性
  259 +扣分）；④ 混合来源**逐句适用各自口径**，不为「全篇统一」抹平差异。
  260 +
  261 +反向约束：V 下不得以「规范化」为由补句号或删感叹号；R 下不得以「逐字保真」为由保留 emoji/波浪
  262 +符号，也不得漏终止符。共用不变量：源词与原语言永不改写；`<d>` 内只放语言标签与台词；听不清写
  263 +`[unclear]`。
  264 +仅参考音色 → 不得把参考音频原台词带入（doc2:577）。
  265 +
  266 +### 1.6 物理与镜头一致（六条，写中与写后各过一遍）
  267 +
  268 +1. 「唯一光源」是否真的唯一（参考图里有蜡烛 → 最小改动写明未点燃）。
  269 +2. 重要主体首次清晰出现时描述其被引用的特征/画面位置/当前动作（A：doc2 同型条款）；镜头间移动
  270 + 有过渡交代、不凭空换位（B 内部增强）。
  271 +3. 道具跨镜头位置与状态不无交代跳变（B 内部增强）。
  272 +4. 单镜头主导运镜唯一；需要两种运镜时拆成多个 `[Shot N]` 或明确取舍（§3.1）。
  273 +5. `summary` / `retention_analysis` / `detailed_description` 讲的是同一件事。
  274 +6. 镜头号严格递增、时间戳不重叠无间隙且落在总时长内（H5）；② 型窗边界四条（§0.5）。
  275 +
  276 +### 1.7 输出前机械验收（22 项，任一失败先修复再交付）
  277 +
  278 +1. 交付形态判定正确（§0.1），单件/链路与需求一致。
  279 +2. 段落/字段齐全且顺序正确（① 型六段 doc2:250 / 三主体字段 doc2:62-66；② 型窗序因果一致）。
  280 +3. 字段名完全正确（无拼写错、无自造字段）；① 型英文字段名 + `instruction` 第一行后空一行（H4）。
  281 +4. 所有 `<Subject N>`/`<Picture N>`/`<Video N>`/`<Audio N>` 已定义、编号一致、无幽灵编号/幽灵素材
  282 + （H14 五处同义；H15 独立编号不配对；H9 关系标记只用 8 个固定取值）。
  283 +5. `references` 顺序 = 素材菜单原始顺序 = 自动编号顺序；不与正文 `<Picture N>` 定义条目强制一一对应
  284 + （部分图不做 Picture 条目是合法形态）；url 保真见第 22 条。
  285 +6. 非锚点图已被某条 `<Subject N>` 定义句以序号内联引用认领（① 型）/ 头部声明 + 窗内回指认领（② 型）。
  286 +7. 所有对白用 `<d>`（① 型硬判据；② 型非硬判据但说话人窗内可辨识）；台词逐字保真（V/R 双口径逐句）。
  287 +8. 未引用 note 标记为不可用的素材（资产层保留原 url ≠ 允许引用）。
  288 +9. 无设定冲突（§1.3）；无未经授权的剧情结果（§1.4）。
  289 +10. JSON 可解析、无 schema 外字段与解释文字、无残留模板占位符（`Shot N` / `S.SS` 已解析成具体数值）。
  290 + JSON 通道属 B 级内部规范；② 型散文无此要求。
  291 +11. 素材总量在 H13 上限内，组合合法（音频不单独输入）；超限已先告知。
  292 +12. 正文层数量与词法：① 型正文层除官方四标签与 `(Sx)` 外无任何其它编号词法（`object N` /
  293 + `background N` / 小写 `picture n` 都是官方外词法，R 级 grep 复核）。
  294 +13. **H1**：最终 Prompt 交付件 ≤ 7000 字符（含标点与空白，`len()` 口径）。
  295 +14. **H2/H3**：单段时间轴落在 4–15s；正文无独立「总时长 X 秒」指令行；帧率提及则不写错。
  296 +15. **H5/H5b**：第一镜无时间戳、`At MM:SS.mmm` 毫秒 3 位且递增、落在时长内；① 型零处窗式记号、
  297 + ② 型零处 `At MM:SS.mmm`。
  298 +16. **H6**：`detailed_description` 词数在 350–500 或落在三条豁免之一。
  299 +17. **H10**：`overall_soundscape` 1–4 句、`non_diegetic_music` 1–3 句；N/A 条件精确（§4.3）。
  300 +18. **H11/H16**：台词长短与该镜秒数不失衡；分镜参考图映射到镜头、每条素材被认领、零秒级对齐。
  301 + **② 型专项**：窗边界四条（§0.5）、UI 四禁令、每窗三要素齐备。
  302 +19. **自查声明逐项实测**：自报的词数/句数/字符数/记号计数必须与正文实测一致（写「未写 (Sx)」前
  303 + 先 grep；报「2 句」前先数）。声明与实况不符 = D9 档 2，比漏检更严重——它污染调用方对交付的
  304 + 信任。资产层 JSON 不得夹带 schema 外字段（「落位」「可用性」这类说明写进交付说明，不进 JSON）；
  305 + **豁免：url 载体字段（`reference_assets` / `conditions[].url`）不属 schema 外字段**；URI
  306 + 字段只放 url，不放中文说明文字。
  307 +20. **`retention_analysis` 零 `(Sx)`**（A：doc2:579）；关系标记只挂在有参考来源的标签上。
  308 +21. **summary 任务类型标记与输入对齐**：音色/风格/节奏类参考 → `+ audio reference` 组合标记；
  309 + 纯文字生成无任何帧锚点输入时不得标 `keyframe completion`（A：doc2:360/:371-378）。
  310 +22. **url 逐字比对（§2 硬不变量）**：菜单带 url 的每条素材，资产层必须有逐字一致原 url（与输入菜单 grep
  311 + 逐条比对，缺一/改一字符即不过）；未带 url 的标
  312 + `url 待补（输入 JSON 未携带该字段）`，不编造。url 不进正文不变。
  313 +
  314 +---
  315 +
  316 +## 2. 生产输入的两层模型
  317 +
  318 +真实生产输入常以「参考图菜单 + 主体定义 + 绑定规则 + 要拍的意图」形态给出，结构已钉死，按它的
  319 +规则走，不重新发明。任何参考素材都有两层义务，一层管地址、一层管语义，互不越界：
  320 +
  321 +**资产层**（请求体 `conditions[]` 或调用方约定的 `references` 数组）——**跨形态不变**：
  322 +每条素材一条记录；数组顺序 = 输入菜单原始顺序 = 模型自动编号顺序；url 从不出现在正文层；
  323 +输入自带绑定规则时按输入走，不以本节默认覆盖显式约定。
  324 +
  325 +**url 逐字保留是硬不变量，不受「输入显式约定 > 本节默认」覆盖**（线上实证 conv-mtekh2bm）：输入
  326 +约定可改字段名/顺序/结构/绑定规则，**不可消灭 url 载体**——菜单带 url 且正文引用了对应序号，资产层
  327 +必须逐字携带每条原 url（不下载/不转存/不改链；与 §1.2 数据完整性义务同源）。输入已自带命名 url
  328 +字段（`conditions[].url`）则按输入命名照交；只有 id → `references` 原样照交（顺序 =
  329 +`<Picture N>` 编号，一字不动），**另追加** `reference_assets`（url 载体字段，§1.7 第 19 条豁免，
