From e2d1152b29f9776143eedf29befde38e0b89cc87 Mon Sep 17 00:00:00 2001
From: yibo <bboonnee@gmail.com>
Date: Tue, 22 Sep 2026 16:10:41 +0800
Subject: [PATCH] Add 高清重绘 admin UI + 4 列房间网格；补 H3 cancel 端点文档

---
 H3-CONSOLE.md            |   11 +++++++++++
 admin-dance-library.html |  118 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++---
 blacklist.json           |   10 ++++++++++
 dance-refs.json          |    6 ++++--
 dance-rooms.html         |   12 ++++++++----
 garments.json            |   18 ++++++++++++------
 generation-jobs.json     | 6104 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++----
 7 files changed, 6260 insertions(+), 19 deletions(-)
 create mode 100644 blacklist.json

diff --git a/H3-CONSOLE.md b/H3-CONSOLE.md
index 8e13227..a9aeba9 100644
--- a/H3-CONSOLE.md
+++ b/H3-CONSOLE.md
@@ -136,6 +136,17 @@ Calling it on several jobs in a row puts the most-recently-prioritized one at
 position 1 and pushes the others back slightly — still clusters them all near
 the front, just not in a guaranteed relative order between themselves.
 
+### `POST {base}/v1/videos/{id}/cancel`
+Genuinely cancels a `queued`/`running` job — unlike `DELETE` (below), which
+only hides it from listings but lets it keep consuming compute. Confirmed
+live 2026-09-09: cancelling a queued job flips its `status` to `cancelled`,
+sets `error` to `"用户手动取消"` and `finished_at`, and the cluster's
+`queued` count in `GET /v1/backends` actually decrements. Use this (not
+DELETE) to actually stop a duplicate/unwanted queued job.
+```json
+{ "id": "6361be157e48", "status": "cancelled", "error": "用户手动取消", ... }
+```
+
 ### `GET {base}/v1/videos/{id}/file`
 Downloads the mp4. `Content-Type: video/mp4`, supports range requests
 (`Accept-Ranges: bytes`), `Content-Disposition: attachment`. Auth via
diff --git a/admin-dance-library.html b/admin-dance-library.html
index d5580d7..ad61afa 100644
--- a/admin-dance-library.html
+++ b/admin-dance-library.html
@@ -39,6 +39,12 @@
   .pub-badge { display: inline-block; padding: 2px 8px; border-radius: 4px; font-size: 12px; white-space: nowrap; }
   .pub-on { background: #eef7ee; color: #2e7d32; }
   .pub-off { background: #f0f0f0; color: var(--muted); }
+  /* 高清重绘: one cell per resolution tier — either a small preview (done),
+     a disabled "生成中…" state, or a "生成高清版" button (not generated yet). */
+  td.hd-cell { min-width: 110px; }
+  td.hd-cell video { display: block; width: 100px; height: auto; max-height: 160px; object-fit: contain; background: #000; border-radius: 4px; margin-bottom: 4px; }
+  td.hd-cell .hd-status { font-size: 12px; color: var(--muted); }
+  td.hd-cell .hd-status.hd-failed { color: #c0392b; }
 </style>
 </head>
 <body>
@@ -87,6 +93,13 @@
       <option value="published">已上架</option>
       <option value="unpublished">未上架</option>
     </select>
+    <select id="hdFilter">
+      <option value="">全部高清状态</option>
+      <option value="has-576x1024">已有 576×1024</option>
+      <option value="has-768x1344">已有 768×1344</option>
+      <option value="missing-576x1024">无 576×1024</option>
+      <option value="missing-768x1344">无 768×1344</option>
+    </select>
     <select id="sourceFilter">
       <option value="">全部来源</option>
       <option value="h3console">h3console</option>
@@ -104,6 +117,8 @@
           <th data-sort="fullPrompt">Prompt</th>
           <th>视频地址</th>
           <th>预览</th>
+          <th>576×1024</th>
+          <th>768×1344</th>
           <th>人物</th>
           <th>衣服</th>
           <th>舞曲</th>
@@ -139,15 +154,27 @@ let library = [];
 let characters = [];
 let garments = [];
 let danceRefs = [];
+let generationJobs = [];
 let editingId = null;
 let sortKey = "createdAt";
 let sortDir = -1;
+let hdAutoRefreshTimer = null;
+
+// 高清重绘: must match server.js's HD_RENDER_TIERS exactly (width/height are
+// sent verbatim in the POST body and validated against that list server-side).
+const HD_RENDER_TIERS = [
+  { width: 576, height: 1024, label: "576×1024" },
+  { width: 768, height: 1344, label: "768×1344" },
+];
 
 // This page only ever shows/creates channel:"dance" clips — 跳舞直播间
 // (dance.html) has its own排播池, independent from 视频直播间(live.html,
 // admin.html), same split architecture.md 2.1 describes.
+// 高清重绘: an HD variant (c.sourceClipId set) isn't a row of its own here —
+// it's shown inside its root clip's row, in the tier column for its
+// resolution (see hdCell) — so the table stays "one row per dance content".
 function inChannel(c) {
-  return c.channel === "dance";
+  return c.channel === "dance" && !c.sourceClipId;
 }
 
 function escapeHtml(s) {
@@ -157,18 +184,32 @@ function escapeHtml(s) {
 }
 
 async function loadLibrary() {
-  const [libRes, charRes, garmentRes, danceRefRes] = await Promise.all([
+  const [libRes, charRes, garmentRes, danceRefRes, jobsRes] = await Promise.all([
     fetch("/api/library?sort=newest"),
     fetch("/api/admin/characters"),
     fetch("/api/admin/garments"),
     fetch("/api/admin/dance-refs"),
+    fetch("/api/admin/generate"),
   ]);
   library = await libRes.json();
   characters = await charRes.json();
   garments = await garmentRes.json();
   danceRefs = await danceRefRes.json();
+  generationJobs = await jobsRes.json();
   refreshFilterOptions();
   render();
+  scheduleHdAutoRefresh();
+}
+
+// 高清重绘: an admin clicking "生成高清版" and then tabbing away shouldn't
+// have to remember to come back and manually refresh — while any hd_render
+// job is still queued/generating, keep polling the whole list every 20s
+// (cheap: this page is a low-traffic admin tool, not the live player) until
+// none are left in flight.
+function scheduleHdAutoRefresh() {
+  clearTimeout(hdAutoRefreshTimer);
+  const inFlight = generationJobs.some((j) => j.kind === "hd_render" && (j.status === "queued" || j.status === "generating"));
+  if (inFlight) hdAutoRefreshTimer = setTimeout(loadLibrary, 20000);
 }
 
 function nameOf(list, id) {
@@ -237,6 +278,7 @@ function filteredSorted() {
   const refDanceVideoId = document.getElementById("danceRefFilter").value;
   const qcStatus = document.getElementById("qcFilter").value;
   const publishStatus = document.getElementById("publishFilter").value;
+  const hdStatus = document.getElementById("hdFilter").value;
   let rows = library.filter(inChannel);
   if (q) rows = rows.filter((c) => c.prompt.toLowerCase().includes(q) || (c.promptEn || "").toLowerCase().includes(q) || (c.fullPrompt || "").toLowerCase().includes(q) || c.id.toLowerCase().includes(q));
   if (source) rows = rows.filter((c) => c.source === source);
@@ -245,6 +287,15 @@ function filteredSorted() {
   if (refDanceVideoId) rows = rows.filter((c) => c.refDanceVideoId === refDanceVideoId);
   if (qcStatus) rows = rows.filter((c) => (c.qcStatus || "pending") === qcStatus);
   if (publishStatus) rows = rows.filter((c) => !!c.published === (publishStatus === "published"));
+  if (hdStatus) {
+    rows = rows.filter((c) => {
+      if (hdStatus === "has-576x1024") return !!hdVariantOf(c, HD_RENDER_TIERS[0]);
+      if (hdStatus === "has-768x1344") return !!hdVariantOf(c, HD_RENDER_TIERS[1]);
+      if (hdStatus === "missing-576x1024") return !hdVariantOf(c, HD_RENDER_TIERS[0]);
+      if (hdStatus === "missing-768x1344") return !hdVariantOf(c, HD_RENDER_TIERS[1]);
+      return true;
+    });
+  }
   rows.sort((a, b) => {
     const av = a[sortKey] ?? 0;
     const bv = b[sortKey] ?? 0;
@@ -268,6 +319,35 @@ function pubBadge(c) {
   return c.published ? `<span class="pub-badge pub-on">已上架</span>` : `<span class="pub-badge pub-off">未上架</span>`;
 }
 
+// 高清重绘: the finished HD variant of rootClip at `tier`, if any — shared
+// by hdCell (render) and the 高清状态 filter (below) so they can't disagree
+// about what "has a variant" means.
+function hdVariantOf(rootClip, tier) {
+  const groupId = rootClip.groupId || rootClip.id;
+  return library.find((c) => (c.groupId || c.id) === groupId && c.width === tier.width && c.height === tier.height) || null;
+}
+
+// 高清重绘: cell for one (rootClip, resolution tier) pair — a finished
+// variant's small preview, an in-flight job's "生成中…", or a "生成高清版"
+// button (showing the last failure, if any, so a retry isn't blind).
+function hdCell(rootClip, tier) {
+  const variant = hdVariantOf(rootClip, tier);
+  if (variant) {
+    return `<td class="hd-cell"><video controls preload="metadata" data-src="${videoHref(variant)}"></video><div class="hd-status">${variant.duration ?? "-"}s</div></td>`;
+  }
+  const matchesJob = (j) => j.kind === "hd_render" && j.sourceClipId === rootClip.id && j.targetWidth === tier.width && j.targetHeight === tier.height;
+  const inFlightJob = generationJobs.find((j) => matchesJob(j) && (j.status === "queued" || j.status === "generating"));
+  if (inFlightJob) {
+    return `<td class="hd-cell"><span class="hd-status">生成中…</span></td>`;
+  }
+  const lastFailed = generationJobs.filter((j) => matchesJob(j) && j.status === "failed").sort((a, b) => (b.createdAt || 0) - (a.createdAt || 0))[0];
+  return `
+    <td class="hd-cell">
+      ${lastFailed ? `<div class="hd-status hd-failed" title="${escapeHtml(lastFailed.error || "")}">上次失败</div>` : ""}
+      <button data-hd-gen="${rootClip.id}" data-width="${tier.width}" data-height="${tier.height}">生成高清版</button>
+    </td>`;
+}
+
 const previewObserver = new IntersectionObserver(
   (entries) => {
     for (const e of entries) {
@@ -298,6 +378,8 @@ function render() {
           <td class="prompt"><textarea data-field="fullPrompt">${escapeHtml(c.fullPrompt || "")}</textarea></td>
           <td><input data-field="videoUrl" value="${escapeHtml(c.videoUrl || "")}" placeholder="留空=保持原有播放源" /></td>
           <td class="preview"><video controls preload="metadata" data-src="${videoHref(c)}"></video></td>
+          ${hdCell(c, HD_RENDER_TIERS[0])}
+          ${hdCell(c, HD_RENDER_TIERS[1])}
           <td class="ref-thumb">${characterCell(c)}</td>
           <td class="ref-thumb">${garmentCell(c)}</td>
           <td class="ref-thumb">${danceRefCell(c)}</td>
@@ -333,6 +415,8 @@ function render() {
           <td class="prompt" title="${escapeHtml(c.fullPrompt || "")}">${escapeHtml((c.fullPrompt || "").slice(0, 80))}${(c.fullPrompt || "").length > 80 ? "…" : ""}</td>
           <td><a class="video-link" href="${videoHref(c)}" target="_blank">${videoHref(c)}</a></td>
           <td class="preview"><video controls preload="metadata" data-src="${videoHref(c)}"></video></td>
+          ${hdCell(c, HD_RENDER_TIERS[0])}
+          ${hdCell(c, HD_RENDER_TIERS[1])}
           <td class="ref-thumb">${characterCell(c)}</td>
           <td class="ref-thumb">${garmentCell(c)}</td>
           <td class="ref-thumb">${danceRefCell(c)}</td>
@@ -357,7 +441,7 @@ function render() {
   // Loading preload="metadata" for every row at once would hammer the
   // /lib/video proxy (each clip is a fresh H3 Console fetch); only pull a
   // row's first frame once it's actually scrolled into view.
