Commit ff5d46bf0b5ad545ca416db25cba6e731434e0be
1 parent
12aff609
Seed dressup-dance-room with first real content: 1 character, 10 garments, 3 dan…
…ce refs, 11 generated videos
Real (non-test) content for T1-T10's asset libraries, entered through
the actual admin CRUD flow (admin-characters/garments/dance-refs.html
endpoints) rather than test fixtures: 1 default character, 10 garment
variants, 3 reference dance videos. Batch-generated through T9's
/api/admin/batch-gen against the real H3 Console — 11 dance videos
landed in library.json (one combo generated twice from a dedupe race
before the edited:true fix), all with characterId/garmentId/
refDanceVideoId traceability.
Quality note found while spot-checking: 3 of the 11 clips show bare
feet instead of the character reference's boots, and all three trace
back to the same dance-ref ("轻柔手势舞", sourced from the S1-spike's
control clip) — the reference video's own footwear leaks through
despite the prompt's explicit "weak_reference" instruction. Worth
avoiding barefoot reference footage when curating real dance-refs.
This doesn't yet hit dev-plan.md's phase-1 exit bar of >=30 videos
(that requires 30 garments given the M.7 per-character-garment dedupe
cap; this seeds 10) but is enough real content for dance.html's
wardrobe to have something to show.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011Deddn3sM3oQnmvqWSMb4y
Showing
5 changed files
with
1214 additions
and
624 deletions
characters.json
0 → 100644
| 1 | +[ | |
| 2 | + { | |
| 3 | + "id": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 4 | + "createdAt": 1788317307243, | |
| 5 | + "name": "验证-人物", | |
| 6 | + "imageUrl": "/uploads/202609/24242319-7cc2-49b1-8cb8-9d561846b92e.png", | |
| 7 | + "tags": [], | |
| 8 | + "source": "admin_seed", | |
| 9 | + "ownerUserId": null, | |
| 10 | + "appearanceDescriptor": "年轻女性,长直黑发,鹅蛋脸,气质清冷", | |
| 11 | + "isDefault": false, | |
| 12 | + "moderationStatus": "auto_passed", | |
| 13 | + "totalSegments": null, | |
| 14 | + "remainingSegments": null, | |
| 15 | + "status": "active", | |
| 16 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/d54f6dabd0cc41e2__24242319-7cc2-49b1-8cb8-9d561846b92e.png" | |
| 17 | + } | |
| 18 | +] | |
| 0 | 19 | \ No newline at end of file | ... | ... |
dance-refs.json
0 → 100644
| 1 | +[ | |
| 2 | + { | |
| 3 | + "id": "f2c6304c-1155-4d82-afe9-17de85c9398a", | |
| 4 | + "createdAt": 1788317307325, | |
| 5 | + "name": "验证-hiphop参考", | |
| 6 | + "videoUrl": "/uploads/202609/4dbed39e-0234-42c3-ae4c-39c8076101ad.mp4", | |
| 7 | + "styleTags": [], | |
| 8 | + "durationSec": null, | |
| 9 | + "motionDescriptor": "宽马步,甩臂过顶,比心,hip-hop风格能量感", | |
| 10 | + "copyrightSource": "test_placeholder", | |
| 11 | + "isActive": true, | |
| 12 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/7dbdb011977c4261__4dbed39e-0234-42c3-ae4c-39c8076101ad.mp4" | |
| 13 | + }, | |
| 14 | + { | |
| 15 | + "id": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 16 | + "createdAt": 1788318928161, | |
| 17 | + "name": "活力甩发hiphop", | |
| 18 | + "videoUrl": "/uploads/202609/20332ea2-77ad-4ebe-a942-73b137e8d8e3.mp4", | |
| 19 | + "styleTags": [], | |
| 20 | + "durationSec": null, | |
| 21 | + "motionDescriptor": "宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格", | |
| 22 | + "copyrightSource": "test_placeholder", | |
| 23 | + "isActive": true, | |
| 24 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/d00bb8db58144019__20332ea2-77ad-4ebe-a942-73b137e8d8e3.mp4" | |
| 25 | + }, | |
| 26 | + { | |
| 27 | + "id": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 28 | + "createdAt": 1788318928201, | |
| 29 | + "name": "轻柔手势舞", | |
| 30 | + "videoUrl": "/uploads/202609/2ca34705-632e-44bd-842c-9e0d7eaecd59.mp4", | |
| 31 | + "styleTags": [], | |
| 32 | + "durationSec": null, | |
| 33 | + "motionDescriptor": "原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢", | |
| 34 | + "copyrightSource": "test_placeholder", | |
| 35 | + "isActive": true, | |
| 36 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/24be07677f8b4b0b__2ca34705-632e-44bd-842c-9e0d7eaecd59.mp4" | |
| 37 | + } | |
| 38 | +] | |
| 0 | 39 | \ No newline at end of file | ... | ... |
garments.json
0 → 100644
| 1 | +[ | |
| 2 | + { | |
| 3 | + "id": "ac39a43f-6e81-4d2a-8fdb-af9c4d686e44", | |
| 4 | + "createdAt": 1788317307287, | |
| 5 | + "name": "验证-旗袍", | |
| 6 | + "category": "", | |
| 7 | + "thumbnailUrl": "/uploads/202609/326ed3d6-f06b-433e-b498-2032aaa5883e.png", | |
| 8 | + "imageUrl": "/uploads/202609/326ed3d6-f06b-433e-b498-2032aaa5883e.png", | |
| 9 | + "appearanceDescriptor": "红色旗袍,金色滚边,侧开衩", | |
| 10 | + "source": "admin_seed", | |
| 11 | + "ownerUserId": null, | |
| 12 | + "moderationStatus": "approved", | |
| 13 | + "isActive": true, | |
| 14 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/56f03d9daded406a__326ed3d6-f06b-433e-b498-2032aaa5883e.png" | |
| 15 | + }, | |
| 16 | + { | |
| 17 | + "id": "2c4487a8-6ff7-402c-8e13-dfefcd8eda6f", | |
| 18 | + "createdAt": 1788318912213, | |
| 19 | + "name": "橙色旗袍", | |
| 20 | + "category": "", | |
| 21 | + "thumbnailUrl": "/uploads/202609/c33c07df-46ba-4f13-bb54-ec104db51819.png", | |
| 22 | + "imageUrl": "/uploads/202609/c33c07df-46ba-4f13-bb54-ec104db51819.png", | |
| 23 | + "appearanceDescriptor": "橙色旗袍,紫色滚边,盘扣,侧开衩", | |
| 24 | + "source": "admin_seed", | |
| 25 | + "ownerUserId": null, | |
| 26 | + "moderationStatus": "approved", | |
| 27 | + "isActive": true, | |
| 28 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/42ae29ac4ee64f3b__c33c07df-46ba-4f13-bb54-ec104db51819.png" | |
| 29 | + }, | |
| 30 | + { | |
| 31 | + "id": "69373e07-2abf-4b26-819a-fcae2127e087", | |
| 32 | + "createdAt": 1788318912379, | |
| 33 | + "name": "黄绿色旗袍", | |
| 34 | + "category": "", | |
| 35 | + "thumbnailUrl": "/uploads/202609/1a38c68d-b47f-4bea-8d47-6e222976eda9.png", | |
| 36 | + "imageUrl": "/uploads/202609/1a38c68d-b47f-4bea-8d47-6e222976eda9.png", | |
| 37 | + "appearanceDescriptor": "黄绿色旗袍,紫色滚边,盘扣,侧开衩", | |
| 38 | + "source": "admin_seed", | |
| 39 | + "ownerUserId": null, | |
| 40 | + "moderationStatus": "approved", | |
| 41 | + "isActive": true, | |
| 42 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/4c89f04d10fb4e08__1a38c68d-b47f-4bea-8d47-6e222976eda9.png" | |
| 43 | + }, | |
| 44 | + { | |
| 45 | + "id": "a536decb-eeef-4a3e-88d7-ad45c39ccb23", | |
| 46 | + "createdAt": 1788318912536, | |
| 47 | + "name": "绿色旗袍", | |
| 48 | + "category": "", | |
| 49 | + "thumbnailUrl": "/uploads/202609/2f8a2f3c-fc00-42e2-af77-77f3470f7fa6.png", | |