  330 +顺序同）：
  331 +
  332 +```json
  333 +{"references": ["scene", "npc", "player"],
  334 + "reference_assets": [{"id": "scene", "url": "https://…"}, {"id": "npc", "url": "https://…"},
  335 + {"id": "player", "url": "https://…"}]}
  336 +```
  337 +
  338 +**正文层（① 型）**：只允许官方四标签 `<Subject N>`/`<Picture N>`/`<Video N>`/`<Audio N>` 与
  339 +`(Sx)` 两族记号；禁止官方外编号词法；禁止幽灵编号（C 级收口：凡进资产层的素材要么有独立
  340 +`<Picture N>` 条目、要么在某条 `<Subject N>` 定义句内被序号引用认领）。
  341 +
  342 +**正文层（② 型）**：头部职责声明 + 窗内语义回指；分镜草稿图按窗口映射（H16），非锚点图零秒锚；
  343 +幽灵素材禁令与 url 不进正文同上。
  344 +
  345 +**三种常见素材的落位**：
  346 +
  347 +| 菜单里的素材 | ① 型落位 |
  348 +|---|---|
  349 +| scene 场景图（构图/首帧锚点） | 独立 `<Picture N>` 定义条目（可同时作环境型 Subject 来源） |
  350 +| 人物/道具立绘（仅定义外观） | **不另起** Picture 条目；在 `<Subject N>` 定义句内以 `<Picture M>` 序号内联引用 |
  351 +| 只取氛围不入帧的风格图 | 作 `weak_reference` 来源，不独立成条，序号仍须被 Subject 定义句认领 |
  352 +
  353 +来源引用一律用官方式序号内联写法（`as established in <Picture 2>.`），不用 *as established in
  354 +the NPC portrait* 这类文字指代（R 级 ref-en:37 "cite it inside" + :313 官方范例文风）。
  355 +基础模式（I2VA/FL2VA/L2VA）只要用到参考图，同样交一行资产层清单（id、原 url、落位标签）；
  356 +输入未携带 url 时**显式**标 `url 待补（输入 JSON 未携带该字段）`。
  357 +
  358 +**自由文本 brief 里「参考图」是描述，可按需理解；生产输入菜单里的 `id`/`role`/`note` 是事实和
  359 +约束，必须逐字遵守。** 立绘绑定规则说「只定义人物、不另起 Picture 条目」就照做；输入显式约定
  360 +> 本节默认。
  361 +
  362 +---
  363 +
  364 +## 3. 模式判定与结构模板（① 型）
  365 +
  366 +### 3.1 五模式决策树
  367 +
  368 +```
  369 +有参考素材吗？
  370 +├─ 没有 → T2VA（纯文本原创场景）
  371 +└─ 有 → （先核 H13 总闸，超限先问后裁）
  372 + ├─ 仅 1 张首帧图 → I2VA
  373 + ├─ 首尾各 1 张图，描述中间过渡 → FL2VA
  374 + ├─ 仅 1 张尾帧图，反推之前发生了什么 → L2VA
  375 + └─ 多素材身份/风格锁定（结构化角色：定义可复用主体/编辑源视频/音色参考）→ 全能参考
  376 +```
  377 +
  378 +易错判断：首尾各一张图 ≠ 自动全能参考（纯起止帧 + 中间过渡走 FL2VA）；3 张不同角度的同一产品图
  379 += 同一个 Subject 的多个来源图，不拆成 3 个主体；生产输入菜单 + 主体定义 + 绑定规则 → 全能参考；
  380 +道具类参考也走 `<Subject N>`（objects 属可复用可见内容），**不要发明 object 类标签**；
  381 +极简请求（「给我做个视频」）不臆造场景，先反问（§5.1）。
  382 +
  383 +### 3.2 基础模式（T2VA/I2VA/FL2VA/L2VA）
  384 +
  385 +**指令行**（模式专属，逐字模板；`N`/`S.SS` 是要替换成具体数值的占位符，**交付里绝不能原样留下
  386 +字面的 "Shot N" / "S.SS-second mark"**）：
  387 +- T2VA：无指令行，直接从三字段开始。
  388 +- I2VA：`For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.`
  389 +- FL2VA：`How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot N) aligns with the S.SS-second mark of the target video.`
  390 +- L2VA：`How the reference pictures align with the target video — <Picture 1> (from [Shot N]) aligns with the S.SS-second mark of the target video.`
  391 +
  392 +指令行必须是整段提示词第一行，后空一行再接三字段（H4，A：doc2:57）。
  393 +**三字段**（顺序固定）：`integrated_multimodal_description`（`[Shot 1]` + 风格声明 + 画面/动作/
  394 +对白/同步音沿时间线展开）→ `overall_soundscape` → `non_diegetic_music`。
  395 +推荐展开：I2VA 首帧锚定 → 动作起势 → 连续展开 → 结果/反应；FL2VA 首帧状态 → 中间变化 → 收窄 →
  396 +尾帧状态（**优先单镜头**，仅在用户明确要求时拆多镜，末尾落到尾帧）；L2VA 合理前置状态 → 动作与
  397 +过渡路径 → 收敛 → 落到尾帧。
  398 +
  399 +### 3.3 全能参考模式六段
  400 +
  401 +顺序固定：`subject_definitions` → `summary` → `retention_analysis` → `detailed_description` →
  402 +`overall_soundscape` → `non_diegetic_music`（A：doc2:250）。
  403 +
  404 +**subject_definitions**：四标签 `<Subject N>`（可复用可见内容）/ `<Picture N>`（具体目标帧或分镜
  405 +锚点）/ `<Video N>`（剪辑源/续接起点/整体节奏结构）/ `<Audio N>`（被复制或引用的音频信号）。
  406 +一个 Subject 可由多个素材共同定义，一段素材也可提供多个 Subject。**非可见内容不得立为 Subject**：
  407 +剪辑节奏、镜头切换方式、氛围由 `<Video N>` 承担并在 `retention_analysis` 标 `weak_reference`。
  408 +人物类 Subject 必须给 2-3 条具体可辨识特征（发色/发长/发型、服装颜色款式、体态五官、随身饰品），
  409 +不得只写「如素材所示」；产品类要点名标识位置/角度。
  410 +