-  tbody.querySelectorAll("td.preview video[data-src], td.ref-thumb video[data-src]").forEach((v) => previewObserver.observe(v));
+  tbody.querySelectorAll("td.preview video[data-src], td.ref-thumb video[data-src], td.hd-cell video[data-src]").forEach((v) => previewObserver.observe(v));
 
   tbody.querySelectorAll("[data-edit]").forEach((b) => b.addEventListener("click", () => { editingId = b.dataset.edit; render(); }));
   tbody.querySelectorAll("[data-cancel]").forEach((b) => b.addEventListener("click", () => { editingId = null; render(); }));
@@ -396,6 +480,33 @@ function render() {
       else b.disabled = false;
     })
   );
+  tbody.querySelectorAll("[data-hd-gen]").forEach((b) =>
+    b.addEventListener("click", async () => {
+      const id = b.dataset.hdGen;
+      const width = Number(b.dataset.width);
+      const height = Number(b.dataset.height);
+      b.disabled = true;
+      b.textContent = "提交中…";
+      try {
+        const res = await fetch(`/api/admin/library/${id}/hd-render`, {
+          method: "POST",
+          headers: { "Content-Type": "application/json" },
+          body: JSON.stringify({ width, height }),
+        });
+        const data = await res.json().catch(() => ({}));
+        if (!res.ok) {
+          alert(data.error || "提交失败");
+          b.disabled = false;
+          b.textContent = "生成高清版";
+          return;
+        }
+        await loadLibrary(); // re-render shows "生成中…" (or the finished preview, if H3 happened to return cached:true)
+      } catch {
+        b.disabled = false;
+        b.textContent = "生成高清版";
+      }
+    })
+  );
   tbody.querySelectorAll("[data-qc-check]").forEach((b) =>
     b.addEventListener("click", async () => {
       const id = b.dataset.qcCheck;
@@ -435,6 +546,7 @@ document.getElementById("garmentFilter").addEventListener("change", render);
 document.getElementById("danceRefFilter").addEventListener("change", render);
 document.getElementById("qcFilter").addEventListener("change", render);
 document.getElementById("publishFilter").addEventListener("change", render);
+document.getElementById("hdFilter").addEventListener("change", render);
 
 document.getElementById("addBtn").addEventListener("click", async () => {
   const errorBox = document.getElementById("addError");
diff --git a/blacklist.json b/blacklist.json
new file mode 100644
index 0000000..a3eca8c
--- /dev/null
+++ b/blacklist.json
@@ -0,0 +1,10 @@
+[
+  {
+    "id": "69a398b4-b36d-4756-85d5-6ba76f9efb9c",
+    "createdAt": 1789886140463,
+    "targetType": "character",
+    "targetId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "reason": "跟 Moera 长得太像，用户反馈需要下架",
+    "createdBy": null
+  }
+]
\ No newline at end of file
diff --git a/dance-refs.json b/dance-refs.json
index 69b18cf..d5a9c91 100644
--- a/dance-refs.json
+++ b/dance-refs.json
@@ -104,7 +104,8 @@
     "durationSec": null,
     "motionDescriptor": "双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主",
     "copyrightSource": "test_placeholder",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/fba12b3d62e548ba__0638d68c-0aac-442e-b9ee-5a7f60f6cc65.mp4"
   },
   {
     "id": "dee22838-4453-4386-9bed-4d69c78cd85f",
@@ -547,7 +548,8 @@
     "durationSec": null,
     "motionDescriptor": "单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态",
     "copyrightSource": "test_placeholder",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/3ec07a69bf86413f__96577e07-f4f9-49d8-9870-2591e561cf51.mp4"
   },
   {
     "id": "40c054ee-3a52-4865-b965-8f695821be03",
diff --git a/dance-rooms.html b/dance-rooms.html
index 4aa311a..547e57a 100644
--- a/dance-rooms.html
+++ b/dance-rooms.html
@@ -9,11 +9,15 @@
 <link rel="stylesheet" href="live.css" />
 <link rel="stylesheet" href="dance.css" />
 <style>
-  .rooms-wrap { max-width: 1080px; margin: 0 auto; padding: 18px 14px 60px; }
-  /* 一行 3 个，固定列数（不是 auto-fill）——行数随房间数量自然增长 */
-  .rooms-grid { display: grid; grid-template-columns: repeat(3, 1fr); gap: 18px; margin-top: 16px; }
+  /* 不设 max-width 上限——大屏上让 4 列真正铺满整个窗口宽度，而不是
+     卡在一个固定宽度中间留白；gap/padding 用 vw 让间距也跟着屏幕缩放。 */
+  .rooms-wrap { margin: 0 auto; padding: 24px 3vw 60px; }
+  /* 一行 4 个，固定列数（不是 auto-fill）——行数随房间数量自然增长 */
+  .rooms-grid { display: grid; grid-template-columns: repeat(4, 1fr); gap: 1.6vw; margin-top: 16px; }
   .room-card { display: block; text-decoration: none; }
-  .room-card .media { position: relative; width: 100%; height: 280px; border-radius: 8px; overflow: hidden; background: #000; }
+  /* 用 aspect-ratio 代替固定像素高度，卡片跟着列宽等比例缩放，大屏铺满
+     后图片不会被拉伸/裁得比小屏更奇怪。 */
+  .room-card .media { position: relative; width: 100%; aspect-ratio: 4 / 5; border-radius: 8px; overflow: hidden; background: #000; }
   .room-card .media img, .room-card .media video { width: 100%; height: 100%; object-fit: cover; display: block; }
   .room-card .name { font: bold 15px Tahoma, sans-serif; margin-top: 8px; }
   .room-card .watching { position: static; display: inline-flex; margin-top: 4px; font-size: 11px; padding: 2px 8px; }
diff --git a/garments.json b/garments.json
index 410d316..5d4339a 100644
--- a/garments.json
+++ b/garments.json
@@ -24,7 +24,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/02a0df9e527f486a__774b85a4-a95b-4497-b6c7-86fc46214bb0.png"
   },
   {
     "id": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
@@ -359,7 +360,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/d6f618f18deb4045__3b5e9fed-a5e2-44c5-978b-44b5ecfcd8e9.png"
   },
   {
     "id": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
@@ -386,7 +388,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/82a7357af1cf4306__23a5b7e4-3a9b-4ea0-8a0a-44f6bd94d46c.png"
   },
   {
     "id": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
@@ -651,7 +654,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/af5e0b340b184762__52243fb9-7792-4af6-bb0b-1d8301b0e79b.png"
   },
   {
     "id": "97efeea4-6f90-4092-90dd-ba27540d5682",
@@ -678,7 +682,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/6f2cb48c067648a7__828136fb-300f-4b0c-bab9-1e4ed2780837.png"
   },
   {
     "id": "d5d86407-843d-4af9-8b2e-50b9ff605bbf",
@@ -859,7 +864,8 @@
     "source": "admin_seed",
     "ownerUserId": null,
     "moderationStatus": "approved",
-    "isActive": true
+    "isActive": true,
+    "h3AssetUrl": "http://192.168.110.67:8080/assets/ea1528015de64ca1__f296fb45-5bcd-41fa-8a0b-fc0618123b7d.png"
   },
   {
     "id": "1645498f-ccc4-48c8-a195-15b7b18241db",
diff --git a/generation-jobs.json b/generation-jobs.json
index 2565164..8169a8f 100644
--- a/generation-jobs.json
+++ b/generation-jobs.json
@@ -5281,14 +5281,15 @@
     "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
     "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
     "batchId": null,
-    "status": "generating",
+    "status": "done",
     "h3JobId": "1c4793fbec62",
     "falRequestId": null,
     "error": null,
     "backend": "h3_console",
     "userId": null,
     "priority": "normal",
-    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1c4793fbec62"
   },
   {
     "id": "439a9abe-0373-4150-b025-493c98e0c12d",
@@ -5297,13 +5298,6108 @@
     "garmentId": "3d2bf965-5bf2-4d59-8a8c-ecd0a0b81456",
     "refDanceVideoId": "79e50df6-c921-4f1f-bf6e-e76b6a877cf1",
     "batchId": null,
-    "status": "generating",
+    "status": "done",
     "h3JobId": "5726c3d7c49d",
     "falRequestId": null,
     "error": null,
     "backend": "h3_console",
     "userId": null,
     "priority": "normal",
-    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5726c3d7c49d"
+  },
+  {
+    "id": "47b18acc-903f-4e43-963a-d6d3ef651db0",
+    "createdAt": 1788867552450,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "c8c860d6-5d50-4742-8bdf-a435a2ebd957",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ccf9f73072d8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比心置于胸前，面带微笑，甜美可爱的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比心置于胸前，面带微笑，甜美可爱的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ccf9f73072d8"
+  },
+  {
+    "id": "bf61d7f2-7f3b-4e75-9160-71e575a161c0",
+    "createdAt": 1788867556528,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "5c2984c8-a1f8-43b4-a29a-c6f7eacfab72",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "fa028bba36e5",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂横摆胸前，身体微侧转，发丝飞扬，俏皮活泼的旋转风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂横摆胸前，身体微侧转，发丝飞扬，俏皮活泼的旋转风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "fa028bba36e5"
+  },
+  {
+    "id": "df19c584-f099-4f46-b6e7-a9f06c341937",
+    "createdAt": 1788867560613,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "71b7381e-16c7-45a7-9d0e-1c9f19973dbe",
+    "refDanceVideoId": "c8c860d6-5d50-4742-8bdf-a435a2ebd957",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d289a97b1f72",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色机甲风抹胸铠甲，黑色系带装饰，粉色分段护臂护腿，配黄色头盔, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比心置于胸前，面带微笑，甜美可爱的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比心置于胸前，面带微笑，甜美可爱的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d289a97b1f72"
+  },
+  {
+    "id": "9c9936cd-af90-4d99-af49-01bfa8f817d1",
+    "createdAt": 1788867564706,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "6bd79b08-e2d4-4b73-a3d3-ca3bf667b833",
+    "refDanceVideoId": "5fd46c80-c198-4daf-aa36-4cfb6972755f",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d54d2f7c3356",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝绿色像素风连体泳装，胸口撞色拼接，配同色像素浆果发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d54d2f7c3356"
+  },
+  {
+    "id": "4f9e92fc-6746-4071-bb58-fcb164f028cf",
+    "createdAt": 1788867568792,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "236599c2-4e37-447b-9290-40e5ac5741ce",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ba1da73cff6d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ba1da73cff6d"
+  },
+  {
+    "id": "65d3d9ec-6bd7-43b1-962a-91f1525f40d6",
+    "createdAt": 1788867572885,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "e88267b5-b287-4c05-88fe-4ca31b354910",
+    "refDanceVideoId": "2afdd830-b355-494c-be6f-697024f92070",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d52dbc64a46c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红色蝴蝶结与金色系带，米白色多层蕾丝荷叶边裙摆，酒红玫瑰胸花, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d52dbc64a46c"
+  },
+  {
+    "id": "9969890d-4063-476d-bf12-974d8b36c9b8",
+    "createdAt": 1788867576975,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "ff1663ae-7c91-467a-8d80-42b606ed4358",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f986cd8a8add",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色卡通乌龟图案挂脖上衣，棕色立体龟壳装饰，米黄色腹部撞色, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f986cd8a8add"
+  },
+  {
+    "id": "f3ccd6b7-b3bc-4322-a435-240e5c052be4",
+    "createdAt": 1788867581067,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "7ee49795-268b-46f5-8d6e-97f2d5970436",
+    "refDanceVideoId": "1468fe3c-5cc5-40ab-ae6e-fc5b53e6eb88",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0c5d1ad6b657",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑白底街头涂鸦印花抹胸连衣裙，黄色出租车、黑猫、Dead End路牌图案拼贴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0c5d1ad6b657"
+  },
+  {
+    "id": "9e447e8f-d9d0-40f2-afe6-bb701e0c74cc",
+    "createdAt": 1788867585156,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7277e8042735",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7277e8042735"
+  },
+  {
+    "id": "aaf3a99d-f914-4438-9fb0-376530b3b48d",
+    "createdAt": 1788867589234,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "53f7b24f-8931-45eb-b65b-8ebd8ffde081",
+    "refDanceVideoId": "b04af7e0-9d1a-46a7-8cf4-a22cd381c71e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "cafd51cd0fd9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银色与黑色撞色金属光泽挂脖连衣裙，不对称下摆，腰侧镂空银链装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "cafd51cd0fd9"
+  },
+  {
+    "id": "e2695722-f874-4357-ae63-926c4903d3ad",
+    "createdAt": 1788867593322,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
+    "refDanceVideoId": "1af90aa3-3bca-4965-b392-16592996e089",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "58616410236d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "58616410236d"
+  },
+  {
+    "id": "3f53fa09-027d-46f2-9612-2d1b636532e4",
+    "createdAt": 1788867597413,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "403189fb-dea0-4b15-9f13-a60240491b94",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c0cf0adee8ec",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白水手领挂脖上衣，红色大蝴蝶结，藏蓝百褶短裙，白色系带袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c0cf0adee8ec"
+  },
+  {
+    "id": "4f511917-aab4-4991-9cd1-130f34ecdd09",
+    "createdAt": 1788867601489,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "36dada31-0b9f-4fc5-a48f-2f72a0dab530",
+    "refDanceVideoId": "c203a248-bc45-45c6-a32d-70ba4dd42c0e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "46759dbf080a",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 米白色卷毛绒面连体服，配绵羊头造型兜帽，白色绒毛袖口, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 自然行走摆臂，身体随步伐轻晃，休闲随性风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 自然行走摆臂，身体随步伐轻晃，休闲随性风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "46759dbf080a"
+  },
+  {
+    "id": "47313ce0-6d1f-4a2b-965b-ea5dc93a7ee2",
+    "createdAt": 1788867605569,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "262651c8250b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "262651c8250b"
+  },
+  {
+    "id": "f5782a4a-57e1-40c9-91ba-75f6cfb05f3d",
+    "createdAt": 1788867609618,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "9d6b716b-4c14-482e-8bcb-2ab4e979c8da",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "435402777a95",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒猴脸连帽斗篷，米棕色圆脸造型，毛绒耳朵, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "435402777a95"
+  },
+  {
+    "id": "7fbed93e-0c22-420c-afce-270ad7996680",
+    "createdAt": 1788867613758,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "2be2bb137cbd",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "2be2bb137cbd"
+  },
+  {
+    "id": "8ab0295c-2d21-4183-ab02-442bcbb2b313",
+    "createdAt": 1788867617851,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a92feed66e8b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a92feed66e8b"
+  },
+  {
+    "id": "e7860d98-4072-45f2-b850-6fbcebccbec3",