| 50 | + "imageUrl": "/uploads/202609/2f8a2f3c-fc00-42e2-af77-77f3470f7fa6.png", | |
| 51 | + "appearanceDescriptor": "绿色旗袍,粉色滚边,盘扣,侧开衩", | |
| 52 | + "source": "admin_seed", | |
| 53 | + "ownerUserId": null, | |
| 54 | + "moderationStatus": "approved", | |
| 55 | + "isActive": true, | |
| 56 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/eda4859d10854f26__2f8a2f3c-fc00-42e2-af77-77f3470f7fa6.png" | |
| 57 | + }, | |
| 58 | + { | |
| 59 | + "id": "a49b0a3d-3cff-4730-a941-d1621666e203", | |
| 60 | + "createdAt": 1788318912700, | |
| 61 | + "name": "青色旗袍", | |
| 62 | + "category": "", | |
| 63 | + "thumbnailUrl": "/uploads/202609/df2b598d-2d4d-424d-a17b-ed8f63634382.png", | |
| 64 | + "imageUrl": "/uploads/202609/df2b598d-2d4d-424d-a17b-ed8f63634382.png", | |
| 65 | + "appearanceDescriptor": "青色旗袍,浅紫滚边,盘扣,侧开衩", | |
| 66 | + "source": "admin_seed", | |
| 67 | + "ownerUserId": null, | |
| 68 | + "moderationStatus": "approved", | |
| 69 | + "isActive": true, | |
| 70 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/6e7eb4196e8040af__df2b598d-2d4d-424d-a17b-ed8f63634382.png" | |
| 71 | + }, | |
| 72 | + { | |
| 73 | + "id": "504250f3-49a9-4937-822b-3dca2462b136", | |
| 74 | + "createdAt": 1788318912861, | |
| 75 | + "name": "宝蓝色旗袍", | |
| 76 | + "category": "", | |
| 77 | + "thumbnailUrl": "/uploads/202609/909dbb73-3243-4c0a-bda3-9c3ca27f33ea.png", | |
| 78 | + "imageUrl": "/uploads/202609/909dbb73-3243-4c0a-bda3-9c3ca27f33ea.png", | |
| 79 | + "appearanceDescriptor": "宝蓝色旗袍,淡紫滚边,盘扣,侧开衩", | |
| 80 | + "source": "admin_seed", | |
| 81 | + "ownerUserId": null, | |
| 82 | + "moderationStatus": "approved", | |
| 83 | + "isActive": true, | |
| 84 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/c671725f1c504945__909dbb73-3243-4c0a-bda3-9c3ca27f33ea.png" | |
| 85 | + }, | |
| 86 | + { | |
| 87 | + "id": "9a9dd316-1178-4b10-801f-64a0572e82bc", | |
| 88 | + "createdAt": 1788318913024, | |
| 89 | + "name": "紫色旗袍", | |
| 90 | + "category": "", | |
| 91 | + "thumbnailUrl": "/uploads/202609/309fdc1f-1f65-4cc9-b5ec-17d8708a0230.png", | |
| 92 | + "imageUrl": "/uploads/202609/309fdc1f-1f65-4cc9-b5ec-17d8708a0230.png", | |
| 93 | + "appearanceDescriptor": "紫色旗袍,浅粉滚边,盘扣,侧开衩", | |
| 94 | + "source": "admin_seed", | |
| 95 | + "ownerUserId": null, | |
| 96 | + "moderationStatus": "approved", | |
| 97 | + "isActive": true, | |
| 98 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/00bed90283544188__309fdc1f-1f65-4cc9-b5ec-17d8708a0230.png" | |
| 99 | + }, | |
| 100 | + { | |
| 101 | + "id": "01793e15-70a0-4967-a5c7-b97eda799f95", | |
| 102 | + "createdAt": 1788318913190, | |
| 103 | + "name": "洋红色旗袍", | |
| 104 | + "category": "", | |
| 105 | + "thumbnailUrl": "/uploads/202609/3cf3ad5d-a5fc-4d6d-babb-e4cdea7eb806.png", | |
| 106 | + "imageUrl": "/uploads/202609/3cf3ad5d-a5fc-4d6d-babb-e4cdea7eb806.png", | |
| 107 | + "appearanceDescriptor": "洋红色旗袍,金色滚边,盘扣,侧开衩", | |
| 108 | + "source": "admin_seed", | |
| 109 | + "ownerUserId": null, | |
| 110 | + "moderationStatus": "approved", | |
| 111 | + "isActive": true, | |
| 112 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/c392c55535624ba6__3cf3ad5d-a5fc-4d6d-babb-e4cdea7eb806.png" | |
| 113 | + }, | |
| 114 | + { | |
| 115 | + "id": "4bc86203-7854-47ea-b3fa-c38dbad5ad8b", | |
| 116 | + "createdAt": 1788318913349, | |
| 117 | + "name": "玫红色旗袍", | |
| 118 | + "category": "", | |
| 119 | + "thumbnailUrl": "/uploads/202609/72f12973-60d3-49ec-abe4-c8403d006ad5.png", | |
| 120 | + "imageUrl": "/uploads/202609/72f12973-60d3-49ec-abe4-c8403d006ad5.png", | |
| 121 | + "appearanceDescriptor": "玫红色旗袍,金色滚边,盘扣,侧开衩", | |
| 122 | + "source": "admin_seed", | |
| 123 | + "ownerUserId": null, | |
| 124 | + "moderationStatus": "approved", | |
| 125 | + "isActive": true, | |
| 126 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/bf5ba937eb42466c__72f12973-60d3-49ec-abe4-c8403d006ad5.png" | |
| 127 | + }, | |
| 128 | + { | |
| 129 | + "id": "6bbacecd-e492-4ec3-a9de-93744cea4b42", | |
| 130 | + "createdAt": 1788318913498, | |
| 131 | + "name": "黑色旗袍", | |
| 132 | + "category": "", | |
| 133 | + "thumbnailUrl": "/uploads/202609/80f999b9-5a61-4c3c-9aef-732d8e52199a.png", | |
| 134 | + "imageUrl": "/uploads/202609/80f999b9-5a61-4c3c-9aef-732d8e52199a.png", | |
| 135 | + "appearanceDescriptor": "黑色旗袍,银色滚边,盘扣,侧开衩", | |
| 136 | + "source": "admin_seed", | |
| 137 | + "ownerUserId": null, | |
| 138 | + "moderationStatus": "approved", | |
| 139 | + "isActive": true, | |
| 140 | + "h3AssetUrl": "http://192.168.110.67:8080/assets/69cbf0788d8044bf__80f999b9-5a61-4c3c-9aef-732d8e52199a.png" | |
| 141 | + } | |
| 142 | +] | |
| 0 | 143 | \ No newline at end of file | ... | ... |
generation-jobs.json
0 → 100644
| 1 | +[ | |
| 2 | + { | |
| 3 | + "id": "1e58d58f-a909-4d55-ba26-42c2f981ec58", | |
| 4 | + "createdAt": 1788317314409, | |
| 5 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 6 | + "garmentId": "ac39a43f-6e81-4d2a-8fdb-af9c4d686e44", | |
| 7 | + "refDanceVideoId": "f2c6304c-1155-4d82-afe9-17de85c9398a", | |
| 8 | + "batchId": null, | |
| 9 | + "status": "done", | |
| 10 | + "h3JobId": "f23903118436", | |
| 11 | + "error": null, | |
| 12 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色旗袍,金色滚边,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,甩臂过顶,比心,hip-hop风格能量感 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,甩臂过顶,比心,hip-hop风格能量感, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 13 | + "generatedVideoId": "f23903118436" | |
| 14 | + }, | |
| 15 | + { | |
| 16 | + "id": "e6167761-87ac-45f9-a06b-3c36bc00db27", | |
| 17 | + "createdAt": 1788319123504, | |
| 18 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 19 | + "garmentId": "ac39a43f-6e81-4d2a-8fdb-af9c4d686e44", | |
| 20 | + "refDanceVideoId": "f2c6304c-1155-4d82-afe9-17de85c9398a", | |
| 21 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 22 | + "status": "done", | |
| 23 | + "h3JobId": "c529d308370a", | |
| 24 | + "error": null, | |
| 25 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色旗袍,金色滚边,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,甩臂过顶,比心,hip-hop风格能量感 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,甩臂过顶,比心,hip-hop风格能量感, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 26 | + "generatedVideoId": "c529d308370a" | |
| 27 | + }, | |
| 28 | + { | |
| 29 | + "id": "6371dec4-9c95-41ea-a797-81838114fa37", | |
| 30 | + "createdAt": 1788319123507, | |
| 31 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 32 | + "garmentId": "2c4487a8-6ff7-402c-8e13-dfefcd8eda6f", | |