  411 +**summary**：方括号任务类型前缀（六类型见 §0.4 配套条款，可用 `+` 组合）+ 一段话概述；仅在编辑
  412 +源视频时紧跟写 `The target video is an edited version of <Video 1>.`
  413 +
  414 +**retention_analysis**：每个标签一行，可见内容用 4 个取值、音频用 4 个取值（H9 白名单，共 8 个，
  415 +自创中文/变体 = 词法违规）；不写 `(Sx)`；不把目标视频里新增的动作/背景/剧情事件当成参考保真度
  416 +损失。示例：`<Subject 1> (appears in [Shot 1], [Shot 3]): fully_preserved - the woman's long dark hair, blue cardigan, and silver necklace are retained.`
  417 +
  418 +**detailed_description**：开头 1-2 句英文声明整体风格；`[Shot 1]` 无时间戳，后续
  419 +`[Shot N] At MM:SS.mmm, ...`（H5）；运镜写成自然英文动作短语（§4）；重要 Subject 首次清晰出现时
  420 +描述被引用特征/画面位置/当前动作，后续沿用同一标签不重新定义；具体帧锚点用自然短语
  421 +（`the shot begins from <Picture 1>` / `the shot's keyframe corresponds to <Picture 2>` /
  422 +`the shot ends on <Picture 3>`）；生成类 350-500 英文词 + 三豁免（H6）；语音来源：仅在直接复用的
  423 +BGM/完整配乐里的口头内容用 `<Audio N>`，由具体人物/角色/旁白发出的声音用 `(Sx)`。
  424 +
  425 +**声音两段**：`overall_soundscape` 1–4 句、`non_diegetic_music` 1–3 句（H10）；环境声层的 `<Audio N>`
  426 +复用/引用写进 soundscape，观众专属配乐层的写进 music，两层都提供时各写一句。
  427 +
  428 +---
  429 +
  430 +## 4. 镜头语言
  431 +
  432 +**运镜三维度 = 类型 + 幅度 + 速度**（A：doc2:121）。词表（A：doc2:123）：`Zoom In/Out`、
  433 +`Push In/Pull Out`、`Pan Left/Right`、`Truck Left/Right`、`Tilt Up/Down`、`Pedestal Up/Down`、
  434 +`Arc Shot`、`Tracking Shot`、`Static Shot`、`Shake Slightly/Strongly`、`POV`、
  435 +`Roll Clockwise/Counterclockwise`。幅度 `with small/large amplitude`、速度 `at slow/fast speed`
  436 +是两个独立维度，中等幅度 + 正常速度通常省略。运镜写成句内自然英文动作，不在句末堆标签。
  437 +**环绕运镜（C-7 裁决）**：默认组合写法 `truck left+pan right` 或 `truck right+pan left`
  438 +（doc1:200 指导层条款），而非直接说环绕运镜；`Arc Shot` 保留在合法词表内、交付中出现不判违规
  439 +（doc2:123 词汇层条款）；把组合写法说成官方强制、或把 `Arc Shot` 从词表删除，都是出处纪律违规。
  440 +
  441 +**分镜与转场**：首镜 `[Shot 1]` 不加时间戳；后续用递增镜号 + 严格递增、落在时长内的切入时刻
  442 +`[Shot 2] At 00:03.500, ...`（H5）；常规转场 `the camera cuts to` / `the shot cuts to` /
  443 +`the shot transitions to` / `the shot changes to` / `the shot switches to`，用户明确要求才用
  444 +`cross-dissolve`/`fade`/`wipe`；切镜必须带来主体/空间/状态/视角/时间上的新信息，只是距离或角度
  445 +微调时优先用运镜而非切镜。
  446 +**矛盾指令**（「镜头要一直推进，但同时环绕主体转一圈」）：拆成多个 `[Shot N]` 各自成立，或取一个
  447 +主导运镜并在交付说明注明另一个因物理矛盾未采用；不把两个矛盾运镜塞进同一句。
  448 +
  449 +---
  450 +
  451 +## 5. 说话人 / 对白 / 可见文字（① 型；② 型按 §0.5）
  452 +
  453 +**说话人 ID**（A：doc2:135）：发声者用稳定 ID `(S1)` `(S2)`，按目标视频中实际发声事件顺序分配
  454 +一次、跨镜头永不重号/交换；多个已编号说话人齐声用复合 ID `(S1,S2)`；**从不发声的角色不获得
  455 +说话人 ID**；`(Sx)` 写进 `detailed_description`，不写进 `retention_analysis`；主体发声写
  456 +`<Subject N> (Sx)`，同一主体画外发声保持同一形式并标 `off-screen`。
  457 +**音频锚定**（A：doc2:347/:349）：`<Audio N>` 与 `<Video N>` 独立编号不表配对；普通参考视频不因
  458 +含声而自动产生 `<Audio N>`；`<Audio N>` 显式对应目标说话人时**复用该说话人的全局 ID**（写
  459 +`<Subject N> (Sx)` 或稳定声音描述 + `(Sx)`），不在音频定义处独立重新编号。**对应关系必须内联写进
  460 +`<Audio N>` 定义句**，只放资产层元数据或交付说明不算完成绑定。
  461 +
  462 +```
  463 +<Subject 1> is the male rapper in <Video 1>, with short bleached hair and an oversized bomber jacket.
  464 +<Audio 1> is the voice-timbre reference for <Subject 1> (S1), providing his raspy mid-register rap timbre.
  465 +```
  466 +
  467 +**对白格式**：每句对白 `<d>[Language] 原始台词</d>` 包裹；`<d>` 内只放语言标签 + 台词，说话方式/
  468 +音色/动作写在 `<d>` 外。
  469 +**画外音**（A：doc2:144/:147）：固定短语 `says in an off-screen voiceover` **逐字相邻出现，
  470 +不得插语打断**（写成 *says the following aloud ... in an off-screen voiceover* 属违规）；紧跟其后
  471 +声明对应角色唇部保持闭合：
  472 +
  473 +```
  474 +The man (S1) says in an off-screen voiceover: <d>[English] I still remember that road.</d> while his lips remain completely closed.