+    "createdAt": 1788867621933,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "48e58d30-4292-44dd-a8ca-8862f7e3f706",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7fb852a7fed1",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7fb852a7fed1"
+  },
+  {
+    "id": "d116d73e-c287-4f3d-bda4-5df61267ac32",
+    "createdAt": 1788867626024,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "90024d91-12be-4a5a-872b-cfa9faf1496e",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9828bbc0c655",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色长毛绒连帽连体服，粉色大嘴青蛙造型，黄色腹部撞色，配同款迷你挂饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9828bbc0c655"
+  },
+  {
+    "id": "d50aef43-e43c-4be5-b1e4-9751cdaefe41",
+    "createdAt": 1788867630119,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "98e2e870-6970-4d76-9cae-e9ed085ab4a1",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b9f4eadca87c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银白色珠绣抹胸，银色珠链项圈，白色皮草边饰宫廷风短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b9f4eadca87c"
+  },
+  {
+    "id": "bfbe1ebf-292d-45b5-adcc-d837eb2f6141",
+    "createdAt": 1788867634217,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "2a70129e-330d-4974-ab38-ce580d194622",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "14b6eb9c1be3",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 卡通插画风冰淇淋甜筒造型连体泳衣，巧克力淋酱与粉色草莓球，华夫饼纹理下摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "14b6eb9c1be3"
+  },
+  {
+    "id": "d29474d4-9512-4d7d-8934-7acf313821e8",
+    "createdAt": 1788867638302,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "1c6906ef-eaba-428e-991a-87fb6e1db3c3",
+    "refDanceVideoId": "6ef3ec71-766d-4344-a48e-e278b1e5d21e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a64085a8e396",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫黄撞色抹胸连衣裙，紫色收音机与撕纸拼贴字母印花，粉色星星图案, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a64085a8e396"
+  },
+  {
+    "id": "b09bd14e-76e8-43c4-bce3-cb6f744c2b87",
+    "createdAt": 1788867642389,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "1f0705c2-8862-41da-8d71-451fbe19886d",
+    "refDanceVideoId": "b04af7e0-9d1a-46a7-8cf4-a22cd381c71e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "db4182e2b903",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色西瓜纹理抹胸上衣，红色西瓜切片造型层叠裙摆，黑色瓜子点缀, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "db4182e2b903"
+  },
+  {
+    "id": "bf5cbcdf-4539-4727-a4b5-2c187ef44a88",
+    "createdAt": 1788867646484,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "18217cdb-af66-4e9b-a461-e0d424e03967",
+    "refDanceVideoId": "632ca109-9b62-4edb-a8e7-ec763c3332c6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f0dda1044831",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色短袖圆领T恤，黑色BANG字母印花，黑色蕾丝丁字裤，配黑红蕾丝猫耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上，面带笑容，欢快活力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上，面带笑容，欢快活力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f0dda1044831"
+  },
+  {
+    "id": "b4cb2128-1a81-485b-8c8e-da6d037a6ac6",
+    "createdAt": 1788867650559,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "54a4feb4-7722-4b7f-8797-aa87d41bf733",
+    "refDanceVideoId": "6f0703c8-d308-4eff-bdf9-4b2b498ee534",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "dea336ad1ae0",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝紫渐变全息镭射面料，胸前大蝴蝶结造型上衣，同色花瓣层叠迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "dea336ad1ae0"
+  },
+  {
+    "id": "ce3b82be-fa68-43b8-88fe-156f6805ae5a",
+    "createdAt": 1788867654637,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a50f73c7b82d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a50f73c7b82d"
+  },
+  {
+    "id": "0ae47e28-4033-43bd-ab44-32a0dd2da5d5",
+    "createdAt": 1788867658734,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "f24293da-0b82-4ccf-99e7-15575a3a7e23",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9db13cf196cc",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 渐变绿色波浪褶皱造型连体衣，粉色内衬若隐若现，前卫雕塑感剪裁, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9db13cf196cc"
+  },
+  {
+    "id": "b8f1514d-3f21-41e2-be0b-5d5ac0252c91",
+    "createdAt": 1788867662827,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "9ea019e0-5ae5-4632-96d6-af8169eb6194",
+    "refDanceVideoId": "5be2ca58-96e3-4fcd-bee6-0884e7bb29fd",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b906255f9b47",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抹胸连衣裙上身星空土星印花，下摆向日葵花田图案，写实拼贴风格, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前伸展，头部微仰，妩媚性感的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前伸展，头部微仰，妩媚性感的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b906255f9b47"
+  },
+  {
+    "id": "e8bb7779-f88b-4e98-9ebd-25491210d691",
+    "createdAt": 1788867666891,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "0236f20b-265c-473b-94f3-dbb44dbba154",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "18faa36984ec",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "18faa36984ec"
+  },
+  {
+    "id": "ee79a0c2-1c49-4112-90fe-2deee530fdc6",
+    "createdAt": 1788867670959,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "51b4e958-c627-451d-b6e7-c3103431646c",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5d2fb38d623e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮长袖连衣裙，白色V领拼接黑色十字架，配黑色修女头巾与白色长筒袜, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5d2fb38d623e"
+  },
+  {
+    "id": "84eac6cb-2601-4a07-97a1-0ad93e0706a7",
+    "createdAt": 1788867675030,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "63e7744d-f590-410a-b49c-499c201d4f81",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "235ee86854b5",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "235ee86854b5"
+  },
+  {
+    "id": "c8aac746-0d71-4f1b-9f2c-7f30f8fc81c9",
+    "createdAt": 1788867679094,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6167a11cf9f2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6167a11cf9f2"
+  },
+  {
+    "id": "ab88f8e9-fe90-4561-8e31-d626ec7cece7",
+    "createdAt": 1788867683160,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "f21ff2d8-688d-4960-86c0-a4ca2fc26e85",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0828d729b4ee",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红金色蝴蝶结与十字系带，米白色多层荷叶边纱裙，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0828d729b4ee"
+  },
+  {
+    "id": "6b6564c2-ab08-4dde-ab55-04b46e68f1d8",
+    "createdAt": 1788867687245,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "3ba343db-f399-422a-b405-757707cfa048",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f0be77d39553",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉环抱，单手搭肩，身体侧倾，自信从容的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉环抱，单手搭肩，身体侧倾，自信从容的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f0be77d39553"
+  },
+  {
+    "id": "9e3f6630-d82b-4e34-9a08-12dcea9276f2",
+    "createdAt": 1788867691324,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "27f579a6-c06c-4d5d-80e1-d6baa2150274",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6c70373bf058",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色牛仔系带抹胸上衣，铆钉装饰，配牛仔项圈与同色迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6c70373bf058"
+  },
+  {
+    "id": "47dbb5d1-db44-49a1-a354-2a56ac61519d",
+    "createdAt": 1788880170339,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "79e50df6-c921-4f1f-bf6e-e76b6a877cf1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "08ed78fbdf16",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "08ed78fbdf16"
+  },
+  {
+    "id": "d6cbfcf0-808a-446d-aa64-21e6c66981c3",
+    "createdAt": 1788880174391,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "62eae4df-68dd-440d-a7ca-212694bbf238",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "db1c6ea628c4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "db1c6ea628c4"
+  },
+  {
+    "id": "6322675c-ca4e-42bd-881d-f659366add1d",
+    "createdAt": 1788880178457,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
+    "refDanceVideoId": "f559e211-3829-4382-b846-169b3e80c569",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "87b3a0769866",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色蝴蝶翅膀造型抹胸上衣，白色斑纹，配同款翅膀肩饰与蝴蝶结绑带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "87b3a0769866"
+  },
+  {
+    "id": "aeb3bc19-adb6-4544-9332-89e40ff6f439",
+    "createdAt": 1788880182538,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "71b7381e-16c7-45a7-9d0e-1c9f19973dbe",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "fa357b15c484",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色机甲风抹胸铠甲，黑色系带装饰，粉色分段护臂护腿，配黄色头盔, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "fa357b15c484"
+  },
+  {
+    "id": "85890e97-51ce-493f-8996-b8a029c9e294",
+    "createdAt": 1788880186625,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "3edebab8-d3d9-471e-a9bb-d7ec977ec987",
+    "refDanceVideoId": "2b0fdab0-6fcd-4ea5-ad91-5cb58f740899",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d4e3da1a6b50",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色卡通大眼睛图案蕾丝抹胸上衣，同色双层雪纺荷叶边半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，站姿端正，安静优雅的展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，站姿端正，安静优雅的展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d4e3da1a6b50"
+  },
+  {
+    "id": "5c80cba1-d9ee-4ee5-a68b-c512b2c5f776",
+    "createdAt": 1788880190707,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "6bd79b08-e2d4-4b73-a3d3-ca3bf667b833",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d3330e84c9ab",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝绿色像素风连体泳装，胸口撞色拼接，配同色像素浆果发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d3330e84c9ab"
+  },
+  {
+    "id": "d98fa742-10b4-4868-85ad-42c66461d807",
+    "createdAt": 1788880194780,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "c1e9dcdc-41a3-4d48-afcf-65cf0e429820",
+    "refDanceVideoId": "37d1920d-e8af-45d1-8cf5-78ce4dc8c5ba",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "44d0474ab8fc",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色皮质吊带三点式，金色龙鳞肩甲，酒红色皮手套，金色护腰甲片，深棕色皮带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "44d0474ab8fc"
+  },
+  {
+    "id": "02662d15-0b2c-450d-9f70-eec0713349d2",
+    "createdAt": 1788880198861,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "0d58782c-e282-4f2d-84e2-126298fa7712",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c354fddabaaf",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蕾丝边文胸内裤三点式，姜黄色虎纹仿皮草长款开衫外套，珍珠猫耳发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c354fddabaaf"
+  },
+  {
+    "id": "ad1710f5-449a-405c-9162-deec29fb7b68",
+    "createdAt": 1788880202939,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "73049ad1-13f9-4360-bf7e-46b89bcf9eef",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "2c566bc77d33",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄蓝撞色波普漫画人物印花抹胸上衣，粉色系带，粉色双层雪纺迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "2c566bc77d33"
+  },
+  {
+    "id": "75070dab-1b5e-4c64-9564-28a63fcb7e3e",
+    "createdAt": 1788880207023,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "48e58d30-4292-44dd-a8ca-8862f7e3f706",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "848be2632840",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "848be2632840"
+  },
+  {
+    "id": "c5536e95-d14e-4404-9e19-f45f6b768f3a",
+    "createdAt": 1788880211091,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "ff1663ae-7c91-467a-8d80-42b606ed4358",
+    "refDanceVideoId": "66186aae-8188-4145-8583-0fcb973b2b9a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c2fc8bbb3a9c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色卡通乌龟图案挂脖上衣，棕色立体龟壳装饰，米黄色腹部撞色, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c2fc8bbb3a9c"
+  },
+  {
+    "id": "82dd55c3-9c7b-4638-be1d-4cd028e9246e",
+    "createdAt": 1788880215178,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "7ee49795-268b-46f5-8d6e-97f2d5970436",
+    "refDanceVideoId": "27eead9e-6927-4fe0-be81-5b81d1334ad7",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9681b2f48e37",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑白底街头涂鸦印花抹胸连衣裙，黄色出租车、黑猫、Dead End路牌图案拼贴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9681b2f48e37"
+  },
+  {
+    "id": "de54c01b-7f1b-46e3-a543-2258fe438a29",
+    "createdAt": 1788880219256,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "da733477-b2b9-4a7c-b042-a347e8e4b412",
+    "refDanceVideoId": "c8b5ad14-2a93-412a-aeff-40398ec60733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "bce970112135",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色奶油流淌造型抹胸连衣裙，红色草莓质感覆盖胸前，绿色蒂叶装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "bce970112135"
+  },
+  {
+    "id": "fa113ad8-4345-453a-8fb4-c7039d34272e",
+    "createdAt": 1788880223336,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "be8bed52-5456-41ea-b8dd-c55516bd9a62",
+    "refDanceVideoId": "79e50df6-c921-4f1f-bf6e-e76b6a877cf1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c53a6c77643c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色收腰背心，白色衬衫领口，酒红色领结，红黑格纹百褶短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c53a6c77643c"
+  },
+  {
+    "id": "a5406cee-af67-43a3-9a07-88fb6f3ee5ef",
+    "createdAt": 1788880227399,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4f296f727256",
+    "falRequestId": null,
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+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4f296f727256"
+  },
+  {
+    "id": "fca51372-c557-4c8b-8f7f-68cb407ccc1c",
+    "createdAt": 1788880231469,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "53f7b24f-8931-45eb-b65b-8ebd8ffde081",
+    "refDanceVideoId": "2b0fdab0-6fcd-4ea5-ad91-5cb58f740899",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "12d27a0ed58e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银色与黑色撞色金属光泽挂脖连衣裙，不对称下摆，腰侧镂空银链装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，站姿端正，安静优雅的展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，站姿端正，安静优雅的展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "12d27a0ed58e"
+  },
+  {
+    "id": "7c403a75-6f41-4689-8de4-7e87fb423b93",
+    "createdAt": 1788880235551,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "2585f3e1944d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "2585f3e1944d"
+  },
+  {
+    "id": "96725af4-b0fa-492f-b87a-3e5683bb8a99",
+    "createdAt": 1788880239629,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "403189fb-dea0-4b15-9f13-a60240491b94",