| 33 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 34 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 35 | + "status": "done", | |
| 36 | + "h3JobId": "60bf07534b3a", | |
| 37 | + "error": null, | |
| 38 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙色旗袍,紫色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 39 | + "generatedVideoId": "60bf07534b3a" | |
| 40 | + }, | |
| 41 | + { | |
| 42 | + "id": "ba36419f-8e37-40e4-b29f-5e08f1adeaf0", | |
| 43 | + "createdAt": 1788319123514, | |
| 44 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 45 | + "garmentId": "69373e07-2abf-4b26-819a-fcae2127e087", | |
| 46 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 47 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 48 | + "status": "done", | |
| 49 | + "h3JobId": "e7f500b05262", | |
| 50 | + "error": null, | |
| 51 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿色旗袍,紫色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 52 | + "generatedVideoId": "e7f500b05262" | |
| 53 | + }, | |
| 54 | + { | |
| 55 | + "id": "63891dd8-602f-4aa5-8bd7-ac24bb3dbafa", | |
| 56 | + "createdAt": 1788319123518, | |
| 57 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 58 | + "garmentId": "a536decb-eeef-4a3e-88d7-ad45c39ccb23", | |
| 59 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 60 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 61 | + "status": "done", | |
| 62 | + "h3JobId": "cfefb1114e41", | |
| 63 | + "error": null, | |
| 64 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色旗袍,粉色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 65 | + "generatedVideoId": "cfefb1114e41" | |
| 66 | + }, | |
| 67 | + { | |
| 68 | + "id": "f254f9f8-d92e-438d-8ea8-1961e5187cf9", | |
| 69 | + "createdAt": 1788319123522, | |
| 70 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 71 | + "garmentId": "a49b0a3d-3cff-4730-a941-d1621666e203", | |
| 72 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 73 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 74 | + "status": "done", | |
| 75 | + "h3JobId": "fb855e11be4d", | |
| 76 | + "error": null, | |
| 77 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 青色旗袍,浅紫滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 78 | + "generatedVideoId": "fb855e11be4d" | |
| 79 | + }, | |
| 80 | + { | |
| 81 | + "id": "9afe7c12-5959-47a8-91f2-d0b06260e75f", | |
| 82 | + "createdAt": 1788319123526, | |
| 83 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 84 | + "garmentId": "504250f3-49a9-4937-822b-3dca2462b136", | |
| 85 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 86 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 87 | + "status": "done", | |
| 88 | + "h3JobId": "76b6d62d832c", | |
| 89 | + "error": null, | |
| 90 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 宝蓝色旗袍,淡紫滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 91 | + "generatedVideoId": "76b6d62d832c" | |
| 92 | + }, | |
| 93 | + { | |
| 94 | + "id": "ea539944-395f-4508-9737-4295d4c4f16f", | |
| 95 | + "createdAt": 1788319123530, | |
| 96 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 97 | + "garmentId": "9a9dd316-1178-4b10-801f-64a0572e82bc", | |
| 98 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 99 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 100 | + "status": "done", | |
| 101 | + "h3JobId": "3d825658c100", | |
| 102 | + "error": null, | |
| 103 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫色旗袍,浅粉滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 104 | + "generatedVideoId": "3d825658c100" | |
| 105 | + }, | |
| 106 | + { | |
| 107 | + "id": "fbece3b2-d797-43b9-bb21-d3193c6411e3", | |
| 108 | + "createdAt": 1788319123534, | |
| 109 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 110 | + "garmentId": "01793e15-70a0-4967-a5c7-b97eda799f95", | |
| 111 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 112 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 113 | + "status": "done", | |
| 114 | + "h3JobId": "563b53b5bc79", | |
| 115 | + "error": null, | |
| 116 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 洋红色旗袍,金色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 117 | + "generatedVideoId": "563b53b5bc79" | |
| 118 | + }, | |
| 119 | + { | |
| 120 | + "id": "0e1b155d-4c91-4eea-a992-c2b6201ffdde", | |
| 121 | + "createdAt": 1788319123539, | |
| 122 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 123 | + "garmentId": "4bc86203-7854-47ea-b3fa-c38dbad5ad8b", | |
| 124 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 125 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 126 | + "status": "done", | |
| 127 | + "h3JobId": "1014cfff97bd", | |
| 128 | + "error": null, | |
| 129 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 玫红色旗袍,金色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 130 | + "generatedVideoId": "1014cfff97bd" | |
| 131 | + }, | |
| 132 | + { | |
| 133 | + "id": "15b7baf1-1eba-4e83-ad0e-779022ede128", | |
| 134 | + "createdAt": 1788319123544, | |
| 135 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 136 | + "garmentId": "6bbacecd-e492-4ec3-a9de-93744cea4b42", | |
| 137 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 138 | + "batchId": "d53dee72-31b8-4201-b49b-93e94d88c57a", | |
| 139 | + "status": "done", | |
| 140 | + "h3JobId": "40961b8b19f3", | |
| 141 | + "error": null, | |
| 142 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色旗袍,银色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 143 | + "generatedVideoId": "40961b8b19f3" | |
| 144 | + } | |
| 145 | +] | |
| 0 | 146 | \ No newline at end of file | ... | ... |
library.json
| 1 | 1 | [ |
| 2 | 2 | { |
| 3 | + "id": "20332b26881c", | |
| 4 | + "source": "h3console", | |
| 5 | + "prompt": "For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_", | |