  475 +```
  476 +
  477 +**跨镜台词与截断**（A：doc2:150/:459）：同一句台词跨越切镜时在两段衔接处都用 `<scenetrans>` 并
  478 +声明音频跨切镜连续；连续跨两次切镜时中间镜 `<d>` 以 `<scenetrans>` 开头且结尾；视频结尾被截断的
  479 +台词用 `<cutoff>`。
  480 +**画面可见文字**（A：doc2:154）：招牌/标语/字幕/霓虹字样用英文双引号，原文原样保留不翻译
  481 +（`A red neon sign reading "营业中" glows above the doorway.`）；这类是**可见文字**，同样受口径 V
  482 +保真约束。
  483 +
  484 +---
  485 +
  486 +## 6. 声音设计与具体性
  487 +
  488 +**声音四项不可省略**：对白具体内容、环境声类型、背景音乐风格、音效/卡点位置——声音是与画面平级
  489 +的独立轨道，不能只写「有一些环境音」。
  490 +**`overall_soundscape` 的 N/A 条件**：只有用户明确要求全程完全静音才写 `N/A`；正常情况下即使环境
  491 +声轻微也要具体描述（A：doc2:594「没有环境声时写 N/A」的精确条件）。
  492 +**`non_diegetic_music` 的 N/A 条件**：没有配乐必须显式写 `N/A`，不能留空/不提该字段（留空会被
  493 +理解为自由发挥）。
  494 +**句数区间**（H10）：soundscape 1–4 句、music 1–3 句；存在配乐时说明乐器、速度和动态变化。
  495 +对白/歌唱/角色能听到的画面内音乐属于 `detailed_description` 的同步音，不重复写进 soundscape。
  496 +② 型：声音写在窗内，N/A 条件照常适用。
  497 +
  498 +**具体性三问法**：任何光影/材质/氛围描述必须能回答**光从哪来？打在什么地方？造成什么视觉效果？**
  499 +空词黑名单（不代替具体描述）：高清 / 8K / 大师级 / 超写实 / 电影感 / 精致 / 高级感 / 震撼 /
  500 +cinematic（孤立堆砌时）/ beautiful / high quality。——`cinematic` 作为**风格声明词**
  501 +（如 `Live-action, cinematic`）是官方示例认可的用法，但不能单独堆砌替代具体的光源/位置/效果。
  502 +多写看得见的画面、少写比喻（doc1:200 同向条款）。
  503 +
  504 +---
  505 +
  506 +## 7. 常见错误自查清单（25 条）
  507 +
  508 +1. 质量堆砌词代替具体描述（§6）
  509 +2. 单镜头内塞矛盾运镜（§4）
  510 +3. 假装读过标杆文档 / 虚报质量已达标杆水平
  511 +4. 留占位符或「请在此处填写」
  512 +5. 信息严重不足时未一次性问全（§5.1）
  513 +6. 用元指令代替具体描述
  514 +7. 多个参考素材未分别声明职责就堆叠使用
  515 +8. 多镜头时间戳重叠或有间隙（H5）
  516 +9. 声音部分留空/省略，或 N/A 用法不精确（§6）
  517 +10. 指令行 `Shot N` / `S.SS` 未替换成具体数值（§3.2）
  518 +11. 人物类 Subject 无具体可辨识特征
  519 +12. 对白未按来源选口径：V 逐字逐标点 / R 标准化 + 终止符；禁止同句混用（§1.5）
  520 +13. 素材 note 未逐项预检：必需 + 不可用 + 无替代未报阻塞，或静默引用（§1.2）
  521 +14. 输入冲突未按优先级最小改动解决（§1.3）
  522 +15. 添加了未经授权的剧情结果（§1.4）
  523 +16. 两层未分离干净：url 改链/进正文、顺序 ≠ 菜单顺序、官方外编号词法、幽灵编号（§2）
  524 +17. 素材总量超 H13 上限未先告知，或音频单独输入未说明（H13）
  525 +18. 出处纪律：内部规范/推演/C 级构造在交付说明里不被表述为官方规则；官方引用都带得上行号才标 A 级
  526 +19. **交付形态判定未做在第 0 步**：分镜需求走 ② 型、英文结构化走 ① 型；把「正文必须英文」套到
  527 + ② 型交付（或反向）= 判据越界违规（§0.3）
  528 +20. 非锚点参考图被写成秒级/时间窗对齐（H16：分镜图映射镜头，非锚点图零秒锚）
  529 +21. UI 选项集合 ≠ 输入给定集合、随机字母、拼错用户名；中英并列是否沿用输入事实
  530 +22. 窗边界与时长四查：无缝隙、无重叠、各窗之和 = 总时长（C）、首窗从 0s（C）；无独立时长指令行；
  531 + 超范围/冲突已显式说明（§0.5）
  532 +23. **H5b 记号硬互斥**：① 型内混入窗式、② 型内混入 `At MM:SS.mmm`（§0.4）
  533 +24. **链路映射纪律**：窗号 ↔ 镜号一一对应、只有一套时间轴；单件需求未硬拆四层（§0.6）
  534 +25. **输入给的参考图 url 在交付件里失联**：菜单带 url 而资产层只剩 id / 被改链（§2、§1.7 第 22 条）
  535 +
  536 +---
  537 +
  538 +## 8. 边界情况
  539 +
  540 +### 8.1 信息严重不足（clarify 轨五要素，C 级构造性设计）
  541 +
  542 +一次性列出全部缺失关键信息反问，不臆造场景往下写。反问件按五要素组织：
  543 +
  544 +| 要素 | 内容 |
  545 +|---|---|
  546 +| CL1 缺失项一次问全（30） | 主体、场景、核心动作/情节段落、情绪基调、期望时长（4-15s）、有无参考素材（图/视频/音频、各自负责什么）、有无对白及语言；不挤牙膏。漏问**会改变产出形态**的关键项（如主体）→ 不合格；**把不改变结果的可推断项也拿去问（过度反问）→ CL1 ≤ 20** |
  547 +| CL2 零臆造（25） | 不编造主体/场景/剧情往下写、不产出「看似合规」的 Prompt 假装完成；替用户编造主体外观属越权；带出半成品 Prompt → 不合格并按 D8 并行扣分。**核心主体或必需 UI 文案完全缺失时，编造主体续跑 = CL2 = 0 且改判 prompt 轨并行扣 D8** |
  548 +| CL3 分支预判（15） | 预判各答案分支会走的模式与形态（「有情节+要分镜 → ② 型；要英文结构化 → ① 型；有参考素材 → 全能参考」），预告各自交付形态 |
  549 +| CL4 已知信息锁定 + 推定显式标注（15） | 已知信息明确锁定复述；仅对不改变主体事实的低风险参数（时长/基调）在**显式标注假设**前提下自行推定，不把推定混进反问 |
  550 +| CL5 通道与格式（15） | 不伪造看似合规的 JSON 交付；schema 无反问通道时明确说明信息不足；说明层与产出层分离干净 |
  551 +
  552 +**反向（过度反问）**：raw_brief 已给全部关键信息、仅余不改变主体事实的低风险参数（如有无 BGM /
  553 +节奏快慢）时，正确行为是**直接产出 + 显式标注推定**；此时发问清单 = 过度反问，改判 clarify 轨
  554 +按 CL1 ≤ 20 计。不惩罚零臆造与锁定推定——那是正确保守行为。
  555 +
  556 +### 8.2 素材阻塞（block 轨五要素）
  557 +
  558 +当 §1.2 判定「必需素材不可用且无替代」时，交付**阻塞报告**而不是 Prompt，按五要素①-⑤组织
  559 +（§1.2）。schema 无错误通道时明确说明「schema 与素材要求不可同时满足」并给补齐后的处理预案。
  560 +**不要**报阻塞的同时又附一个引用了不可用素材的 Prompt——比静默引用更不可接受。
  561 +这不是失败，是正确行为。**反向**：素材可用 / note 为建议性 / 菜单内有替代版本时继续产出
  562 +（§1.2 反向条款）；此时报阻塞 = 过度阻塞。
  563 +
  564 +---
  565 +
  566 +## 9. 交付清单
  567 +
  568 +- **最终提示词原文**：① 型 = 英文结构字段 + 保留原语言的 `<d>` 对白/可见文字；② 型 = 中文
  569 + 时间窗散文 + 每窗三要素 + UI 四禁令；链路 = 四层齐全（§0.6）。
  570 +- **资产层清单**（有参考素材时跨形态必交）：`references`/`conditions[]` 数组，每条原 url 原样、
  571 + 顺序 = 菜单顺序；不可用素材标 excluded 单列，不与可引用素材混列。
  572 +- **交付说明（可中文，说明层语言自由）**：每个关键选择对应用户需求里的哪句话；注明本次
  573 + `duration_seconds` 取值（B 级）；冲突取舍/素材阻塞的处理方式；逐句台词适用口径 V 还是 R；
  574 + 涉及 C 级构造（窗之和、首窗 0s、幽灵禁令、master 序号回指、链路四层）如实标 C 级，不得表述为
  575 + 官方条款。
  576 +- 交付前必须通过 §1.7 的 22 项机械验收，任一不过先修复再输出。
  577 +
  578 +---
  579 +
  580 +## 10. 来源标注与篇幅登记
  581 +
  582 +- **A 级**：MiniMax 官方一手飞书语料，`train/hunt/cache_v5/` 两篇全文落盘（doc1 rev 1297 /
  583 + doc2 rev 252），本文所有 `docN:line` 引句均可在 cache_v5 逐字回查（Digester 已用 python 逐行
  584 + 抽取比对，benchmark_v5_revision_notes.md 附录 A；Evolver 侧 SKILL 引句另跑 R4 审计脚本留痕）。
  585 +- **R 级（v4 镜像同型佐证）**：GitHub MiniMax-AI/MiniMax-H3 仓库 base-en.txt / ref-en.txt /
  586 + SKILL.md / co-op 模板 / shot-table-spec / storyboard-guidelines / README（sha256 已在 v3/v4
  587 + 登记）。凡本文已给 docN:line 的条款以 A 级为准，镜像行号仅作同型佐证保留（窗边界 #1、UI 四禁令、
  588 + `duration_seconds` 不进正文、非锚点图零秒锚、词法 grep 等暂无 A 级一手行号）。
  589 +- **B 级（社区一手实践）**：chiphoton production-workflow.md（单镜 10 项）、TFboy1
  590 + storyboard-schema.md（7 类衔接锚点 + 7 列镜头卡）。与官方冲突时以官方为准。
  591 +- **C 级（构造性设计，0 真实先例）**：窗之和 = 总时长、首窗从 0s、幽灵素材禁令、中英并列 UI、
  592 + master 序号回指、阻塞五要素、clarify 五要素、链路四层（#62）。对外不得表述为官方条款。
  593 +- **篇幅登记**：v0.5.0 88,655 B → v0.6.0 50,281 B → v0.6.1 51809 B（净增 +1528 B，url 载体条款；
  594 + 收敛手法见 evolve_report_v5.md）。**下轮若分数反常，本文件长度仍是第一怀疑对象**。
  595 +- 未解决登记：开放平台 schema 仍 blocked（新线索 `platform.minimaxi.com`，doc1:15）；`conditions[].role`
  596 + 枚举第二信源缺；H1 字符计量口径官方未定义（取 `len()` 语义，B 级内部规范）。
... ...
library.json
  View file @c638c96
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2107 2240 "promptEn": "Konoha destroyed by Shinra Tensei, Pain declaring order in the ruins",