+    "refDanceVideoId": "c203a248-bc45-45c6-a32d-70ba4dd42c0e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c4f76f686a40",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白水手领挂脖上衣，红色大蝴蝶结，藏蓝百褶短裙，白色系带袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 自然行走摆臂，身体随步伐轻晃，休闲随性风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 自然行走摆臂，身体随步伐轻晃，休闲随性风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c4f76f686a40"
+  },
+  {
+    "id": "7697c143-a184-4f58-b603-fcd47da41991",
+    "createdAt": 1788880243716,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "36dada31-0b9f-4fc5-a48f-2f72a0dab530",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f64e3ebaf8d8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 米白色卷毛绒面连体服，配绵羊头造型兜帽，白色绒毛袖口, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f64e3ebaf8d8"
+  },
+  {
+    "id": "e09580d3-001c-40f2-a135-36862224049c",
+    "createdAt": 1788880247783,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "419eb399da64",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "419eb399da64"
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+  {
+    "id": "0040780b-e055-4d1b-9d63-a48bc8bd13b9",
+    "createdAt": 1788880251853,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "9d6b716b-4c14-482e-8bcb-2ab4e979c8da",
+    "refDanceVideoId": "66186aae-8188-4145-8583-0fcb973b2b9a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a3ab114a8d93",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒猴脸连帽斗篷，米棕色圆脸造型，毛绒耳朵, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a3ab114a8d93"
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+    "id": "c779507b-7e52-4378-8bcf-0983605804bd",
+    "createdAt": 1788880255929,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "c16f4dba4c64",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "3ddae82e-460c-4ae4-83d5-f5e39f764b32",
+    "createdAt": 1788880260009,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "1af90aa3-3bca-4965-b392-16592996e089",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "199ccd174974",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "199ccd174974"
+  },
+  {
+    "id": "89f1537d-b598-4772-b312-903fa2cbb304",
+    "createdAt": 1788880264086,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d5df7a63d24c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d5df7a63d24c"
+  },
+  {
+    "id": "b898fe4f-9c04-4406-8fbd-8f24a7cf9a16",
+    "createdAt": 1788880268160,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "1dd64b55-4ab9-4f15-9659-90c4b0aebe03",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "59a2f9f02fd9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧展开，身体基本直立，动作舒展轻柔，气质温婉 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧展开，身体基本直立，动作舒展轻柔，气质温婉, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "59a2f9f02fd9"
+  },
+  {
+    "id": "488360df-813a-404f-bb09-a26f6ce4b756",
+    "createdAt": 1788880272227,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "90024d91-12be-4a5a-872b-cfa9faf1496e",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5616e4a2b122",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色长毛绒连帽连体服，粉色大嘴青蛙造型，黄色腹部撞色，配同款迷你挂饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5616e4a2b122"
+  },
+  {
+    "id": "a9acfe57-0406-4297-b5c9-23b7e1834fa7",
+    "createdAt": 1788880276299,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
+    "refDanceVideoId": "2b0fdab0-6fcd-4ea5-ad91-5cb58f740899",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "db7247f43e52",
+    "falRequestId": null,
+    "error": "用户手动取消",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉蓝渐变蝴蝶结抹胸，田园牧场奶牛印花硬壳腰封，粉色蓬松纱裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，站姿端正，安静优雅的展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，站姿端正，安静优雅的展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "d1e9b032-95dc-4baa-9e98-ae8fd95d0305",
+    "createdAt": 1788880280382,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "c370a3fd-bef6-41b1-90c2-a0a56de8bb47",
+    "refDanceVideoId": "171bfbf4-f17b-48e1-9687-4b585c37a733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "402424387162",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色打褶连体泳装，红色梅花刺绣与绿色芭蕉叶图案，中央红色宝石扣饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂高举过头，身体挺立，活力洋溢的欢快舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂高举过头，身体挺立，活力洋溢的欢快舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "402424387162"
+  },
+  {
+    "id": "7b305542-3f54-4123-92f6-ba21885c556c",
+    "createdAt": 1788880284448,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "98e2e870-6970-4d76-9cae-e9ed085ab4a1",
+    "refDanceVideoId": "c8b5ad14-2a93-412a-aeff-40398ec60733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "982e5274db7e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银白色珠绣抹胸，银色珠链项圈，白色皮草边饰宫廷风短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "982e5274db7e"
+  },
+  {
+    "id": "c3c02901-a92a-4aea-a7dc-5ebf75064d9b",
+    "createdAt": 1788880288521,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "b04af7e0-9d1a-46a7-8cf4-a22cd381c71e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "e8905f0219ed",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "e8905f0219ed"
+  },
+  {
+    "id": "6df56589-9659-4ab3-a592-e2f13da9c275",
+    "createdAt": 1788880292587,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "34f2baac-5d14-4f5d-9e11-3baede1aaa65",
+    "refDanceVideoId": "1af90aa3-3bca-4965-b392-16592996e089",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "226d107d2d1c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 酒红色丝绒吊带连衣裙，银色铆钉系带开襟，雪纺不规则裙摆，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "226d107d2d1c"
+  },
+  {
+    "id": "c2777cd0-5b6e-4c7c-9e21-09598fd0e7a8",
+    "createdAt": 1788880296653,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "3219116a-71a1-4b0f-b461-18b39cdeed8c",
+    "refDanceVideoId": "79e50df6-c921-4f1f-bf6e-e76b6a877cf1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6bded6532fe2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮连体衣，肩部压褶护甲，银色蛇纹镂空腰封，配猫脸面具与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6bded6532fe2"
+  },
+  {
+    "id": "82dd1f2e-cef9-49d8-8ae8-ae0ecc509423",
+    "createdAt": 1788880300722,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "6215327f-7c51-46ba-b344-75a9f575cb9e",
+    "refDanceVideoId": "3cf9c5e0-b516-44e5-a4c4-51c491e3d524",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "6a95b6582ff5",
+    "falRequestId": null,
+    "error": "用户手动取消",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色牛仔系带露脐上衣，铜扣装饰，浅蓝牛仔短裤配拉链口袋, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，双腿分立，胸部前挺，自信性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，双腿分立，胸部前挺，自信性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "34b9b05b-9b0b-4456-ab55-3ef0af36afa3",
+    "createdAt": 1788880304777,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "295e28da846c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "295e28da846c"
+  },
+  {
+    "id": "8c51822c-95e2-49b1-8dc8-4f8c0f62e720",
+    "createdAt": 1788880308852,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "2a70129e-330d-4974-ab38-ce580d194622",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9393cdda20c0",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 卡通插画风冰淇淋甜筒造型连体泳衣，巧克力淋酱与粉色草莓球，华夫饼纹理下摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9393cdda20c0"
+  },
+  {
+    "id": "512e0412-4dd5-4272-b69c-0f0da6b024d7",
+    "createdAt": 1788880312937,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "981e0f14-f26a-4caa-a002-5beb6374dc01",
+    "refDanceVideoId": "b04af7e0-9d1a-46a7-8cf4-a22cd381c71e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "91487e63c2a4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色短款西装外套，浅绿色翻领撞色，紫色露脐上衣，紫色半裙，绿色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，头部微侧，动作幅度小，可爱安静风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "91487e63c2a4"
+  },
+  {
+    "id": "cb743bcb-3bd4-4879-bfd8-1d32bd01c184",
+    "createdAt": 1788880317024,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "1c6906ef-eaba-428e-991a-87fb6e1db3c3",
+    "refDanceVideoId": "164ef68e-650d-4f36-b3ec-8f061826c162",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f9c720d0ae78",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫黄撞色抹胸连衣裙，紫色收音机与撕纸拼贴字母印花，粉色星星图案, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f9c720d0ae78"
+  },
+  {
+    "id": "267af464-f8dd-45ec-b7a0-e262d4677ecc",
+    "createdAt": 1788880321108,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "3490157d-bbf7-469f-a291-6051d80af04c",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "b4d83ab5bd3b",
+    "falRequestId": null,
+    "error": "用户手动取消",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银蓝色金属质感无袖连体衣，蓝灰鲨鱼张口图案覆盖前身，配鲨鱼头盔与银色护腿铠甲, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "3ffbf5a7-33a4-4f07-aeb5-4cbe0a35896e",
+    "createdAt": 1788880325190,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "c5b61a5c-98fe-4634-913c-7fdc4d7e653e",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
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+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色运动文胸，天蓝色滚边，淡紫色高腰短裤，配吊袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "6bce2de8-a462-4561-acfc-3f56895da74e",
+    "createdAt": 1788880329273,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "7d09a69b-2aa1-45af-b281-b10ff0db72ef",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
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+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 中国红交叉挂脖比基尼，金色凤鸟刺绣，红色流苏坠饰，配红色雪纺披纱与长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880333357,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "18217cdb-af66-4e9b-a461-e0d424e03967",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "bc97f9d03ef2",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色短袖圆领T恤，黑色BANG字母印花，黑色蕾丝丁字裤，配黑红蕾丝猫耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "bc97f9d03ef2"
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+    "id": "df78ae0a-fcdf-405e-b01e-7a06d6fbbd11",
+    "createdAt": 1788880337445,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "54a4feb4-7722-4b7f-8797-aa87d41bf733",
+    "refDanceVideoId": "66186aae-8188-4145-8583-0fcb973b2b9a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ce5136e6d1a7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝紫渐变全息镭射面料，胸前大蝴蝶结造型上衣，同色花瓣层叠迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ce5136e6d1a7"
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+    "id": "8e422cac-76f7-402c-9224-91ff0b1c3ab6",
+    "createdAt": 1788880341531,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "1bb564c1ce5e",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1bb564c1ce5e"
+  },
+  {
+    "id": "1f21d6b5-e91c-42c2-a5e5-782c396bee43",
+    "createdAt": 1788880345616,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "97efeea4-6f90-4092-90dd-ba27540d5682",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8539801a96c7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色露肩针织罗纹上衣，藏蓝色挖腰连衣裙内搭，藏蓝色百褶半裙，粉蓝碎花蝴蝶结发夹, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8539801a96c7"
+  },
+  {
+    "id": "9afed74b-d04f-4d4c-a301-2a2879e6c9e3",
+    "createdAt": 1788880349693,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "f24293da-0b82-4ccf-99e7-15575a3a7e23",
+    "refDanceVideoId": "1468fe3c-5cc5-40ab-ae6e-fc5b53e6eb88",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5a5fca4f327c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 渐变绿色波浪褶皱造型连体衣，粉色内衬若隐若现，前卫雕塑感剪裁, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5a5fca4f327c"
+  },
+  {
+    "id": "d989f0c0-fa3b-4eb5-98a4-ed7295a53f87",
+    "createdAt": 1788880353790,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "d5d86407-843d-4af9-8b2e-50b9ff605bbf",
+    "refDanceVideoId": "1ad9e05d-a83c-4bcf-a4e4-2cf1b810d79a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a74c3936ac84",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白橙撞色抹胸连衣裙，黄色爆炸星芒图案，黑白漫画人物印花，橙白色下摆滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a74c3936ac84"
+  },
+  {
+    "id": "2d504682-be2c-496b-9e9c-d3cc28a6b967",
+    "createdAt": 1788880357857,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "584fe73c-9857-42c8-8a09-409556b04995",
+    "refDanceVideoId": "db184952-ae35-4e8f-9056-36a4b1c8d5b3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b72e7ffb671a",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒水獭头造型上衣，粉色芭蕾纱裙，棕色绒毛护腕，水獭耳朵发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b72e7ffb671a"
+  },
+  {
+    "id": "0e816754-c1c3-4897-8f37-6db250a2048e",
+    "createdAt": 1788880361931,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "9ea019e0-5ae5-4632-96d6-af8169eb6194",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b374eb29f1a1",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抹胸连衣裙上身星空土星印花，下摆向日葵花田图案，写实拼贴风格, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b374eb29f1a1"
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+  {
+    "id": "985aaca4-bdac-4cb9-bf96-ba6c4a523337",
+    "createdAt": 1788880366000,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "b2bb0a69-f0c1-4c1c-837c-f6da6f108980",
+    "batchId": null,
+    "status": "done",
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+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "de693a910947"
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+  {
+    "id": "bf02d23f-24b8-4782-958f-c486d2990576",
+    "createdAt": 1788880370087,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "51b4e958-c627-451d-b6e7-c3103431646c",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "07645f40311c",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮长袖连衣裙，白色V领拼接黑色十字架，配黑色修女头巾与白色长筒袜, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "07645f40311c"
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+    "id": "f7d9dfac-6914-4fa6-a860-622c7b029a45",
+    "createdAt": 1788880374170,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "e2059514-b287-4d19-b5fb-b888db120188",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "0830ff8a-354d-49ff-bfd6-24c0b5b3b30e",
+    "createdAt": 1788880378247,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7c2109ef8c48",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7c2109ef8c48"
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+  {
+    "id": "2fbcb439-5392-4aaf-8186-e999768aed83",
+    "createdAt": 1788880382320,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "12d3f599b92a",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "12d3f599b92a"
+  },
+  {
+    "id": "eac8a9e8-f9b9-4792-8655-e61a0864697b",