| 6 | + "fullPrompt": "For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.\n\nintegrated_multimodal_description:\n[Shot 1] The shot begins from <Picture 1>: a live-action mid-2000s office mockumentary frame inside a fluorescent paper-company office. A male regional manager in a dark suit and patterned tie crosses the foreground near the reception desk. A female receptionist sits behind the counter, with office cubicles, stacked paper boxes, a wall calendar, framed certificates, and a standing lamp visible around them. Preserve the handheld documentary camera feel, muted beige office colors, natural fluorescent lighting, and awkward workplace realism. No subtitles, no captions, no UI overlays, no watermark, and no newly generated on-screen text.\n[Shot 2] At 00:01.200, as the manager gestures through the office tour, a tiny orange flame suddenly flickers from a small stack of loose papers near the reception counter, beside the paper boxes. The flame is small and localized, more embarrassing than dangerous. The camera gives a quick handheld wobble toward the flame. The receptionist notices first and stiffens. The manager tries to keep his tour face and says: <d>[English] This is not a fire. This is urgency.</d>\n[Shot 3] At 00:03.400, the receptionist calmly reaches for a coffee mug or small cup of water on the desk. The manager steps half a pace toward the camera, trying to block the view while still smiling awkwardly. The flame remains small, with a faint curl of smoke. Keep the action realistic, contained, and office-scale. The receptionist says softly: <d>[English] Michael.</d>\n[Shot 4] At 00:05.200, cut to a dry mockumentary reaction angle from a nearby salesman at his desk in the bullpen. He glances at the tiny flame, then looks into the camera with a deadpan expression. The salesman says: <d>[English] Technically, paper is the business.</d> The background stays consistent with the same office.\n[Shot 5] At 00:06.700, cut back near reception. An intense coworker rushes in from the side holding a fire extinguisher too seriously, but the receptionist has already poured a small splash of water onto the papers. The flame disappears with a little hiss and a modest puff of smoke. The intense coworker freezes, disappointed that the emergency is over. The manager says: <d>[English] Handled. That's management.</d>\n[Shot 6] At 00:09.000, the receptionist quietly moves the damp papers aside while the manager smooths his suit jacket and tries to restart the office tour as if nothing happened. The intense coworker lowers the extinguisher with excessive seriousness. The camera settles back into the reception-tour composition, matching <Picture 1> as closely as possible: same office angle, manager in the foreground near reception, receptionist behind the counter, cubicles and paper stacks visible.\n[Shot 7] At 00:11.300, use a tiny documentary-style jump cut to a near match of <Picture 1>. No visible flame remains, only normal office room tone and a barely noticeable wisp of smoke. By 00:12.250, the frame should be ready for the source episode to resume from the same reception-tour moment.\n\noverall_soundscape:\nNatural office room tone throughout: fluorescent hum, quiet desk movement, paper rustle, a small flame crackle, a quick splash of water, a faint hiss, and restrained workplace reactions. Dialogue is spoken in English only and must never appear as subtitles or captions.\n\nnon_diegetic_music:\nN/A", | |
| 7 | + "edited": false, | |
| 8 | + "width": 832, | |
| 9 | + "height": 480, | |
| 10 | + "duration": 12.3, | |
| 11 | + "partition": "ref2va", | |
| 12 | + "likes": 0, | |
| 13 | + "createdAt": 1788330575546 | |
| 14 | + }, | |
| 15 | + { | |
| 16 | + "id": "3d825658c100", | |
| 17 | + "source": "h3console", | |
| 18 | + "edited": true, | |
| 19 | + "channel": "dance", | |
| 20 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 21 | + "garmentId": "9a9dd316-1178-4b10-801f-64a0572e82bc", | |
| 22 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 23 | + "backend": "h3_console", | |
| 24 | + "priority": "normal", | |
| 25 | + "requestedByUserId": null, | |
| 26 | + "prompt": "验证-人物 × 紫色旗袍", | |
| 27 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫色旗袍,浅粉滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 28 | + "width": 480, | |
| 29 | + "height": 832, | |
| 30 | + "duration": 10, | |
| 31 | + "partition": "ref2va", | |
| 32 | + "likes": 0, | |
| 33 | + "createdAt": 1788330297866, | |
| 34 | + "lastPlayedAt": 1788331519272, | |
| 35 | + "playCount": 46 | |
| 36 | + }, | |
| 37 | + { | |
| 38 | + "id": "e7f500b05262", | |
| 39 | + "source": "h3console", | |
| 40 | + "edited": true, | |
| 41 | + "channel": "dance", | |
| 42 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 43 | + "garmentId": "69373e07-2abf-4b26-819a-fcae2127e087", | |
| 44 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 45 | + "backend": "h3_console", | |
| 46 | + "priority": "normal", | |
| 47 | + "requestedByUserId": null, | |
| 48 | + "prompt": "验证-人物 × 黄绿色旗袍", | |
| 49 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿色旗袍,紫色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 50 | + "width": 480, | |
| 51 | + "height": 832, | |
| 52 | + "duration": 10, | |
| 53 | + "partition": "ref2va", | |
| 54 | + "likes": 0, | |
| 55 | + "createdAt": 1788329156129, | |
| 56 | + "lastPlayedAt": 1788331509252, | |
| 57 | + "playCount": 109 | |
| 58 | + }, | |
| 59 | + { | |
| 60 | + "id": "cfefb1114e41", | |
| 61 | + "source": "h3console", | |
| 62 | + "edited": true, | |
| 63 | + "channel": "dance", | |
| 64 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 65 | + "garmentId": "a536decb-eeef-4a3e-88d7-ad45c39ccb23", | |
| 66 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 67 | + "backend": "h3_console", | |
| 68 | + "priority": "normal", | |
| 69 | + "requestedByUserId": null, | |
| 70 | + "prompt": "验证-人物 × 绿色旗袍", | |
| 71 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色旗袍,粉色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 72 | + "width": 480, | |
| 73 | + "height": 832, | |
| 74 | + "duration": 10, | |
| 75 | + "partition": "ref2va", | |
| 76 | + "likes": 0, | |
| 77 | + "createdAt": 1788328011033, | |
| 78 | + "lastPlayedAt": 1788331529280, | |
| 79 | + "playCount": 109 | |
| 80 | + }, | |
| 81 | + { | |
| 82 | + "id": "76b6d62d832c", | |
| 83 | + "source": "h3console", | |
| 84 | + "edited": true, | |
| 85 | + "channel": "dance", | |
| 86 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 87 | + "garmentId": "504250f3-49a9-4937-822b-3dca2462b136", | |
| 88 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 89 | + "backend": "h3_console", | |
| 90 | + "priority": "normal", | |
| 91 | + "requestedByUserId": null, | |
| 92 | + "prompt": "验证-人物 × 宝蓝色旗袍", | |
| 93 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 宝蓝色旗袍,淡紫滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 94 | + "width": 480, | |
| 95 | + "height": 832, | |
| 96 | + "duration": 10, | |
| 97 | + "partition": "ref2va", | |
| 98 | + "likes": 0, | |
| 99 | + "createdAt": 1788326871833, | |
| 100 | + "lastPlayedAt": 1788330350299, | |
| 101 | + "playCount": 109 | |
| 102 | + }, | |
| 103 | + { | |
| 104 | + "id": "40961b8b19f3", | |
| 105 | + "source": "h3console", | |
| 106 | + "edited": true, | |
| 107 | + "channel": "dance", | |