2108   - "lastPlayedAt": 1788253434714
  2241 + "lastPlayedAt": 1788255484369,
  2242 + "playCount": 1
2109 2243 },
2110 2244 {
2111 2245 "id": "e245dbcc6d36",
... ... @@ -2120,7 +2254,8 @@
2120 2254 "likes": 0,
2121 2255 "createdAt": 1788000105889,
2122 2256 "promptEn": "facing Sakazuki, exploiting a flaw to counter him",
2123   - "lastPlayedAt": 1788253821783
  2257 + "lastPlayedAt": 1788255314291,
  2258 + "playCount": 1
2124 2259 },
2125 2260 {
2126 2261 "id": "c9be7c07b793",
... ... @@ -2135,7 +2270,8 @@
2135 2270 "likes": 0,
2136 2271 "createdAt": 1787999869694,
2137 2272 "promptEn": "facing Sakazuki, held the goal but paid a price",
2138   - "lastPlayedAt": 1788251688777
  2273 + "lastPlayedAt": 1788255056146,
  2274 + "playCount": 1
2139 2275 },
2140 2276 {
2141 2277 "id": "677941e683c4",
... ... @@ -2150,7 +2286,8 @@
2150 2286 "likes": 0,
2151 2287 "createdAt": 1787999633745,
2152 2288 "promptEn": "facing Sakazuki, went in head-on and got seen through",
2153   - "lastPlayedAt": 1788251912902
  2289 + "lastPlayedAt": 1788255042142,
  2290 + "playCount": 1
2154 2291 },
2155 2292 {
2156 2293 "id": "932d15f7f8bd",
... ... @@ -2165,7 +2302,8 @@
2165 2302 "likes": 0,
2166 2303 "createdAt": 1787999633670,
2167 2304 "promptEn": "facing Sakazuki, went in head-on and got seen through",
2168   - "lastPlayedAt": 1788253777771
  2305 + "lastPlayedAt": 1788255204217,
  2306 + "playCount": 1
2169 2307 },
2170 2308 {
2171 2309 "id": "a8b8b4430ee3",
... ... @@ -2195,7 +2333,8 @@
2195 2333 "likes": 0,
2196 2334 "createdAt": 1787999161013,
2197 2335 "promptEn": "execution platform at Marineford, Ace about to be executed, navy vs pirates",
2198   - "lastPlayedAt": 1788253025350
  2336 + "lastPlayedAt": 1788254924211,
  2337 + "playCount": 1
2199 2338 },
2200 2339 {
2201 2340 "id": "00476b62bf75",
... ... @@ -2210,7 +2349,8 @@
2210 2349 "likes": 0,
2211 2350 "createdAt": 1787903583872,
2212 2351 "promptEn": "constable asks if she's always been alone here, she doesn't answer",
2213   - "lastPlayedAt": 1788253047365
  2352 + "lastPlayedAt": 1788255504379,
  2353 + "playCount": 1
2214 2354 },
2215 2355 {
2216 2356 "id": "2ab2094e5679",
... ... @@ -2240,7 +2380,8 @@
2240 2380 "likes": 0,
2241 2381 "createdAt": 1787850191899,
2242 2382 "promptEn": "constable reaches out to touch her hand through the screen gap, no response",
2243   - "lastPlayedAt": 1788251708784
  2383 + "lastPlayedAt": 1788255918582,
  2384 + "playCount": 1
2244 2385 },
2245 2386 {
2246 2387 "id": "9bd8c9fbf1f6",
... ... @@ -2255,7 +2396,8 @@
2255 2396 "likes": 0,
2256 2397 "createdAt": 1787847447661,
2257 2398 "promptEn": "constable tells the woman behind the screen he'll trust her tonight",
2258   - "lastPlayedAt": 1788253581662
  2399 + "lastPlayedAt": 1788256396733,
  2400 + "playCount": 1
2259 2401 },
2260 2402 {
2261 2403 "id": "8cb493338cb3",
... ... @@ -2285,7 +2427,8 @@
2285 2427 "likes": 0,
2286 2428 "createdAt": 1787762342686,
2287 2429 "promptEn": "woman tells him from behind the screen to go check outside, he steps out warily",
2288   - "lastPlayedAt": 1788250091902
  2430 + "lastPlayedAt": 1788255062148,
  2431 + "playCount": 1
2289 2432 },
2290 2433 {
2291 2434 "id": "47a6de809c61",
... ... @@ -2300,7 +2443,8 @@
2300 2443 "likes": 0,
2301 2444 "createdAt": 1787762332289,
2302 2445 "promptEn": "woman behind the screen stirs and softly reassures him",
2303   - "lastPlayedAt": 1788251932913
  2446 + "lastPlayedAt": 1788255220228,
  2447 + "playCount": 1
2304 2448 },
2305 2449 {
2306 2450 "id": "0abf6e529c92",
... ... @@ -2330,7 +2474,8 @@
2330 2474 "likes": 0,
2331 2475 "createdAt": 1787762286261,
2332 2476 "promptEn": "constable stares at her through the screen, silent, saying nothing",
2333   - "lastPlayedAt": 1788251618745
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  2478 + "playCount": 1
2334 2479 },
2335 2480 {
2336 2481 "id": "59711a102e84",
... ... @@ -2345,7 +2490,8 @@
2345 2490 "likes": 0,
2346 2491 "createdAt": 1787762224218,
2347 2492 "promptEn": "constable stands under the lamp, holding her gaze through the screen, not backing away",
2348   - "lastPlayedAt": 1788253631690
  2493 + "lastPlayedAt": 1788254940098,
  2494 + "playCount": 1
2349 2495 },
2350 2496 {
2351 2497 "id": "f2e70205766b",
... ... @@ -2375,7 +2521,8 @@
2375 2521 "likes": 0,
2376 2522 "createdAt": 1787730413689,
2377 2523 "promptEn": "constable grabs the oil lamp and hurls it at the portrait, the scroll catches fire",
2378   - "lastPlayedAt": 1788253556971
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  2525 + "playCount": 1
2379 2526 },
2380 2527 {
2381 2528 "id": "e6c23c6adc42",
... ... @@ -2405,7 +2552,8 @@
2405 2552 "likes": 0,
2406 2553 "createdAt": 1787730331663,
2407 2554 "promptEn": "constable steps in from the rainy night, spots her, introduces himself with a cover story",
2408   - "lastPlayedAt": 1788253781772
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  2556 + "playCount": 1
2409 2557 },
2410 2558 {
2411 2559 "id": "84e8337de242",
... ... @@ -2420,7 +2568,8 @@
2420 2568 "likes": 0,
2421 2569 "createdAt": 1787724313620,
2422 2570 "promptEn": "first-person view bursting into the room, glancing back in fear, the woman startled",
2423   - "lastPlayedAt": 1788252843270
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  2572 + "playCount": 1
2424 2573 },
2425 2574 {
2426 2575 "id": "81b6c3789111",
... ... @@ -2435,7 +2584,8 @@
2435 2584 "likes": 0,
2436 2585 "createdAt": 1787708713767,