+    "createdAt": 1788880386406,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "3d2bf965-5bf2-4d59-8a8c-ecd0a0b81456",
+    "refDanceVideoId": "66186aae-8188-4145-8583-0fcb973b2b9a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "3b8a96cb0dc9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "3b8a96cb0dc9"
+  },
+  {
+    "id": "097124cb-6248-4a7e-a41a-ea4c941492c9",
+    "createdAt": 1788880390474,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "27f579a6-c06c-4d5d-80e1-d6baa2150274",
+    "refDanceVideoId": "1bf43c11-3b72-4867-913d-7b9d16c8f339",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "040fd0f65c3c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色牛仔系带抹胸上衣，铆钉装饰，配牛仔项圈与同色迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，姿态柔美安静 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，姿态柔美安静, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "040fd0f65c3c"
+  },
+  {
+    "id": "098f734f-e168-47ad-a8fe-1147d0aad72e",
+    "createdAt": 1788880394797,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "1645498f-ccc4-48c8-a195-15b7b18241db",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4aa524c8948f",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色香蕉外形无袖连体上衣，黑色果蒂，粉色多层雪纺纱裙摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4aa524c8948f"
+  },
+  {
+    "id": "ed65bb39-0122-4986-8893-576ac4f7ae2f",
+    "createdAt": 1788880453192,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "86201dee-b460-4f47-8d0a-9667b8894b7f",
+    "refDanceVideoId": "0a712633-50b5-4425-bd58-4049c9ce9646",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0f2f75669be6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 玫粉色拼淡紫色短款机车夹克，白色拼粉色抹胸，粉色系带短裤, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0f2f75669be6"
+  },
+  {
+    "id": "f06f51f4-e877-4e51-b045-a81a0aca70f1",
+    "createdAt": 1788880524458,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "da63618c75d4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "da63618c75d4"
+  },
+  {
+    "id": "769a0ea5-e6bc-4a6b-8c01-28f1946990d5",
+    "createdAt": 1788880528552,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "aa689c2b9f10",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "aa689c2b9f10"
+  },
+  {
+    "id": "aeaee9b2-cbd8-40d7-9ef4-8ca1f9177c10",
+    "createdAt": 1788880532643,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "198ad303d65a",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色蝴蝶翅膀造型抹胸上衣，白色斑纹，配同款翅膀肩饰与蝴蝶结绑带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "198ad303d65a"
+  },
+  {
+    "id": "5701a870-1688-477c-b1a0-4128955a5fe1",
+    "createdAt": 1788880536745,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "71b7381e-16c7-45a7-9d0e-1c9f19973dbe",
+    "refDanceVideoId": "37d1920d-e8af-45d1-8cf5-78ce4dc8c5ba",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4f91907a5b7d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色机甲风抹胸铠甲，黑色系带装饰，粉色分段护臂护腿，配黄色头盔, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4f91907a5b7d"
+  },
+  {
+    "id": "0e990427-7eaa-4504-a156-74ec3dd17a8e",
+    "createdAt": 1788880540825,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "6bd79b08-e2d4-4b73-a3d3-ca3bf667b833",
+    "refDanceVideoId": "0236f20b-265c-473b-94f3-dbb44dbba154",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "40508ea87cb9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝绿色像素风连体泳装，胸口撞色拼接，配同色像素浆果发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "40508ea87cb9"
+  },
+  {
+    "id": "2eb202d1-76b8-41a4-aa89-3400c5021199",
+    "createdAt": 1788880544914,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "c1e9dcdc-41a3-4d48-afcf-65cf0e429820",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d825d63fd37c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色皮质吊带三点式，金色龙鳞肩甲，酒红色皮手套，金色护腰甲片，深棕色皮带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d825d63fd37c"
+  },
+  {
+    "id": "69a28c31-c944-434e-87a8-c43da383c893",
+    "createdAt": 1788880549005,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "0d58782c-e282-4f2d-84e2-126298fa7712",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "741ef8e0c5de",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蕾丝边文胸内裤三点式，姜黄色虎纹仿皮草长款开衫外套，珍珠猫耳发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "741ef8e0c5de"
+  },
+  {
+    "id": "a8b404e3-9457-4085-bbaa-30d2764a403b",
+    "createdAt": 1788880553073,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "73049ad1-13f9-4360-bf7e-46b89bcf9eef",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "d0ebc5e3138f",
+    "falRequestId": null,
+    "error": "用户手动取消",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄蓝撞色波普漫画人物印花抹胸上衣，粉色系带，粉色双层雪纺迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "e2863409-7ab5-404a-8c9c-5d5032d80ce8",
+    "createdAt": 1788880557174,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "69612757-6cd1-46bc-8f02-03848ce80539",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9e1f7fc0d874",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9e1f7fc0d874"
+  },
+  {
+    "id": "11c64189-128b-41d4-94fa-07c1109c6785",
+    "createdAt": 1788880561272,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "e88267b5-b287-4c05-88fe-4ca31b354910",
+    "refDanceVideoId": "b2bb0a69-f0c1-4c1c-837c-f6da6f108980",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0b2d71774f63",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红色蝴蝶结与金色系带，米白色多层蕾丝荷叶边裙摆，酒红玫瑰胸花, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0b2d71774f63"
+  },
+  {
+    "id": "ca2e6a90-0b4b-44bb-a822-c1fb65c6f48a",
+    "createdAt": 1788880565355,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "ff1663ae-7c91-467a-8d80-42b606ed4358",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ad34980c074b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色卡通乌龟图案挂脖上衣，棕色立体龟壳装饰，米黄色腹部撞色, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ad34980c074b"
+  },
+  {
+    "id": "d4087e6f-cbe7-4628-81b0-03d012a3e174",
+    "createdAt": 1788880569450,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "7ee49795-268b-46f5-8d6e-97f2d5970436",
+    "refDanceVideoId": "b2bb0a69-f0c1-4c1c-837c-f6da6f108980",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "396b213010d6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑白底街头涂鸦印花抹胸连衣裙，黄色出租车、黑猫、Dead End路牌图案拼贴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "396b213010d6"
+  },
+  {
+    "id": "40786994-775a-4e98-840d-9e5d2c956a9c",
+    "createdAt": 1788880573529,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "be8bed52-5456-41ea-b8dd-c55516bd9a62",
+    "refDanceVideoId": "37d1920d-e8af-45d1-8cf5-78ce4dc8c5ba",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c5db31cc340a",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色收腰背心，白色衬衫领口，酒红色领结，红黑格纹百褶短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c5db31cc340a"
+  },
+  {
+    "id": "2d5ac533-e749-4dca-8495-b3404c435d7f",
+    "createdAt": 1788880577623,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ad588ab877bb",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ad588ab877bb"
+  },
+  {
+    "id": "83f2e3fd-c8de-497f-8357-6ae0a4f0fbae",
+    "createdAt": 1788880581718,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "53f7b24f-8931-45eb-b65b-8ebd8ffde081",
+    "refDanceVideoId": "1bf43c11-3b72-4867-913d-7b9d16c8f339",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8ea3d954d9b7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银色与黑色撞色金属光泽挂脖连衣裙，不对称下摆，腰侧镂空银链装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，姿态柔美安静 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，姿态柔美安静, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8ea3d954d9b7"
+  },
+  {
+    "id": "d9f462e5-f881-4beb-bf74-9483f05037cd",
+    "createdAt": 1788880585814,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
+    "refDanceVideoId": "236599c2-4e37-447b-9290-40e5ac5741ce",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8e3437e5621f",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8e3437e5621f"
+  },
+  {
+    "id": "5f5a7282-5c3c-4f0c-806d-f47c2344b6ee",
+    "createdAt": 1788880589894,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "36dada31-0b9f-4fc5-a48f-2f72a0dab530",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d6f3e490ca85",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 米白色卷毛绒面连体服，配绵羊头造型兜帽，白色绒毛袖口, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d6f3e490ca85"
+  },
+  {
+    "id": "986bac34-bc48-4358-8e99-29a74e764370",
+    "createdAt": 1788880593980,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "1bf43c11-3b72-4867-913d-7b9d16c8f339",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8a2cb943544e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，姿态柔美安静 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，姿态柔美安静, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8a2cb943544e"
+  },
+  {
+    "id": "c2e8d0b5-2151-428a-9abc-573e9e3dca39",
+    "createdAt": 1788880598078,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "9d6b716b-4c14-482e-8bcb-2ab4e979c8da",
+    "refDanceVideoId": "2afdd830-b355-494c-be6f-697024f92070",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "247dcabad4cd",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒猴脸连帽斗篷，米棕色圆脸造型，毛绒耳朵, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "247dcabad4cd"
+  },
+  {
+    "id": "0fe36581-504d-4320-8dbb-4e42c177262b",
+    "createdAt": 1788880602172,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "bfcb4974-bc25-4038-8f0c-ec1cbaf9f92a",
+    "refDanceVideoId": "632ca109-9b62-4edb-a8e7-ec763c3332c6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "92212b1187bf",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色高领无袖连体衣，红色蜘蛛网印花，胸前爱心镂空，配黑色长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上，面带笑容，欢快活力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上，面带笑容，欢快活力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "92212b1187bf"
+  },
+  {
+    "id": "c0b0be1b-48f7-4ed4-869a-a1da18326f41",
+    "createdAt": 1788880606259,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "259b2d7be366",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "259b2d7be366"
+  },
+  {
+    "id": "98874766-7a0b-4808-bbc5-acb83457506b",
+    "createdAt": 1788880610344,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "99c9acbb6fb6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "99c9acbb6fb6"
+  },
+  {
+    "id": "240de9cb-0c49-4b18-b39f-e2a52913e192",
+    "createdAt": 1788880614434,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "e64b9441d902",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "e64b9441d902"
+  },
+  {
+    "id": "c9f53fd9-994a-409f-a4cb-97fc663f5d9e",
+    "createdAt": 1788880618516,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ab4c02afb52d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ab4c02afb52d"
+  },
+  {
+    "id": "546523ce-fc95-442f-b5c4-a003182f849e",
+    "createdAt": 1788880622599,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "90024d91-12be-4a5a-872b-cfa9faf1496e",
+    "refDanceVideoId": "0a712633-50b5-4425-bd58-4049c9ce9646",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "643cdf5bd1f7",
+    "falRequestId": null,
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+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色长毛绒连帽连体服，粉色大嘴青蛙造型，黄色腹部撞色，配同款迷你挂饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "643cdf5bd1f7"
+  },
+  {
+    "id": "76bed860-ea12-4427-850a-2f9142cdc46c",
+    "createdAt": 1788880626686,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "13c86566caa2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉蓝渐变蝴蝶结抹胸，田园牧场奶牛印花硬壳腰封，粉色蓬松纱裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "13c86566caa2"
+  },
+  {
+    "id": "fe4976b4-bb83-4beb-999c-9dcccb69a3b8",
+    "createdAt": 1788880630796,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "c370a3fd-bef6-41b1-90c2-a0a56de8bb47",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8c5ad1f144b8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色打褶连体泳装，红色梅花刺绣与绿色芭蕉叶图案，中央红色宝石扣饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8c5ad1f144b8"
+  },
+  {
+    "id": "a6982792-a1ba-4073-b065-36137b0c12da",
+    "createdAt": 1788880634880,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "98e2e870-6970-4d76-9cae-e9ed085ab4a1",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5be68547de22",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银白色珠绣抹胸，银色珠链项圈，白色皮草边饰宫廷风短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5be68547de22"
+  },
+  {
+    "id": "77a18cdd-ae66-41c5-a3da-836944a23656",
+    "createdAt": 1788880638953,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "83cb3c90073c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "83cb3c90073c"
+  },
+  {
+    "id": "18a9d330-0942-43b6-9ce8-9d24eee094ef",
+    "createdAt": 1788880643009,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "63e7744d-f590-410a-b49c-499c201d4f81",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d023c280166a",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d023c280166a"
+  },
+  {
+    "id": "f522f31b-6c88-4239-81fd-162051106174",
+    "createdAt": 1788880647096,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "34f2baac-5d14-4f5d-9e11-3baede1aaa65",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "e721c8614d43",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 酒红色丝绒吊带连衣裙，银色铆钉系带开襟，雪纺不规则裙摆，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "e721c8614d43"
+  },
+  {
+    "id": "57da12f2-3373-4cc2-8316-6514626cdfd7",
+    "createdAt": 1788880651193,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "3219116a-71a1-4b0f-b461-18b39cdeed8c",
+    "refDanceVideoId": "171bfbf4-f17b-48e1-9687-4b585c37a733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "155f6e974c9e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮连体衣，肩部压褶护甲，银色蛇纹镂空腰封，配猫脸面具与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂高举过头，身体挺立，活力洋溢的欢快舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂高举过头，身体挺立，活力洋溢的欢快舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "155f6e974c9e"
+  },
+  {
+    "id": "0eeac6d1-9f70-42bb-9048-f125359f9c3a",
+    "createdAt": 1788880655285,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "6215327f-7c51-46ba-b344-75a9f575cb9e",
+    "refDanceVideoId": "164ef68e-650d-4f36-b3ec-8f061826c162",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "9991a8c108ed",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色牛仔系带露脐上衣，铜扣装饰，浅蓝牛仔短裤配拉链口袋, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "9991a8c108ed"
+  },
+  {
+    "id": "b49b1c25-663f-4ee7-a710-a5f9625a540a",