| 108 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 109 | + "garmentId": "6bbacecd-e492-4ec3-a9de-93744cea4b42", | |
| 110 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 111 | + "backend": "h3_console", | |
| 112 | + "priority": "normal", | |
| 113 | + "requestedByUserId": null, | |
| 114 | + "prompt": "验证-人物 × 黑色旗袍", | |
| 115 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色旗袍,银色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 116 | + "width": 480, | |
| 117 | + "height": 832, | |
| 118 | + "duration": 10, | |
| 119 | + "partition": "ref2va", | |
| 120 | + "likes": 0, | |
| 121 | + "createdAt": 1788325715238, | |
| 122 | + "lastPlayedAt": 1788330428372, | |
| 123 | + "playCount": 114 | |
| 124 | + }, | |
| 125 | + { | |
| 126 | + "id": "563b53b5bc79", | |
| 127 | + "source": "h3console", | |
| 128 | + "edited": true, | |
| 129 | + "channel": "dance", | |
| 130 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 131 | + "garmentId": "01793e15-70a0-4967-a5c7-b97eda799f95", | |
| 132 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 133 | + "backend": "h3_console", | |
| 134 | + "priority": "normal", | |
| 135 | + "requestedByUserId": null, | |
| 136 | + "prompt": "验证-人物 × 洋红色旗袍", | |
| 137 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 洋红色旗袍,金色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 138 | + "width": 480, | |
| 139 | + "height": 832, | |
| 140 | + "duration": 10, | |
| 141 | + "partition": "ref2va", | |
| 142 | + "likes": 0, | |
| 143 | + "createdAt": 1788324551855, | |
| 144 | + "lastPlayedAt": 1788330448390, | |
| 145 | + "playCount": 116 | |
| 146 | + }, | |
| 147 | + { | |
| 148 | + "id": "1014cfff97bd", | |
| 149 | + "source": "h3console", | |
| 150 | + "edited": true, | |
| 151 | + "channel": "dance", | |
| 152 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 153 | + "garmentId": "4bc86203-7854-47ea-b3fa-c38dbad5ad8b", | |
| 154 | + "refDanceVideoId": "e5e56a4f-2318-4fec-91be-fd94cf5dcdfc", | |
| 155 | + "backend": "h3_console", | |
| 156 | + "priority": "normal", | |
| 157 | + "requestedByUserId": null, | |
| 158 | + "prompt": "验证-人物 × 玫红色旗袍", | |
| 159 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 玫红色旗袍,金色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 原地小幅度手势舞动,柔和克制的比心和摆手动作,节奏偏慢, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 160 | + "width": 480, | |
| 161 | + "height": 832, | |
| 162 | + "duration": 10, | |
| 163 | + "partition": "ref2va", | |
| 164 | + "likes": 0, | |
| 165 | + "createdAt": 1788323385790, | |
| 166 | + "lastPlayedAt": 1788330468401, | |
| 167 | + "playCount": 118 | |
| 168 | + }, | |
| 169 | + { | |
| 170 | + "id": "fb855e11be4d", | |
| 171 | + "source": "h3console", | |
| 172 | + "edited": true, | |
| 173 | + "channel": "dance", | |
| 174 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 175 | + "garmentId": "a49b0a3d-3cff-4730-a941-d1621666e203", | |
| 176 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 177 | + "backend": "h3_console", | |
| 178 | + "priority": "normal", | |
| 179 | + "requestedByUserId": null, | |
| 180 | + "prompt": "验证-人物 × 青色旗袍", | |
| 181 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 青色旗袍,浅紫滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 182 | + "width": 480, | |
| 183 | + "height": 832, | |
| 184 | + "duration": 10, | |
| 185 | + "partition": "ref2va", | |
| 186 | + "likes": 0, | |
| 187 | + "createdAt": 1788322206869, | |
| 188 | + "lastPlayedAt": 1788330528445, | |
| 189 | + "playCount": 118 | |
| 190 | + }, | |
| 191 | + { | |
| 192 | + "id": "60bf07534b3a", | |
| 193 | + "source": "h3console", | |
| 194 | + "edited": true, | |
| 195 | + "channel": "dance", | |
| 196 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 197 | + "garmentId": "2c4487a8-6ff7-402c-8e13-dfefcd8eda6f", | |
| 198 | + "refDanceVideoId": "7b8e13ce-c9e3-4a19-bccc-5f54e6aae98e", | |
| 199 | + "backend": "h3_console", | |
| 200 | + "priority": "normal", | |
| 201 | + "requestedByUserId": null, | |
| 202 | + "prompt": "验证-人物 × 橙色旗袍", | |
| 203 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙色旗袍,紫色滚边,盘扣,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,双臂交替甩动,配合甩发动作,节奏感强的hip-hop风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 204 | + "width": 480, | |
| 205 | + "height": 832, | |
| 206 | + "duration": 10, | |
| 207 | + "partition": "ref2va", | |
| 208 | + "likes": 0, | |
| 209 | + "createdAt": 1788321031897, | |
| 210 | + "lastPlayedAt": 1788330488413, | |
| 211 | + "playCount": 118 | |
| 212 | + }, | |
| 213 | + { | |
| 214 | + "id": "c529d308370a", | |
| 215 | + "source": "h3console", | |
| 216 | + "edited": true, | |
| 217 | + "channel": "dance", | |
| 218 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 219 | + "garmentId": "ac39a43f-6e81-4d2a-8fdb-af9c4d686e44", | |
| 220 | + "refDanceVideoId": "f2c6304c-1155-4d82-afe9-17de85c9398a", | |
| 221 | + "backend": "h3_console", | |
| 222 | + "priority": "normal", | |
| 223 | + "requestedByUserId": null, | |
| 224 | + "prompt": "验证-人物 × 验证-旗袍", | |
| 225 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色旗袍,金色滚边,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,甩臂过顶,比心,hip-hop风格能量感 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,甩臂过顶,比心,hip-hop风格能量感, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 226 | + "width": 480, | |
| 227 | + "height": 832, | |
| 228 | + "duration": 10, | |
| 229 | + "partition": "ref2va", | |
| 230 | + "likes": 0, | |
| 231 | + "createdAt": 1788319853705, | |
| 232 | + "lastPlayedAt": 1788330508424, | |
| 233 | + "playCount": 118 | |
| 234 | + }, | |
| 235 | + { | |
| 236 | + "id": "f23903118436", | |
| 237 | + "source": "h3console", | |
| 238 | + "prompt": "验证-人物 × 验证-旗袍", | |
| 239 | + "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 年轻女性,长直黑发,鹅蛋脸,气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色旗袍,金色滚边,侧开衩, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 宽马步,甩臂过顶,比心,hip-hop风格能量感 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 宽马步,甩臂过顶,比心,hip-hop风格能量感, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.", | |
| 240 | + "edited": true, | |
| 241 | + "width": 480, | |
| 242 | + "height": 832, | |
| 243 | + "duration": 10, | |
| 244 | + "partition": "ref2va", | |
| 245 | + "likes": 0, | |
| 246 | + "createdAt": 1788317315021, | |
| 247 | + "channel": "dance", | |
| 248 | + "characterId": "4a4dc93b-4984-495b-a660-535ce3d3fc51", | |
| 249 | + "garmentId": "ac39a43f-6e81-4d2a-8fdb-af9c4d686e44", | |
| 250 | + "refDanceVideoId": "f2c6304c-1155-4d82-afe9-17de85c9398a", | |
| 251 | + "backend": "h3_console", | |