2437 2586 "promptEn": "constable stops looking around, turns to face the screen, speaks to her silhouette",
2438   - "lastPlayedAt": 1788254322029
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  2588 + "playCount": 1
2439 2589 },
2440 2590 {
2441 2591 "id": "5dc95a15cd5d",
... ... @@ -2450,7 +2600,8 @@
2450 2600 "likes": 0,
2451 2601 "createdAt": 1787708701547,
2452 2602 "promptEn": "constable gently tells her he'll stay and keep her company",
2453   - "lastPlayedAt": 1788252873286
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  2604 + "playCount": 1
2454 2605 },
2455 2606 {
2456 2607 "id": "8d9c1dad041f",
... ... @@ -2480,7 +2631,8 @@
2480 2631 "likes": 0,
2481 2632 "createdAt": 1787708684658,
2482 2633 "promptEn": "constable sees her silent gesture, lets go of his sword hilt, steps closer and agrees",
2483   - "lastPlayedAt": 1788251970926
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  2635 + "playCount": 1
2484 2636 },
2485 2637 {
2486 2638 "id": "abdbe25f3121",
... ... @@ -2495,7 +2647,8 @@
2495 2647 "likes": 0,
2496 2648 "createdAt": 1787708674508,
2497 2649 "promptEn": "constable sees through her painted disguise and rips her face off, revealing a demonic visage underneath",
2498   - "lastPlayedAt": 1788252661239
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  2651 + "playCount": 1
2499 2652 },
2500 2653 {
2501 2654 "id": "6d433dcc104c",
... ... @@ -2510,7 +2663,8 @@
2510 2663 "likes": 0,
2511 2664 "createdAt": 1787708663418,
2512 2665 "promptEn": "constable catches his breath, thanks her, and rests on the couch while she watches",
2513   - "lastPlayedAt": 1788253353548
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  2667 + "playCount": 1
2514 2668 },
2515 2669 {
2516 2670 "id": "cd22c2b491fc",
... ... @@ -2540,7 +2694,8 @@
2540 2694 "likes": 0,
2541 2695 "createdAt": 1787708648409,
2542 2696 "promptEn": "she reaches a hand through the screen gap beckoning him, he steps back and firmly refuses",
2543   - "lastPlayedAt": 1788254125936
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  2698 + "playCount": 1
2544 2699 },
2545 2700 {
2546 2701 "id": "3f0c28f5373a",
... ... @@ -2555,7 +2710,8 @@
2555 2710 "likes": 0,
2556 2711 "createdAt": 1787708646888,
2557 2712 "promptEn": "constable studies her through the screen growing suspicious, hand drifting to his sword",
2558   - "lastPlayedAt": 1788253697730
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  2714 + "playCount": 1
2559 2715 },
2560 2716 {
2561 2717 "id": "1c0c203cfb3b",
... ... @@ -2570,7 +2726,8 @@
2570 2726 "likes": 0,
2571 2727 "createdAt": 1787708641782,
2572 2728 "promptEn": "constable sits down at the table, studying her expression through the screen",
2573   - "lastPlayedAt": 1788252435140
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  2730 + "playCount": 1
2574 2731 },
2575 2732 {
2576 2733 "id": "89975be9def4",
... ... @@ -2585,7 +2742,8 @@
2585 2742 "likes": 0,
2586 2743 "createdAt": 1787708626228,
2587 2744 "promptEn": "constable drinks some water first, thanks her, watching the screen warily as he drinks",
2588   - "lastPlayedAt": 1788253265514
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2589 2747 },
2590 2748 {
2591 2749 "id": "e08f7f7e54dd",
... ... @@ -2600,7 +2758,8 @@
2600 2758 "likes": 0,
2601 2759 "createdAt": 1787708622306,
2602 2760 "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod",
2603   - "lastPlayedAt": 1788250263997
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  2762 + "playCount": 1
2604 2763 },
2605 2764 {
2606 2765 "id": "538dc7e5746f",
... ... @@ -2615,7 +2774,8 @@
2615 2774 "likes": 0,
2616 2775 "createdAt": 1787708622178,
2617 2776 "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod",
2618   - "lastPlayedAt": 1788253057370
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  2778 + "playCount": 1
2619 2779 },
2620 2780 {
2621 2781 "id": "1721c75dbc3b",
... ... @@ -2630,7 +2790,8 @@
2630 2790 "likes": 0,
2631 2791 "createdAt": 1787708615415,
2632 2792 "promptEn": "she slides her hand through the screen gap asking him to warm it, he hesitates without touching",
2633   - "lastPlayedAt": 1788252911303
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  2794 + "playCount": 1
2634 2795 },
2635 2796 {
2636 2797 "id": "c2b145b111e2",
... ... @@ -2645,7 +2806,8 @@
2645 2806 "likes": 0,
2646 2807 "createdAt": 1787708613364,
2647 2808 "promptEn": "constable steps in, notices her behind the screen, greets her, she just watches silently",
2648   - "lastPlayedAt": 1788252945316
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  2810 + "playCount": 1
2649 2811 },
2650 2812 {
2651 2813 "id": "a5d5d353bbf8",
... ... @@ -2660,7 +2822,8 @@
2660 2822 "likes": 0,
2661 2823 "createdAt": 1787674768144,
2662 2824 "promptEn": "constable lifts a bronze mirror, reflecting candlelight onto the portrait on the wall",
2663   - "lastPlayedAt": 1788251856874
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  2826 + "playCount": 1
2664 2827 },
2665 2828 {
2666 2829 "id": "3be1f275fde2",
... ... @@ -2675,7 +2838,8 @@
2675 2838 "likes": 0,
2676 2839 "createdAt": 1787674743188,
2677 2840 "promptEn": "constable draws his sword and breaks the sealed talisman on the screen, revealing her behind it",
2678   - "lastPlayedAt": 1788252539184
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  2842 + "playCount": 1
2679 2843 },
2680 2844 {
2681 2845 "id": "693e0b9ca66a",
... ... @@ -2705,7 +2869,8 @@
2705 2869 "likes": 0,
2706 2870 "createdAt": 1787674716075,