+    "createdAt": 1788880659361,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "6ef3ec71-766d-4344-a48e-e278b1e5d21e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a1d7f6417f18",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a1d7f6417f18"
+  },
+  {
+    "id": "073e22dd-7487-48fb-ae45-4c6b8cbbd83a",
+    "createdAt": 1788880663448,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "2a70129e-330d-4974-ab38-ce580d194622",
+    "refDanceVideoId": "5be2ca58-96e3-4fcd-bee6-0884e7bb29fd",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "80696f52994d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 卡通插画风冰淇淋甜筒造型连体泳衣，巧克力淋酱与粉色草莓球，华夫饼纹理下摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前伸展，头部微仰，妩媚性感的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前伸展，头部微仰，妩媚性感的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "80696f52994d"
+  },
+  {
+    "id": "c4518d9a-8e58-4e99-9ee7-1282d64e9e00",
+    "createdAt": 1788880667556,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "981e0f14-f26a-4caa-a002-5beb6374dc01",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "22db5ed94abb",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色短款西装外套，浅绿色翻领撞色，紫色露脐上衣，紫色半裙，绿色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "22db5ed94abb"
+  },
+  {
+    "id": "55afed67-6866-4189-904c-3c370d2aced4",
+    "createdAt": 1788880671661,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "1c6906ef-eaba-428e-991a-87fb6e1db3c3",
+    "refDanceVideoId": "0c92f51b-017b-4908-abbf-937c36b24a92",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "94c33769c00c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫黄撞色抹胸连衣裙，紫色收音机与撕纸拼贴字母印花，粉色星星图案, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "94c33769c00c"
+  },
+  {
+    "id": "debfdc14-c064-4694-8961-1046e6346377",
+    "createdAt": 1788880675739,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "3490157d-bbf7-469f-a291-6051d80af04c",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "1ceec0df34c4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银蓝色金属质感无袖连体衣，蓝灰鲨鱼张口图案覆盖前身，配鲨鱼头盔与银色护腿铠甲, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1ceec0df34c4"
+  },
+  {
+    "id": "8da8aca9-e9dc-4d69-aed1-3685a3c5f38f",
+    "createdAt": 1788880679835,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "c5b61a5c-98fe-4634-913c-7fdc4d7e653e",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "416fbd06da4b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色运动文胸，天蓝色滚边，淡紫色高腰短裤，配吊袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "416fbd06da4b"
+  },
+  {
+    "id": "cb1fb38f-018c-4b08-a461-ef2533a81907",
+    "createdAt": 1788880683925,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "7d09a69b-2aa1-45af-b281-b10ff0db72ef",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "16cfd92153fe",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 中国红交叉挂脖比基尼，金色凤鸟刺绣，红色流苏坠饰，配红色雪纺披纱与长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "16cfd92153fe"
+  },
+  {
+    "id": "7b4731c8-695a-4b18-9b23-0aec1a19142d",
+    "createdAt": 1788880688024,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "18217cdb-af66-4e9b-a461-e0d424e03967",
+    "refDanceVideoId": "f559e211-3829-4382-b846-169b3e80c569",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d2f1de6e0f8f",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色短袖圆领T恤，黑色BANG字母印花，黑色蕾丝丁字裤，配黑红蕾丝猫耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d2f1de6e0f8f"
+  },
+  {
+    "id": "b61c5608-9153-4b2f-b59e-f4780f41b77f",
+    "createdAt": 1788880692105,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "54a4feb4-7722-4b7f-8797-aa87d41bf733",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a521bdf65ed7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝紫渐变全息镭射面料，胸前大蝴蝶结造型上衣，同色花瓣层叠迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a521bdf65ed7"
+  },
+  {
+    "id": "e55a048a-8387-4475-950a-da7d7506b890",
+    "createdAt": 1788880696206,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "64c04f6d7f76",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "77946e37-59a2-444d-a8ba-f7ef13983a98",
+    "createdAt": 1788880700277,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "97efeea4-6f90-4092-90dd-ba27540d5682",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "00a3b34c8574",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色露肩针织罗纹上衣，藏蓝色挖腰连衣裙内搭，藏蓝色百褶半裙，粉蓝碎花蝴蝶结发夹, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "3530e335-be5e-45c1-87ef-d4a4874fdaf9",
+    "createdAt": 1788880704381,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "f24293da-0b82-4ccf-99e7-15575a3a7e23",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "ff27633d05ec",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 渐变绿色波浪褶皱造型连体衣，粉色内衬若隐若现，前卫雕塑感剪裁, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "bc63a6e1-dbed-49bb-be79-ff4ad402765f",
+    "createdAt": 1788880708480,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "d5d86407-843d-4af9-8b2e-50b9ff605bbf",
+    "refDanceVideoId": "db184952-ae35-4e8f-9056-36a4b1c8d5b3",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "a4228a749ed8",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白橙撞色抹胸连衣裙，黄色爆炸星芒图案，黑白漫画人物印花，橙白色下摆滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "34d2f2c6-c7cc-4faf-a184-b9158b7228f6",
+    "createdAt": 1788880712600,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "3da0ae2f-4baa-486b-9128-47379b8864f3",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "e93c16727391",
+    "falRequestId": null,
+    "error": "generation timed out",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色拉链连衣裙，红色滚边与红十字标志，红白条纹袖口，配护士帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "d9d83d8c-2401-49cd-9fe6-9e87e94f2bd9",
+    "createdAt": 1788880716708,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "584fe73c-9857-42c8-8a09-409556b04995",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4c5349a88655",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒水獭头造型上衣，粉色芭蕾纱裙，棕色绒毛护腕，水獭耳朵发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4c5349a88655"
+  },
+  {
+    "id": "616dfdad-bc71-4e61-9473-a3723f441328",
+    "createdAt": 1788880720818,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "9ea019e0-5ae5-4632-96d6-af8169eb6194",
+    "refDanceVideoId": "0c92f51b-017b-4908-abbf-937c36b24a92",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "eadc24c49352",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抹胸连衣裙上身星空土星印花，下摆向日葵花田图案，写实拼贴风格, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "eadc24c49352"
+  },
+  {
+    "id": "9a7dcc92-38fa-4f41-b0e2-bca4ac595110",
+    "createdAt": 1788880724906,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "0a712633-50b5-4425-bd58-4049c9ce9646",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6a92219eaf52",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6a92219eaf52"
+  },
+  {
+    "id": "969235ce-95b7-4131-a1e5-9dfd65bbbea0",
+    "createdAt": 1788880729015,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "5be2ca58-96e3-4fcd-bee6-0884e7bb29fd",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "621a621dcdd4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前伸展，头部微仰，妩媚性感的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前伸展，头部微仰，妩媚性感的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "621a621dcdd4"
+  },
+  {
+    "id": "04c8091d-7418-4dc6-870f-b96573696589",
+    "createdAt": 1788880733084,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": "8812320948d0",
+    "falRequestId": null,
+    "error": "用户手动取消",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "12a6bb06-9f0b-43f6-b65d-49c1471fe458",
+    "createdAt": 1788880737173,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d99dcc33f1a9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d99dcc33f1a9"
+  },
+  {
+    "id": "39fb7ab6-c40b-4cfe-96eb-0510d3456359",
+    "createdAt": 1788880741266,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "f21ff2d8-688d-4960-86c0-a4ca2fc26e85",
+    "refDanceVideoId": "e2059514-b287-4d19-b5fb-b888db120188",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "16c28d021c34",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红金色蝴蝶结与十字系带，米白色多层荷叶边纱裙，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "16c28d021c34"
+  },
+  {
+    "id": "59b05471-b25f-4d4c-91bb-be78e30e9874",
+    "createdAt": 1788880745346,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "0450ac62-c48f-4ea2-b59c-4041110da40e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "78763f38a4fe",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "78763f38a4fe"
+  },
+  {
+    "id": "b9c37eb1-354c-48d1-806b-4ab09c75f609",
+    "createdAt": 1788880749418,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "3d2bf965-5bf2-4d59-8a8c-ecd0a0b81456",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0e16e3beb2b4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0e16e3beb2b4"
+  },
+  {
+    "id": "7b06be98-43a9-42fa-88e8-6f35fc94e8b7",
+    "createdAt": 1788880753493,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "27f579a6-c06c-4d5d-80e1-d6baa2150274",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5ca5e863bc60",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色牛仔系带抹胸上衣，铆钉装饰，配牛仔项圈与同色迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5ca5e863bc60"
+  },
+  {
+    "id": "cb6ee46c-74e5-4982-a0ee-d4727e623c21",
+    "createdAt": 1788880757570,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "1645498f-ccc4-48c8-a195-15b7b18241db",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7018d41748c3",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色香蕉外形无袖连体上衣，黑色果蒂，粉色多层雪纺纱裙摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7018d41748c3"
+  },
+  {
+    "id": "1d3941d6-74a1-42b8-825a-cc9a5638d713",
+    "createdAt": 1788880761644,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "86201dee-b460-4f47-8d0a-9667b8894b7f",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 玫粉色拼淡紫色短款机车夹克，白色拼粉色抹胸，粉色系带短裤, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "6848986f-cb16-40e2-b6da-f97af37cca60",
+    "createdAt": 1788880778914,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "600cb8c8-1867-4f79-a1e0-fe3a672da26c",
+    "createdAt": 1788880783058,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "72b00f1d-a43a-4035-933b-766d07c23bf8",
+    "createdAt": 1788880787141,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
+    "refDanceVideoId": "c8b5ad14-2a93-412a-aeff-40398ec60733",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色蝴蝶翅膀造型抹胸上衣，白色斑纹，配同款翅膀肩饰与蝴蝶结绑带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "15a61833-e612-458b-80a1-b8e9c1a2b00f",
+    "createdAt": 1788880791232,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "71b7381e-16c7-45a7-9d0e-1c9f19973dbe",
+    "refDanceVideoId": "c8c860d6-5d50-4742-8bdf-a435a2ebd957",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色机甲风抹胸铠甲，黑色系带装饰，粉色分段护臂护腿，配黄色头盔, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比心置于胸前，面带微笑，甜美可爱的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比心置于胸前，面带微笑，甜美可爱的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "deac8445-0d8d-42fc-9e4f-4c4541bf474b",
+    "createdAt": 1788880795319,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "3edebab8-d3d9-471e-a9bb-d7ec977ec987",
+    "refDanceVideoId": "3ba343db-f399-422a-b405-757707cfa048",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色卡通大眼睛图案蕾丝抹胸上衣，同色双层雪纺荷叶边半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉环抱，单手搭肩，身体侧倾，自信从容的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉环抱，单手搭肩，身体侧倾，自信从容的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "c1c28339-8d5e-44ec-9180-9c06e2dd46fc",
+    "createdAt": 1788880799405,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "6bd79b08-e2d4-4b73-a3d3-ca3bf667b833",
+    "refDanceVideoId": "1ad9e05d-a83c-4bcf-a4e4-2cf1b810d79a",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝绿色像素风连体泳装，胸口撞色拼接，配同色像素浆果发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "0ff839c5-7179-455a-ab48-989cd4b492d8",
+    "createdAt": 1788880803478,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "c1e9dcdc-41a3-4d48-afcf-65cf0e429820",
+    "refDanceVideoId": "0a712633-50b5-4425-bd58-4049c9ce9646",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色皮质吊带三点式，金色龙鳞肩甲，酒红色皮手套，金色护腰甲片，深棕色皮带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "c712e640-2811-4953-b543-b207ca8ed304",
+    "createdAt": 1788880807577,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "0d58782c-e282-4f2d-84e2-126298fa7712",
+    "refDanceVideoId": "1bf43c11-3b72-4867-913d-7b9d16c8f339",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蕾丝边文胸内裤三点式，姜黄色虎纹仿皮草长款开衫外套，珍珠猫耳发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，姿态柔美安静 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，姿态柔美安静, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880811679,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "1af90aa3-3bca-4965-b392-16592996e089",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880815777,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "ff1663ae-7c91-467a-8d80-42b606ed4358",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色卡通乌龟图案挂脖上衣，棕色立体龟壳装饰，米黄色腹部撞色, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "3fe0cd76-0958-4c85-a844-37688e6eefa4",
+    "createdAt": 1788880819855,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "da733477-b2b9-4a7c-b042-a347e8e4b412",
+    "refDanceVideoId": "c8b5ad14-2a93-412a-aeff-40398ec60733",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色奶油流淌造型抹胸连衣裙，红色草莓质感覆盖胸前，绿色蒂叶装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "e7b46898-7ea5-480b-92ae-19b21ffe0caa",
+    "createdAt": 1788880823942,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "be8bed52-5456-41ea-b8dd-c55516bd9a62",
+    "refDanceVideoId": "db184952-ae35-4e8f-9056-36a4b1c8d5b3",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色收腰背心，白色衬衫领口，酒红色领结，红黑格纹百褶短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "id": "7d0413c7-b7f2-4aae-a30a-c55f21358db5",
+    "createdAt": 1788880828035,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "53f7b24f-8931-45eb-b65b-8ebd8ffde081",
+    "refDanceVideoId": "502955dd-b522-4636-910e-abda604368a1",
+    "batchId": null,
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+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银色与黑色撞色金属光泽挂脖连衣裙，不对称下摆，腰侧镂空银链装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体基本直立，双手自然垂放于身侧，姿态安静柔和 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体基本直立，双手自然垂放于身侧，姿态安静柔和, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