| 252 | + "priority": "normal", | |
| 253 | + "requestedByUserId": null, | |
| 254 | + "lastPlayedAt": 1788330568476, | |
| 255 | + "playCount": 118 | |
| 256 | + }, | |
| 257 | + { | |
| 3 | 258 | "id": "b4b9b6568ea8", |
| 4 | 259 | "source": "h3console", |
| 5 | 260 | "prompt": "星际迷航穿越沙漠 主角是星际迷航的主人翁,背景是星际迷航某一个星球,主角的台词是大喊“为了荣耀,出发~~”,然后切换到千军万马的航空舰队,开始点火启动,", |
| ... | ... | @@ -11,7 +266,7 @@ |
| 11 | 266 | "partition": "text", |
| 12 | 267 | "likes": 0, |
| 13 | 268 | "createdAt": 1788264244312, |
| 14 | - "lastPlayedAt": 1788316754946, | |
| 269 | + "lastPlayedAt": 1788331519241, | |
| 15 | 270 | "playCount": 1 |
| 16 | 271 | }, |
| 17 | 272 | { |
| ... | ... | @@ -25,9 +280,7 @@ |
| 25 | 280 | "duration": 12.3, |
| 26 | 281 | "partition": "ref2va", |
| 27 | 282 | "likes": 0, |
| 28 | - "createdAt": 1788258526737, | |
| 29 | - "lastPlayedAt": 1788316742936, | |
| 30 | - "playCount": 1 | |
| 283 | + "createdAt": 1788258526737 | |
| 31 | 284 | }, |
| 32 | 285 | { |
| 33 | 286 | "id": "e9e9907999a3", |
| ... | ... | @@ -41,7 +294,7 @@ |
| 41 | 294 | "partition": "fl2va", |
| 42 | 295 | "likes": 0, |
| 43 | 296 | "createdAt": 1788254902903, |
| 44 | - "lastPlayedAt": 1788316764945, | |
| 297 | + "lastPlayedAt": 1788331513250, | |
| 45 | 298 | "playCount": 1 |
| 46 | 299 | }, |
| 47 | 300 | { |
| ... | ... | @@ -56,7 +309,7 @@ |
| 56 | 309 | "partition": "text", |
| 57 | 310 | "likes": 0, |
| 58 | 311 | "createdAt": 1788254902838, |
| 59 | - "lastPlayedAt": 1788316768495, | |
| 312 | + "lastPlayedAt": 1788331529248, | |
| 60 | 313 | "playCount": 1 |
| 61 | 314 | }, |
| 62 | 315 | { |
| ... | ... | @@ -70,9 +323,7 @@ |
| 70 | 323 | "duration": 5, |
| 71 | 324 | "partition": "text", |
| 72 | 325 | "likes": 0, |
| 73 | - "createdAt": 1788254437728, | |
| 74 | - "lastPlayedAt": 1788316752486, | |
| 75 | - "playCount": 1 | |
| 326 | + "createdAt": 1788254437728 | |
| 76 | 327 | }, |
| 77 | 328 | { |
| 78 | 329 | "id": "1d116e9a5424", |
| ... | ... | @@ -85,9 +336,7 @@ |
| 85 | 336 | "duration": 5, |
| 86 | 337 | "partition": "text", |
| 87 | 338 | "likes": 0, |
| 88 | - "createdAt": 1788254400661, | |
| 89 | - "lastPlayedAt": 1788316746487, | |
| 90 | - "playCount": 1 | |
| 339 | + "createdAt": 1788254400661 | |
| 91 | 340 | }, |
| 92 | 341 | { |
| 93 | 342 | "id": "4af4c61b64a6", |
| ... | ... | @@ -101,7 +350,7 @@ |
| 101 | 350 | "partition": "fl2va", |
| 102 | 351 | "likes": 0, |
| 103 | 352 | "createdAt": 1788251288958, |
| 104 | - "lastPlayedAt": 1788316766495, | |
| 353 | + "lastPlayedAt": 1788331513235, | |
| 105 | 354 | "playCount": 1 |
| 106 | 355 | }, |
| 107 | 356 | { |
| ... | ... | @@ -116,7 +365,7 @@ |
| 116 | 365 | "partition": "text", |
| 117 | 366 | "likes": 0, |
| 118 | 367 | "createdAt": 1788249485816, |
| 119 | - "lastPlayedAt": 1788316762493, | |
| 368 | + "lastPlayedAt": 1788331503223, | |
| 120 | 369 | "playCount": 1 |
| 121 | 370 | }, |
| 122 | 371 | { |
| ... | ... | @@ -130,9 +379,7 @@ |
| 130 | 379 | "duration": 5, |
| 131 | 380 | "partition": "text", |
| 132 | 381 | "likes": 0, |
| 133 | - "createdAt": 1788239781137, | |
| 134 | - "lastPlayedAt": 1788316742484, | |
| 135 | - "playCount": 1 | |
| 382 | + "createdAt": 1788239781137 | |
| 136 | 383 | }, |
| 137 | 384 | { |
| 138 | 385 | "id": "af0d86637410", |
| ... | ... | @@ -146,7 +393,7 @@ |
| 146 | 393 | "partition": "text", |
| 147 | 394 | "likes": 0, |
| 148 | 395 | "createdAt": 1788239123020, |
| 149 | - "lastPlayedAt": 1788316756490, | |
| 396 | + "lastPlayedAt": 1788331507228, | |
| 150 | 397 | "playCount": 1 |
| 151 | 398 | }, |
| 152 | 399 | { |
| ... | ... | @@ -162,8 +409,8 @@ |
| 162 | 409 | "likes": 0, |
| 163 | 410 | "createdAt": 1788192916199, |
| 164 | 411 | "promptEn": "taoist eyes the old house suspiciously", |
| 165 | - "lastPlayedAt": 1788312661828, | |
| 166 | - "playCount": 17 | |
| 412 | + "lastPlayedAt": 1788330810648, | |
| 413 | + "playCount": 22 | |
| 167 | 414 | }, |
| 168 | 415 | { |
| 169 | 416 | "id": "cb5baad5d724", |
| ... | ... | @@ -178,8 +425,8 @@ |
| 178 | 425 | "likes": 0, |
| 179 | 426 | "createdAt": 1788192915845, |
| 180 | 427 | "promptEn": "scholar watches the room warily", |
| 181 | - "lastPlayedAt": 1788315878376, | |
| 182 | - "playCount": 17 | |
| 428 | + "lastPlayedAt": 1788330248202, | |
| 429 | + "playCount": 22 | |
| 183 | 430 | }, |
| 184 | 431 | { |
| 185 | 432 | "id": "e8cbb73560ef", |
| ... | ... | @@ -194,8 +441,8 @@ |
| 194 | 441 | "likes": 0, |
| 195 | 442 | "createdAt": 1788192915549, |
| 196 | 443 | "promptEn": "taoist steels himself to exorcise something", |
| 197 | - "lastPlayedAt": 1788316296242, | |
| 198 | - "playCount": 18 | |
| 444 | + "lastPlayedAt": 1788330740592, | |
| 445 | + "playCount": 22 | |
| 199 | 446 | }, |
| 200 | 447 | { |
| 201 | 448 | "id": "5b6dcb357792", |
| ... | ... | @@ -210,8 +457,8 @@ |
| 210 | 457 | "likes": 0, |
| 211 | 458 | "createdAt": 1788192915268, |
| 212 | 459 | "promptEn": "scholar softens up, starts to trust", |
| 213 | - "lastPlayedAt": 1788313626721, | |
| 214 | - "playCount": 17 | |
| 460 | + "lastPlayedAt": 1788328618938, | |
| 461 | + "playCount": 21 | |
| 215 | 462 | }, |
| 216 | 463 | { |
| 217 | 464 | "id": "0c7565a5c8e8", |
| ... | ... | @@ -226,8 +473,8 @@ |
| 226 | 473 | "likes": 0, |
| 227 | 474 | "createdAt": 1788192914949, |
| 228 | 475 | "promptEn": "taoist acts tough but is nervous", |
| 229 | - "lastPlayedAt": 1788316110092, | |
| 230 | - "playCount": 18 | |
| 476 | + "lastPlayedAt": 1788326972039, | |
| 477 | + "playCount": 21 | |
| 231 | 478 | }, |
| 232 | 479 | { |
| 233 | 480 | "id": "167ce1bfa285", |
| ... | ... | @@ -242,8 +489,8 @@ |
| 242 | 489 | "likes": 0, |
| 243 | 490 | "createdAt": 1788192914047, |
| 244 | 491 | "promptEn": "scholar looks scared, wants to flee", |
| 245 | - "lastPlayedAt": 1788315365921, | |
| 246 | - "playCount": 17 | |
| 492 | + "lastPlayedAt": 1788328791080, | |
| 493 | + "playCount": 21 | |
| 247 | 494 | }, |
| 248 | 495 | { |
| 249 | 496 | "id": "053bc957b4f8", |
| ... | ... | @@ -258,8 +505,8 @@ |
| 258 | 505 | "likes": 0, |
| 259 | 506 | "createdAt": 1788192913886, |
| 260 | 507 | "promptEn": "taoist panics, freaked out", |
| 261 | - "lastPlayedAt": 1788314169171, | |
| 262 | - "playCount": 17 | |
| 508 | + "lastPlayedAt": 1788330482376, | |
| 509 | + "playCount": 22 | |
| 263 | 510 | }, |
| 264 | 511 | { |
| 265 | 512 | "id": "45c1136d1e05", |
| ... | ... | @@ -274,8 +521,8 @@ |
| 274 | 521 | "likes": 0, |
| 275 | 522 | "createdAt": 1788192913551, |
| 276 | 523 | "promptEn": "taoist looking panicked and scared", |