2707 2871 "promptEn": "constable watches the oil lamp flame flicker, her silhouette motionless behind the screen",
2708   - "lastPlayedAt": 1788251352521
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  2873 + "playCount": 1
2709 2874 },
2710 2875 {
2711 2876 "id": "23d1ae1982e6",
... ... @@ -2720,7 +2885,8 @@
2720 2885 "likes": 0,
2721 2886 "createdAt": 1787674713724,
2722 2887 "promptEn": "constable enters and cautiously looks around, his gaze settling on her silhouette behind the screen",
2723   - "lastPlayedAt": 1788252056963
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  2889 + "playCount": 1
2724 2890 },
2725 2891 {
2726 2892 "id": "b69389094416",
... ... @@ -2735,7 +2901,8 @@
2735 2901 "likes": 0,
2736 2902 "createdAt": 1787674695703,
2737 2903 "promptEn": "constable stops, faces the screen, quietly promises to keep his voice down",
2738   - "lastPlayedAt": 1788252743222
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  2905 + "playCount": 1
2739 2906 },
2740 2907 {
2741 2908 "id": "94dc455e26bf",
... ... @@ -2750,7 +2917,8 @@
2750 2917 "likes": 0,
2751 2918 "createdAt": 1787674688717,
2752 2919 "promptEn": "constable agrees to stay, lets his guard down, she gives a barely-there nod",
2753   - "lastPlayedAt": 1788254161950
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  2921 + "playCount": 1
2754 2922 },
2755 2923 {
2756 2924 "id": "4874fe3fdbc9",
... ... @@ -2780,7 +2948,8 @@
2780 2948 "likes": 0,
2781 2949 "createdAt": 1787674642139,
2782 2950 "promptEn": "constable forms hand seals and summons a giant toad out of smoke",
2783   - "lastPlayedAt": 1788254251995
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2784 2953 },
2785 2954 {
2786 2955 "id": "e9a6320e18a9",
... ... @@ -2810,7 +2979,8 @@
2810 2979 "likes": 0,
2811 2980 "createdAt": 1787674639055,
2812 2981 "promptEn": "constable checks his reflection in the mirror, sees her behind his shoulder in it, turns around to find the screen empty",
2813   - "lastPlayedAt": 1788253073377
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2814 2984 },
2815 2985 {
2816 2986 "id": "ebaf0dde3d9f",
... ... @@ -2825,7 +2995,8 @@
2825 2995 "likes": 0,
2826 2996 "createdAt": 1787674623678,
2827 2997 "promptEn": "constable bows to the screen, thanking her for sheltering him",
2828   - "lastPlayedAt": 1788253536965
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  2999 + "playCount": 1
2829 3000 },
2830 3001 {
2831 3002 "id": "d94991a1e21b",
... ... @@ -2840,7 +3011,8 @@
2840 3011 "likes": 0,
2841 3012 "createdAt": 1787674609636,
2842 3013 "promptEn": "constable silently watches her through the screen gaps, camera slowly zooming in on her face",
2843   - "lastPlayedAt": 1788253983858
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2844 3016 },
2845 3017 {
2846 3018 "id": "5e53f7f5fe9b",
... ... @@ -2855,7 +3027,8 @@
2855 3027 "likes": 0,
2856 3028 "createdAt": 1787674446841,
2857 3029 "promptEn": "player panics into the room, glances back, out of breath, says something's chasing him outside",
2858   - "lastPlayedAt": 1788254185961
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2859 3032 },
2860 3033 {
2861 3034 "id": "c25d53a5e086",
... ... @@ -2885,7 +3058,8 @@
2885 3058 "likes": 0,
2886 3059 "createdAt": 1787674361187,
2887 3060 "promptEn": "constable presses his hand to his chest, vowing his heart to her, she gives a knowing smile",
2888   - "lastPlayedAt": 1788252451148
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2889 3063 },
2890 3064 {
2891 3065 "id": "8aba0a6bf05b",
... ... @@ -2900,7 +3074,8 @@
2900 3074 "likes": 0,
2901 3075 "createdAt": 1787674351536,
2902 3076 "promptEn": "constable searches an old house at night, candle flickering, woman hiding behind the screen",
2903   - "lastPlayedAt": 1788253615680
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2904 3079 },
2905 3080 {
2906 3081 "id": "dc13e4f165dc",
... ... @@ -2930,7 +3105,8 @@
2930 3105 "likes": 0,
2931 3106 "createdAt": 1787665100787,
2932 3107 "promptEn": "constable politely asks the woman behind the screen for tea",
2933   - "lastPlayedAt": 1788253439598
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2934 3110 },
2935 3111 {
2936 3112 "id": "d2c77b87b84b",
... ... @@ -2960,7 +3136,8 @@
2960 3136 "likes": 0,
2961 3137 "createdAt": 1787642579766,
2962 3138 "promptEn": "a summoner chants and calls a giant toad, which swallows the white-robed ghost whole",
2963   - "lastPlayedAt": 1788253597668
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2964 3141 },
2965 3142 {
2966 3143 "id": "22a666455198",
... ... @@ -2989,8 +3166,9 @@
2989 3166 "partition": "ref2va",
2990 3167 "likes": 0,
2991 3168 "createdAt": 1787639957338,
2992   - "lastPlayedAt": 1788251344514,
2993   - "promptEn": "constable talking to the woman through the screen"
  3169 + "lastPlayedAt": 1788254613432,
  3170 + "promptEn": "constable talking to the woman through the screen",
  3171 + "playCount": 1
2994 3172 },
2995 3173 {
2996 3174 "id": "9f9638cb5b62",
... ... @@ -3020,7 +3198,8 @@
3020 3198 "likes": 0,
3021 3199 "createdAt": 1787635935502,
3022 3200 "promptEn": "constable bursts in panicked, spots the woman behind the screen",
3023   - "lastPlayedAt": 1788250520137
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  3202 + "playCount": 1
3024 3203 },
3025 3204 {
3026 3205 "id": "b32769bf80db",
... ... @@ -3035,7 +3214,8 @@
3035 3214 "likes": 0,
3036 3215 "createdAt": 1787632587351,
3037 3216 "promptEn": "constable bursts in panicked, spots the woman behind the screen",
3038   - "lastPlayedAt": 1788250612184