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+    "createdAt": 1788880832139,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "84d23c82-45be-47cb-a0f4-7a2a68e18cd7",
+    "createdAt": 1788880836243,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "36dada31-0b9f-4fc5-a48f-2f72a0dab530",
+    "refDanceVideoId": "0236f20b-265c-473b-94f3-dbb44dbba154",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 米白色卷毛绒面连体服，配绵羊头造型兜帽，白色绒毛袖口, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "2cbb3b20-c80f-4708-a140-84c70d1179b2",
+    "createdAt": 1788880840354,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "ae322ff5-d180-431d-845c-9fb507fb6e5f",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂侧举过头，身体挺直站立，展示性感造型，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂侧举过头，身体挺直站立，展示性感造型，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "6cfd90fa-ef68-4f4b-92cc-00a4e37f7086",
+    "createdAt": 1788880844460,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "9d6b716b-4c14-482e-8bcb-2ab4e979c8da",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒猴脸连帽斗篷，米棕色圆脸造型，毛绒耳朵, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "27802285-5eb9-45ee-842a-2d0bfaa6e3b8",
+    "createdAt": 1788880848568,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "bfcb4974-bc25-4038-8f0c-ec1cbaf9f92a",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色高领无袖连体衣，红色蜘蛛网印花，胸前爱心镂空，配黑色长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
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+    "createdAt": 1788880852667,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "failed",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880856777,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "0450ac62-c48f-4ea2-b59c-4041110da40e",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "1935b324-495f-4258-ba41-85d72658d3ce",
+    "createdAt": 1788880860893,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "75319993-a74b-48bb-acff-11d4b5b57cfe",
+    "createdAt": 1788880864968,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "9eb80dae-3d26-4379-ae8f-4fe8cd985f2d",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体随音乐摇摆，双臂自然摆动，发丝飘扬，闭眼陶醉的舞蹈状态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体随音乐摇摆，双臂自然摆动，发丝飘扬，闭眼陶醉的舞蹈状态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880869059,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "90024d91-12be-4a5a-872b-cfa9faf1496e",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色长毛绒连帽连体服，粉色大嘴青蛙造型，黄色腹部撞色，配同款迷你挂饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880873128,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "c370a3fd-bef6-41b1-90c2-a0a56de8bb47",
+    "refDanceVideoId": "48e58d30-4292-44dd-a8ca-8862f7e3f706",
+    "batchId": null,
+    "status": "failed",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色打褶连体泳装，红色梅花刺绣与绿色芭蕉叶图案，中央红色宝石扣饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂侧向伸展，身体基本直立，发丝飞扬，静态展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "3d2e80e1-d5cc-46ae-b8a8-b8106c1c6e4b",
+    "createdAt": 1788880877234,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "98e2e870-6970-4d76-9cae-e9ed085ab4a1",
+    "refDanceVideoId": "734083a2-fcdf-440c-b3a3-b15f2dd7ff68",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银白色珠绣抹胸，银色珠链项圈，白色皮草边饰宫廷风短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前拢衣摆动，身体随节奏轻扭，俏皮可爱 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前拢衣摆动，身体随节奏轻扭，俏皮可爱, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "f56185cc-1323-4364-9739-0d82067cf7aa",
+    "createdAt": 1788880881341,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "c203a248-bc45-45c6-a32d-70ba4dd42c0e",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 自然行走摆臂，身体随步伐轻晃，休闲随性风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 自然行走摆臂，身体随步伐轻晃，休闲随性风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "6f614232-a46f-41ec-b09a-6693e810b39e",
+    "createdAt": 1788880885443,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880889509,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "34f2baac-5d14-4f5d-9e11-3baede1aaa65",
+    "refDanceVideoId": "1af90aa3-3bca-4965-b392-16592996e089",
+    "batchId": null,
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+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 酒红色丝绒吊带连衣裙，银色铆钉系带开襟，雪纺不规则裙摆，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂上举伸展，头部微垂，动作轻盈慵懒，猫系俏皮风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "66e0fb4c-2351-4f1b-94d3-43fa592e9b2f",
+    "createdAt": 1788880893585,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "6215327f-7c51-46ba-b344-75a9f575cb9e",
+    "refDanceVideoId": "0236f20b-265c-473b-94f3-dbb44dbba154",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色牛仔系带露脐上衣，铜扣装饰，浅蓝牛仔短裤配拉链口袋, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "f98cf5e9-adbb-490c-8679-2dba5d9352cc",
+    "createdAt": 1788880897679,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "c203a248-bc45-45c6-a32d-70ba4dd42c0e",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 自然行走摆臂，身体随步伐轻晃，休闲随性风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 自然行走摆臂，身体随步伐轻晃，休闲随性风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "94d274ef-9030-4112-aefa-74a975e3f1d3",
+    "createdAt": 1788880901779,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "2a70129e-330d-4974-ab38-ce580d194622",
+    "refDanceVideoId": "40c054ee-3a52-4865-b965-8f695821be03",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 卡通插画风冰淇淋甜筒造型连体泳衣，巧克力淋酱与粉色草莓球，华夫饼纹理下摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠置于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠置于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "120778b2-38b3-40c1-8f38-2948c43e129f",
+    "createdAt": 1788880905849,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "981e0f14-f26a-4caa-a002-5beb6374dc01",
+    "refDanceVideoId": "1bf43c11-3b72-4867-913d-7b9d16c8f339",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色短款西装外套，浅绿色翻领撞色，紫色露脐上衣，紫色半裙，绿色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，姿态柔美安静 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，姿态柔美安静, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "0c32a9bc-f527-4b8b-b5f0-9d35a463ee4c",
+    "createdAt": 1788880909943,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "1c6906ef-eaba-428e-991a-87fb6e1db3c3",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫黄撞色抹胸连衣裙，紫色收音机与撕纸拼贴字母印花，粉色星星图案, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "5a7c35ec-7079-4fba-b78a-c98abb8ec3e2",
+    "createdAt": 1788880914040,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "3490157d-bbf7-469f-a291-6051d80af04c",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银蓝色金属质感无袖连体衣，蓝灰鲨鱼张口图案覆盖前身，配鲨鱼头盔与银色护腿铠甲, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880918143,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "1f0705c2-8862-41da-8d71-451fbe19886d",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色西瓜纹理抹胸上衣，红色西瓜切片造型层叠裙摆，黑色瓜子点缀, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880922262,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "c5b61a5c-98fe-4634-913c-7fdc4d7e653e",
+    "refDanceVideoId": "b2bb0a69-f0c1-4c1c-837c-f6da6f108980",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色运动文胸，天蓝色滚边，淡紫色高腰短裤，配吊袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂自然侧伸，身体直立，发丝随风飘动，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880926343,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "7d09a69b-2aa1-45af-b281-b10ff0db72ef",
+    "refDanceVideoId": "21ab3d70-0244-4eb8-862d-24b2a19b1b31",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 中国红交叉挂脖比基尼，金色凤鸟刺绣，红色流苏坠饰，配红色雪纺披纱与长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体侧倾行走，发丝随风飘扬，姿态轻盈灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "e216760c-ef96-4042-9f53-0c859ba110b1",
+    "createdAt": 1788880930449,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "18217cdb-af66-4e9b-a461-e0d424e03967",
+    "refDanceVideoId": "62eae4df-68dd-440d-a7ca-212694bbf238",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色短袖圆领T恤，黑色BANG字母印花，黑色蕾丝丁字裤，配黑红蕾丝猫耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880934552,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "54a4feb4-7722-4b7f-8797-aa87d41bf733",
+    "refDanceVideoId": "1ad9e05d-a83c-4bcf-a4e4-2cf1b810d79a",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝紫渐变全息镭射面料，胸前大蝴蝶结造型上衣，同色花瓣层叠迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "9db0e1fb-6b01-486e-a9aa-1dbccb58e720",
+    "createdAt": 1788880938650,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "463b2693-89ca-45e4-8cda-64e960b43c50",
+    "createdAt": 1788880942748,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "97efeea4-6f90-4092-90dd-ba27540d5682",
+    "refDanceVideoId": "0236f20b-265c-473b-94f3-dbb44dbba154",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色露肩针织罗纹上衣，藏蓝色挖腰连衣裙内搭，藏蓝色百褶半裙，粉蓝碎花蝴蝶结发夹, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，胸部前挺，慵懒性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "967d4d5a-933a-490c-9655-5aca04fc8043",
+    "createdAt": 1788880946840,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "f24293da-0b82-4ccf-99e7-15575a3a7e23",
+    "refDanceVideoId": "0450ac62-c48f-4ea2-b59c-4041110da40e",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 渐变绿色波浪褶皱造型连体衣，粉色内衬若隐若现，前卫雕塑感剪裁, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "cef1b6b0-304a-4cd8-a9b2-63bc3aa9ee9d",
+    "createdAt": 1788880950955,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "d5d86407-843d-4af9-8b2e-50b9ff605bbf",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白橙撞色抹胸连衣裙，黄色爆炸星芒图案，黑白漫画人物印花，橙白色下摆滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "2b4fc797-5b34-4355-904f-0e5e76b0b67b",
+    "createdAt": 1788880955043,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "3da0ae2f-4baa-486b-9128-47379b8864f3",
+    "refDanceVideoId": "37d1920d-e8af-45d1-8cf5-78ce4dc8c5ba",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色拉链连衣裙，红色滚边与红十字标志，红白条纹袖口，配护士帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "50ff5d49-6c0d-4b2b-b601-543adc70ed89",
+    "createdAt": 1788880959137,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "9ea019e0-5ae5-4632-96d6-af8169eb6194",
+    "refDanceVideoId": "6f0703c8-d308-4eff-bdf9-4b2b498ee534",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抹胸连衣裙上身星空土星印花，下摆向日葵花田图案，写实拼贴风格, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880963211,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "6f0703c8-d308-4eff-bdf9-4b2b498ee534",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "a4f7d32c-9cc3-4f7b-a12a-1c9263e0e95e",
+    "createdAt": 1788880967280,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "51b4e958-c627-451d-b6e7-c3103431646c",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮长袖连衣裙，白色V领拼接黑色十字架，配黑色修女头巾与白色长筒袜, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "83b0c2c0-4511-4b07-aa10-864e1f7ed3de",
+    "createdAt": 1788880971355,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
+    "batchId": null,
+    "status": "failed",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880975458,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788880979559,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "401b539e-3088-43ee-89ce-5fab5f28e2eb",
+    "createdAt": 1788880983641,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "f21ff2d8-688d-4960-86c0-a4ca2fc26e85",
+    "refDanceVideoId": "502955dd-b522-4636-910e-abda604368a1",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红金色蝴蝶结与十字系带，米白色多层荷叶边纱裙，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体基本直立，双手自然垂放于身侧，姿态安静柔和 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体基本直立，双手自然垂放于身侧，姿态安静柔和, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788880987750,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "171bfbf4-f17b-48e1-9687-4b585c37a733",
+    "batchId": null,
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+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂高举过头，身体挺立，活力洋溢的欢快舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂高举过头，身体挺立，活力洋溢的欢快舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
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+    "createdAt": 1788880991857,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "3d2bf965-5bf2-4d59-8a8c-ecd0a0b81456",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "1b03b764-9708-4d12-8656-81622ba7898d",
+    "createdAt": 1788880995958,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "27f579a6-c06c-4d5d-80e1-d6baa2150274",
+    "refDanceVideoId": "69612757-6cd1-46bc-8f02-03848ce80539",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色牛仔系带抹胸上衣，铆钉装饰，配牛仔项圈与同色迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "56c1dc7f-6a98-4fda-b9a7-e3001a949ed7",
+    "createdAt": 1788881000066,
+    "characterId": "840257a8-b6ec-4330-a64d-23c1daf8f912",
+    "garmentId": "1645498f-ccc4-48c8-a195-15b7b18241db",
+    "refDanceVideoId": "ef7663bc-84df-4df8-96e4-e0319dc25254",
+    "batchId": null,
+    "status": "failed",
+    "h3JobId": null,
+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 欧美女性，金色卷发盘起，皮肤白皙，五官立体，气质优雅冷艳. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色香蕉外形无袖连体上衣，黑色果蒂，粉色多层雪纺纱裙摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
+    "id": "29362626-24b0-4845-b51e-ec64fae5f871",
+    "createdAt": 1788885000664,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "5be2ca58-96e3-4fcd-bee6-0884e7bb29fd",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "3e52cc5ec956",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前伸展，头部微仰，妩媚性感的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前伸展，头部微仰，妩媚性感的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "3e52cc5ec956"
+  },
+  {
+    "id": "d08edbff-f303-49ec-a5b4-dd7ccd192c69",
+    "createdAt": 1788885879025,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "27eead9e-6927-4fe0-be81-5b81d1334ad7",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "46f1879bc1b8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "46f1879bc1b8"
+  },
+  {
+    "id": "cb04119b-532a-40f1-b71e-29451a5c7e23",
+    "createdAt": 1788886767367,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "63e7744d-f590-410a-b49c-499c201d4f81",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0ad904c97d4a",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0ad904c97d4a"
+  },
+  {
+    "id": "0ba655ff-2fac-4cf1-b6e6-c349b5bf0223",
+    "createdAt": 1788894814168,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "3cc51383e5c8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "3cc51383e5c8"
+  },
+  {
+    "id": "8dd8e204-c7bf-45e1-8202-4a965f80bed6",