| 277 | - "lastPlayedAt": 1788315961981, | |
| 278 | - "playCount": 18 | |
| 524 | + "lastPlayedAt": 1788329021239, | |
| 525 | + "playCount": 21 | |
| 279 | 526 | }, |
| 280 | 527 | { |
| 281 | 528 | "id": "d169d42a67de", |
| ... | ... | @@ -290,8 +537,8 @@ |
| 290 | 537 | "likes": 0, |
| 291 | 538 | "createdAt": 1788192913492, |
| 292 | 539 | "promptEn": "scholar defiant out of desperation", |
| 293 | - "lastPlayedAt": 1788315640151, | |
| 294 | - "playCount": 17 | |
| 540 | + "lastPlayedAt": 1788330716569, | |
| 541 | + "playCount": 22 | |
| 295 | 542 | }, |
| 296 | 543 | { |
| 297 | 544 | "id": "2abd2793fae9", |
| ... | ... | @@ -306,8 +553,8 @@ |
| 306 | 553 | "likes": 0, |
| 307 | 554 | "createdAt": 1788192913244, |
| 308 | 555 | "promptEn": "scholar cornered but still defiant", |
| 309 | - "lastPlayedAt": 1788315399951, | |
| 310 | - "playCount": 17 | |
| 556 | + "lastPlayedAt": 1788327408421, | |
| 557 | + "playCount": 21 | |
| 311 | 558 | }, |
| 312 | 559 | { |
| 313 | 560 | "id": "bbf7efb467e0", |
| ... | ... | @@ -322,8 +569,8 @@ |
| 322 | 569 | "likes": 0, |
| 323 | 570 | "createdAt": 1788192912912, |
| 324 | 571 | "promptEn": "taoist charmed, hesitating", |
| 325 | - "lastPlayedAt": 1788316174606, | |
| 326 | - "playCount": 18 | |
| 572 | + "lastPlayedAt": 1788331160933, | |
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| 2308 | 2555 | "promptEn": "facing Pain, went in head-on and got seen through", |
| 2309 | - "lastPlayedAt": 1788316897011, | |
| 2310 | - "playCount": 18 | |
| 2556 | + "lastPlayedAt": 1788329821833, | |
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| 2311 | 2558 | }, |
| 2312 | 2559 | { |
| 2313 | 2560 | "id": "f691ac021df0", |
| ... | ... | @@ -2322,8 +2569,8 @@ |
| 2322 | 2569 | "likes": 0, |
| 2323 | 2570 | "createdAt": 1788000577474, |
| 2324 | 2571 | "promptEn": "facing Pain, stayed passive and got cornered", |
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| 2326 | - "playCount": 17 | |
| 2572 | + "lastPlayedAt": 1788330896716, | |
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| 2327 | 2574 | }, |
| 2328 | 2575 | { |
| 2329 | 2576 | "id": "5ef9489bdc5b", |
| ... | ... | @@ -2338,8 +2585,8 @@ |
| 2338 | 2585 | "likes": 0, |
| 2339 | 2586 | "createdAt": 1788000341927, |
| 2340 | 2587 | "promptEn": "Konoha destroyed by Shinra Tensei, Pain declaring order in the ruins", |
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| 2342 | - "playCount": 17 | |
| 2588 | + "lastPlayedAt": 1788330764618, | |
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| 2343 | 2590 | }, |
| 2344 | 2591 | { |
| 2345 | 2592 | "id": "e245dbcc6d36", |
| ... | ... | @@ -2354,8 +2601,8 @@ |
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| 2356 | 2603 | "promptEn": "facing Sakazuki, exploiting a flaw to counter him", |
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| 2604 | + "lastPlayedAt": 1788327090140, | |
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| 2359 | 2606 | }, |
| 2360 | 2607 | { |
| 2361 | 2608 | "id": "c9be7c07b793", |
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| 2372 | 2619 | "promptEn": "facing Sakazuki, held the goal but paid a price", |
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| 2620 | + "lastPlayedAt": 1788331475202, | |
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| 2375 | 2622 | }, |
| 2376 | 2623 | { |
| 2377 | 2624 | "id": "677941e683c4", |
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| 2388 | 2635 | "promptEn": "facing Sakazuki, went in head-on and got seen through", |
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| 2390 | - "playCount": 17 | |
| 2636 | + "lastPlayedAt": 1788327846733, | |
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| 2391 | 2638 | }, |
| 2392 | 2639 | { |
| 2393 | 2640 | "id": "932d15f7f8bd", |
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| 2404 | 2651 | "promptEn": "facing Sakazuki, went in head-on and got seen through", |
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| 2408 | 2655 | { |
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| 2420 | 2667 | "promptEn": "facing Sakazuki, stayed passive and got cornered", |
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| 2423 | 2670 | }, |
| 2424 | 2671 | { |
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| 2436 | 2683 | "promptEn": "execution platform at Marineford, Ace about to be executed, navy vs pirates", |
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| 2439 | 2686 | }, |
| 2440 | 2687 | { |
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| 2452 | 2699 | "promptEn": "constable asks if she's always been alone here, she doesn't answer", |
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| 2456 | 2703 | { |
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| ... | ... | @@ -2466,8 +2713,8 @@ |
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| 2468 | 2715 | "promptEn": "constable declines a drink, asks what this place is, she watches him through the screen", |
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| 2484 | 2731 | "promptEn": "constable reaches out to touch her hand through the screen gap, no response", |
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| 2487 | 2734 | }, |
| 2488 | 2735 | { |
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| 2500 | 2747 | "promptEn": "constable tells the woman behind the screen he'll trust her tonight", |
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| 2504 | 2751 | { |
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| ... | ... | @@ -2514,8 +2761,8 @@ |
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| 2516 | 2763 | "promptEn": "constable promises to get her out safely if she trusts him", |
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| 2520 | 2767 | { |
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| ... | ... | @@ -2530,8 +2777,8 @@ |
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| 2532 | 2779 | "promptEn": "woman tells him from behind the screen to go check outside, he steps out warily", |
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| 2536 | 2783 | { |
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| 2548 | 2795 | "promptEn": "woman behind the screen stirs and softly reassures him", |
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| ... | ... | @@ -2562,8 +2809,8 @@ |
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| 2564 | 2811 | "promptEn": "constable sits with a cup of water, slowly looking up at the woman behind the screen", |