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  3218 + "playCount": 1
3039 3219 },
3040 3220 {
3041 3221 "id": "282281777d1b",
... ... @@ -3050,7 +3230,8 @@
3050 3230 "likes": 0,
3051 3231 "createdAt": 1787615243753,
3052 3232 "promptEn": "robot arm picks up a red block and puts it down",
3053   - "lastPlayedAt": 1788251258468
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3054 3235 },
3055 3236 {
3056 3237 "id": "d040eec16a88",
... ... @@ -3065,7 +3246,8 @@
3065 3246 "likes": 0,
3066 3247 "createdAt": 1787615242602,
3067 3248 "promptEn": "otome game male lead showcase PV",
3068   - "lastPlayedAt": 1788251108401
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3069 3251 },
3070 3252 {
3071 3253 "id": "423a20afba5a",
... ... @@ -3080,7 +3262,8 @@
3080 3262 "likes": 0,
3081 3263 "createdAt": 1787615241814,
3082 3264 "promptEn": "xianxia character turning, only back and side profile shown",
3083   - "lastPlayedAt": 1788253329541
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3084 3267 },
3085 3268 {
3086 3269 "id": "1a398591663e",
... ... @@ -3155,7 +3338,8 @@
3155 3338 "likes": 0,
3156 3339 "createdAt": 1787588545243,
3157 3340 "promptEn": "ergonomic office chair 360 showcase ad",
3158   - "lastPlayedAt": 1788253031360
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3159 3343 },
3160 3344 {
3161 3345 "id": "b0d258352c3c",
... ... @@ -3170,7 +3354,8 @@
3170 3354 "likes": 0,
3171 3355 "createdAt": 1787588544667,
3172 3356 "promptEn": "white studio shoot, two models wearing futuristic glasses",
3173   - "lastPlayedAt": 1788248729194
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3174 3359 },
3175 3360 {
3176 3361 "id": "71a4d093aebc",
... ... @@ -3215,7 +3400,8 @@
3215 3400 "likes": 0,
3216 3401 "createdAt": 1787588542968,
3217 3402 "promptEn": "mystery crime title sequence, collage split-screen credits",
3218   - "lastPlayedAt": 1788251444607
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3219 3405 },
3220 3406 {
3221 3407 "id": "67ababbea78f",
... ... @@ -3230,7 +3416,8 @@
3230 3416 "likes": 0,
3231 3417 "createdAt": 1787588542426,
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4595 4835 "likes": 0,
4596 4836 "createdAt": 1787220579189,
4597 4837 "promptEn": "gothic castle at night, vampire noble carries a princess, rose petals falling",
4598   - "lastPlayedAt": 1788253381560
  4838 + "lastPlayedAt": 1788254675967,
  4839 + "playCount": 1
4599 4840 }
4600 4841 ]
4601 4842 \ No newline at end of file
... ...
server.js
  View file @c638c96
... ... @@ -129,11 +129,33 @@ function glmChat(messages) {
129 129 });
130 130 }
131 131  
132   -const PROMPT_OPTIMIZE_SYSTEM = `You are a prompt engineer for a text-to-video model. Expand the user's short
133   -request (which may be in Chinese or English) into a detailed shot-by-shot generation prompt written in
134   -English: camera angle/movement, lighting and mood, the subject's specific actions, and the setting.
135   -Output only the expanded English prompt itself — no preamble, no quotes, no "Prompt:" prefix — under
136   -150 words.`;
  132 +// Distilled from docs/h3skill.md (MiniMax's own H3 prompt-writing methodology) down to the one
  133 +// path that applies here: T2VA (no reference images — every chat prompt is plain text) on a clip
  134 +// fixed at ~5s (H3_GEN_PARAMS.frames / FPS). At that length it's one continuous shot, never a
  135 +// multi-cut montage — the earlier version asked for "shot-by-shot" and reliably got 4-5 fake cuts
  136 +// with timestamps running out to 8-10s, which the model can't actually deliver in 5 seconds.
  137 +const PROMPT_OPTIMIZE_SYSTEM = `You are writing H3 text-to-video generation prompts (T2VA mode — no
  138 +reference images, pure text-to-video). Expand the user's short request (may be in Chinese or English)
  139 +into the official H3 three-field format, in this exact order, using these exact field labels:
  140 +
  141 +integrated_multimodal_description: [Shot 1] one short style statement, e.g. "Live-action, cinematic."
  142 +Then describe, in one continuous unbroken shot (the clip is only about 5 seconds long — never split
  143 +into multiple shots or write more than [Shot 1]): the setting, the subject's specific action, and ONE
  144 +dominant camera movement using this vocabulary — Zoom In/Out, Push In/Pull Out, Pan Left/Right, Truck
  145 +Left/Right, Tilt Up/Down, Pedestal Up/Down, Arc Shot, Tracking Shot, Static Shot, Shake Slightly/
  146 +Strongly, POV, Roll Clockwise/Counterclockwise — stated as type + amplitude (small/large) + speed
  147 +(slow/fast). Describe light concretely: where it comes from, what it hits, what effect it creates.
  148 +Never use hollow quality words alone (8K, HD, masterpiece, stunning, cinematic used alone, beautiful,
  149 +high quality) — replace them with what is actually visible. 40-70 English words.
  150 +
  151 +overall_soundscape: 1-4 English sentences describing the ambient environmental sound the scene would
  152 +naturally have.
  153 +
  154 +non_diegetic_music: 1-3 English sentences describing the score the audience (not the characters) hears,
  155 +or exactly "N/A" if none fits.
  156 +
  157 +Output only these three labeled fields in this exact order and exact labels, nothing else — no
  158 +preamble, no extra commentary, no markdown formatting.`;
137 159  
138 160 // Best-effort — a viewer's short chat line ("一只猫跳舞") makes for a weak
139 161 // H3 prompt on its own. Never let a GLM outage or slow response block
... ...