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| ... | ... | @@ -2578,8 +2825,8 @@ |
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| 2580 | 2827 | "promptEn": "constable stares at her through the screen, silent, saying nothing", |
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| 2583 | 2830 | }, |
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| ... | ... | @@ -2594,8 +2841,8 @@ |
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| 2612 | 2859 | "promptEn": "constable carefully checks the door and window latches, she watches from behind the screen", |
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| 2628 | 2875 | "promptEn": "constable grabs the oil lamp and hurls it at the portrait, the scroll catches fire", |
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| 2644 | 2891 | "promptEn": "constable steps in from the rainy night, spots her, introduces himself with a cover story", |
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| ... | ... | @@ -2658,8 +2905,8 @@ |
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| 2660 | 2907 | "promptEn": "constable steps in from the rainy night, spots her, introduces himself with a cover story", |
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| 2676 | 2923 | "promptEn": "first-person view bursting into the room, glancing back in fear, the woman startled", |
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| 2679 | 2926 | }, |
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| ... | ... | @@ -2690,8 +2937,8 @@ |
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| 2692 | 2939 | "promptEn": "constable stops looking around, turns to face the screen, speaks to her silhouette", |
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| 2708 | 2955 | "promptEn": "constable gently tells her he'll stay and keep her company", |
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| 2712 | 2959 | { |
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| 2724 | 2971 | "promptEn": "constable accepts the invitation, moves to sit on a stool closer to the screen", |
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| 2727 | 2974 | }, |
| 2728 | 2975 | { |
| 2729 | 2976 | "id": "ad611bcbd06b", |
| ... | ... | @@ -2738,8 +2985,8 @@ |
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| 2740 | 2987 | "promptEn": "constable sees her silent gesture, lets go of his sword hilt, steps closer and agrees", |
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| 2743 | 2990 | }, |
| 2744 | 2991 | { |
| 2745 | 2992 | "id": "abdbe25f3121", |
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| 2756 | 3003 | "promptEn": "constable sees through her painted disguise and rips her face off, revealing a demonic visage underneath", |
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| 2759 | 3006 | }, |
| 2760 | 3007 | { |
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| ... | ... | @@ -2770,8 +3017,8 @@ |
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| 2772 | 3019 | "promptEn": "constable catches his breath, thanks her, and rests on the couch while she watches", |
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| 2775 | 3022 | }, |
| 2776 | 3023 | { |
| 2777 | 3024 | "id": "cd22c2b491fc", |
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| 2788 | 3035 | "promptEn": "constable holds her gaze, quietly says \"go on\", then waits in silence", |
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| 2792 | 3039 | { |
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| 2804 | 3051 | "promptEn": "she reaches a hand through the screen gap beckoning him, he steps back and firmly refuses", |
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| 2807 | 3054 | }, |
| 2808 | 3055 | { |
| 2809 | 3056 | "id": "3f0c28f5373a", |
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| 2820 | 3067 | "promptEn": "constable studies her through the screen growing suspicious, hand drifting to his sword", |
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| 2823 | 3070 | }, |
| 2824 | 3071 | { |
| 2825 | 3072 | "id": "1c0c203cfb3b", |
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| 2836 | 3083 | "promptEn": "constable sits down at the table, studying her expression through the screen", |
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| 2839 | 3086 | }, |
| 2840 | 3087 | { |
| 2841 | 3088 | "id": "89975be9def4", |
| ... | ... | @@ -2850,8 +3097,8 @@ |
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| 2852 | 3099 | "promptEn": "constable drinks some water first, thanks her, watching the screen warily as he drinks", |
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| 3100 | + "lastPlayedAt": 1788327006069, | |
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| 2855 | 3102 | }, |
| 2856 | 3103 | { |
| 2857 | 3104 | "id": "e08f7f7e54dd", |
| ... | ... | @@ -2866,8 +3113,8 @@ |
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| 2868 | 3115 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", |
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| 2871 | 3118 | }, |
| 2872 | 3119 | { |
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| ... | ... | @@ -2882,8 +3129,8 @@ |
| 2882 | 3129 | "likes": 0, |
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| 2884 | 3131 | "promptEn": "constable gives a clasped-hand salute and thanks her, she gives a subtle nod", |
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| 2888 | 3135 | { |
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| 2900 | 3147 | "promptEn": "she slides her hand through the screen gap asking him to warm it, he hesitates without touching", |
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| 2903 | 3150 | }, |
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| 2905 | 3152 | "id": "c2b145b111e2", |
| ... | ... | @@ -2914,8 +3161,8 @@ |
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| 2916 | 3163 | "promptEn": "constable steps in, notices her behind the screen, greets her, she just watches silently", |
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| 3164 | + "lastPlayedAt": 1788331487211, | |
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| 2919 | 3166 | }, |
| 2920 | 3167 | { |
| 2921 | 3168 | "id": "a5d5d353bbf8", |
| ... | ... | @@ -2930,8 +3177,8 @@ |
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| 2932 | 3179 | "promptEn": "constable lifts a bronze mirror, reflecting candlelight onto the portrait on the wall", |
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| 5001 | 5248 | \ No newline at end of file | ... | ... |