+    "createdAt": 1788898406687,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "c8b5ad14-2a93-412a-aeff-40398ec60733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8aa9f67c0f8b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠举过头顶，胯部侧倾，妩媚性感的摆拍风格，动作幅度较小, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8aa9f67c0f8b"
+  },
+  {
+    "id": "aadd86a9-abb7-4d45-a76e-464aeb44c286",
+    "createdAt": 1788900833364,
+    "characterId": "35b3de40-82fb-4c4c-9f04-eef1a38972b2",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0e6f1c5a8f83",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 黑人女性，深色皮肤，自然卷发扎成高耸爆炸头，五官立体英气，身材颀长. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0e6f1c5a8f83"
+  },
+  {
+    "id": "7b998b57-7dc5-4821-be09-1a21b0aea4f0",
+    "createdAt": 1788926633910,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "0c92f51b-017b-4908-abbf-937c36b24a92",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7ba00d1cb922",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7ba00d1cb922"
+  },
+  {
+    "id": "d5cc60ab-3a3e-4ecc-b7e0-77b7ae373b91",
+    "createdAt": 1788926637980,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "632ca109-9b62-4edb-a8e7-ec763c3332c6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "af6e215cb535",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上，面带笑容，欢快活力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上，面带笑容，欢快活力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "af6e215cb535"
+  },
+  {
+    "id": "f3aff4ae-ad3f-4e62-b459-333f9d949c16",
+    "createdAt": 1788926642065,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "71b7381e-16c7-45a7-9d0e-1c9f19973dbe",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b4ea2004dea9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色机甲风抹胸铠甲，黑色系带装饰，粉色分段护臂护腿，配黄色头盔, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b4ea2004dea9"
+  },
+  {
+    "id": "ec9185dd-c2da-40d4-bd3c-bc88780d2c9b",
+    "createdAt": 1788926646162,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3edebab8-d3d9-471e-a9bb-d7ec977ec987",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "c27866673239",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色卡通大眼睛图案蕾丝抹胸上衣，同色双层雪纺荷叶边半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "c27866673239"
+  },
+  {
+    "id": "58119849-d497-4561-a9af-3d7baf7a40b3",
+    "createdAt": 1788926650259,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "6bd79b08-e2d4-4b73-a3d3-ca3bf667b833",
+    "refDanceVideoId": "e2059514-b287-4d19-b5fb-b888db120188",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "433e58cb3904",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝绿色像素风连体泳装，胸口撞色拼接，配同色像素浆果发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回眸，单手举至面颊旁，另一臂自然摆动，俏皮灵动, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "433e58cb3904"
+  },
+  {
+    "id": "336fb72a-ef49-4a5f-a7e6-3a31548fd2e9",
+    "createdAt": 1788926654362,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "c1e9dcdc-41a3-4d48-afcf-65cf0e429820",
+    "refDanceVideoId": "db184952-ae35-4e8f-9056-36a4b1c8d5b3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0992844d2ff4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色皮质吊带三点式，金色龙鳞肩甲，酒红色皮手套，金色护腰甲片，深棕色皮带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，手指轻触，娇羞可爱的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0992844d2ff4"
+  },
+  {
+    "id": "feed3736-ce67-4175-9383-faa2e356cd99",
+    "createdAt": 1788926658446,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "0d58782c-e282-4f2d-84e2-126298fa7712",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a1a8c13afd31",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蕾丝边文胸内裤三点式，姜黄色虎纹仿皮草长款开衫外套，珍珠猫耳发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a1a8c13afd31"
+  },
+  {
+    "id": "2f9a70aa-98d9-47f3-9382-51ab016a105c",
+    "createdAt": 1788926662541,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "73049ad1-13f9-4360-bf7e-46b89bcf9eef",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a546b470c72b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄蓝撞色波普漫画人物印花抹胸上衣，粉色系带，粉色双层雪纺迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a546b470c72b"
+  },
+  {
+    "id": "83c944c5-a52f-485e-8e0d-798b88af99b9",
+    "createdAt": 1788926666625,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "94a73865f11e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "94a73865f11e"
+  },
+  {
+    "id": "3ff10252-8256-4025-acd6-a150a6b58a57",
+    "createdAt": 1788926670709,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "ff1663ae-7c91-467a-8d80-42b606ed4358",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "97d41ff4ec03",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色卡通乌龟图案挂脖上衣，棕色立体龟壳装饰，米黄色腹部撞色, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "97d41ff4ec03"
+  },
+  {
+    "id": "808b4708-667b-4a2e-802b-57252bb16021",
+    "createdAt": 1788926674796,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7ee49795-268b-46f5-8d6e-97f2d5970436",
+    "refDanceVideoId": "171bfbf4-f17b-48e1-9687-4b585c37a733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b0c3d9caac80",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑白底街头涂鸦印花抹胸连衣裙，黄色出租车、黑猫、Dead End路牌图案拼贴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂高举过头，身体挺立，活力洋溢的欢快舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂高举过头，身体挺立，活力洋溢的欢快舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b0c3d9caac80"
+  },
+  {
+    "id": "4c953d49-c156-4d09-8f51-a9444c4dd12e",
+    "createdAt": 1788926678872,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "da733477-b2b9-4a7c-b042-a347e8e4b412",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7e354a5b5d16",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色奶油流淌造型抹胸连衣裙，红色草莓质感覆盖胸前，绿色蒂叶装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7e354a5b5d16"
+  },
+  {
+    "id": "5544fbef-b8fd-40b3-8d80-53c8d8f0cffb",
+    "createdAt": 1788926682963,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "be8bed52-5456-41ea-b8dd-c55516bd9a62",
+    "refDanceVideoId": "63e7744d-f590-410a-b49c-499c201d4f81",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a93bbc057263",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色收腰背心，白色衬衫领口，酒红色领结，红黑格纹百褶短裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂前伸持械挥动，发丝随动作飘扬，力量感强的战斗风格舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a93bbc057263"
+  },
+  {
+    "id": "6ed6eb25-7464-4735-a382-8b9b785a4070",
+    "createdAt": 1788926687034,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "cc7fb0ec5ef7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "cc7fb0ec5ef7"
+  },
+  {
+    "id": "aeab55c8-cb21-4c0f-8f39-1bcf41a9eb7c",
+    "createdAt": 1788926691102,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "53f7b24f-8931-45eb-b65b-8ebd8ffde081",
+    "refDanceVideoId": "0c92f51b-017b-4908-abbf-937c36b24a92",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "1e056da189e4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银色与黑色撞色金属光泽挂脖连衣裙，不对称下摆，腰侧镂空银链装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1e056da189e4"
+  },
+  {
+    "id": "8e508af9-6a78-4fcf-8612-9b3bdb67c462",
+    "createdAt": 1788926695176,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "cb9804d8aea5",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "cb9804d8aea5"
+  },
+  {
+    "id": "2b13597d-7d43-4614-b023-6c761481eb68",
+    "createdAt": 1788926699263,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "36dada31-0b9f-4fc5-a48f-2f72a0dab530",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "47ba8476964d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 米白色卷毛绒面连体服，配绵羊头造型兜帽，白色绒毛袖口, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "47ba8476964d"
+  },
+  {
+    "id": "e8e897db-8ca4-4255-8681-0b0e9aeccd28",
+    "createdAt": 1788926703347,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "e22ccb01-5821-40e3-9f29-9fcde10b5010",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "fdbfc37338a1",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，另一手轻举至头侧，姿态优雅甜美 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，另一手轻举至头侧，姿态优雅甜美, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "fdbfc37338a1"
+  },
+  {
+    "id": "9a5ffd87-283d-4caa-b278-f4e3eaf2d247",
+    "createdAt": 1788926707426,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "9d6b716b-4c14-482e-8bcb-2ab4e979c8da",
+    "refDanceVideoId": "1ad9e05d-a83c-4bcf-a4e4-2cf1b810d79a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d979839e699b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒猴脸连帽斗篷，米棕色圆脸造型，毛绒耳朵, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d979839e699b"
+  },
+  {
+    "id": "0b284015-5d8a-4377-b498-61238a987e84",
+    "createdAt": 1788926711501,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "bfcb4974-bc25-4038-8f0c-ec1cbaf9f92a",
+    "refDanceVideoId": "fc572a7e-53af-4937-810a-1d5a3a56e11d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "18a7ae1952e0",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色高领无袖连体衣，红色蜘蛛网印花，胸前爱心镂空，配黑色长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身回旋，手臂前伸摆动，重心下压转体，动感十足的旋转舞步, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "18a7ae1952e0"
+  },
+  {
+    "id": "77d2dd50-14e4-4192-af7c-5cb2bfc17a22",
+    "createdAt": 1788926715583,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "f9d1b795-6ba4-4e87-a504-372954503a2b",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "e29272392cd2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙黄色虎纹全身印花长袖连体衣，虎脸图案覆盖胸腹，配同款虎耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "e29272392cd2"
+  },
+  {
+    "id": "da7e3a12-a55e-4cfd-a846-5d47f224380f",
+    "createdAt": 1788926719679,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6d542d41658c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6d542d41658c"
+  },
+  {
+    "id": "8e7d90ef-3fbb-471c-92c9-a460f993e924",
+    "createdAt": 1788926723763,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7b5248b5-7022-4591-b12e-fa9d0c0ee197",
+    "refDanceVideoId": "164ef68e-650d-4f36-b3ec-8f061826c162",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "94ef38781ecc",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色蝴蝶结系带连体泳装，腰间藤编篮子造型装饰，粉色花朵发饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "94ef38781ecc"
+  },
+  {
+    "id": "4439635b-76ab-4ef6-ae68-1b151ebe07b8",
+    "createdAt": 1788926727850,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "0450ac62-c48f-4ea2-b59c-4041110da40e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "43a786be2b9c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧自然摆动，闭眼微笑，轻柔摇摆的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "43a786be2b9c"
+  },
+  {
+    "id": "1fc2182c-b89b-4ce3-87e8-9a5eed548f76",
+    "createdAt": 1788926731933,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "90024d91-12be-4a5a-872b-cfa9faf1496e",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "1e18da435f8e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色长毛绒连帽连体服，粉色大嘴青蛙造型，黄色腹部撞色，配同款迷你挂饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1e18da435f8e"
+  },
+  {
+    "id": "d36cdda3-814a-405c-9f3f-051b5c03c22a",
+    "createdAt": 1788926736001,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
+    "refDanceVideoId": "6f0703c8-d308-4eff-bdf9-4b2b498ee534",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "60dbf28ec238",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉蓝渐变蝴蝶结抹胸，田园牧场奶牛印花硬壳腰封，粉色蓬松纱裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻抚发丝置于肩侧，身体基本直立，柔美安静的展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "60dbf28ec238"
+  },
+  {
+    "id": "16f40e2c-fe43-432b-a2ac-5ffd0ab4f25a",
+    "createdAt": 1788926740072,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "37d1920d-e8af-45d1-8cf5-78ce4dc8c5ba",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "82f9dd16878b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉护于胸前，身体挺立，发丝剧烈飞扬，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "82f9dd16878b"
+  },
+  {
+    "id": "d613fad5-3699-45c1-a97f-3c57a626d095",
+    "createdAt": 1788926744148,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "dee22838-4453-4386-9bed-4d69c78cd85f",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7d32bc6eb58d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉前伸比划手势，发丝飞扬，力量感十足的街舞风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉前伸比划手势，发丝飞扬，力量感十足的街舞风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7d32bc6eb58d"
+  },
+  {
+    "id": "fe63e9bd-e1e0-4bef-a8fd-21f52787f12b",
+    "createdAt": 1788926748233,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3219116a-71a1-4b0f-b461-18b39cdeed8c",
+    "refDanceVideoId": "734083a2-fcdf-440c-b3a3-b15f2dd7ff68",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "aa16c19e50a6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮连体衣，肩部压褶护甲，银色蛇纹镂空腰封，配猫脸面具与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至胸前拢衣摆动，身体随节奏轻扭，俏皮可爱 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至胸前拢衣摆动，身体随节奏轻扭，俏皮可爱, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "aa16c19e50a6"
+  },
+  {
+    "id": "3740bf49-511f-4135-a801-e0b26b34e41f",
+    "createdAt": 1788926752332,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "6215327f-7c51-46ba-b344-75a9f575cb9e",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0b379078fbd1",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色牛仔系带露脐上衣，铜扣装饰，浅蓝牛仔短裤配拉链口袋, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0b379078fbd1"
+  },
+  {
+    "id": "f89f8181-2529-4202-95c4-6163546d73a0",
+    "createdAt": 1788926756413,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4aa6a12354d2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4aa6a12354d2"
+  },
+  {
+    "id": "8f9f670a-46df-4846-a821-ac50d1d15f09",
+    "createdAt": 1788926760506,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "2a70129e-330d-4974-ab38-ce580d194622",
+    "refDanceVideoId": "0a39218d-f5b5-425e-b165-50b169adee14",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "311873a5980b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 卡通插画风冰淇淋甜筒造型连体泳衣，巧克力淋酱与粉色草莓球，华夫饼纹理下摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身背对镜头，单手扶发，臀部微翘，性感俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "311873a5980b"
+  },
+  {
+    "id": "bd6b41dd-efcb-423a-a6f6-df12854bd63e",
+    "createdAt": 1788926764602,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1c6906ef-eaba-428e-991a-87fb6e1db3c3",
+    "refDanceVideoId": "f663b68b-fb28-4a27-9e56-42f89e706f58",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5b96f9ce5168",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 紫黄撞色抹胸连衣裙，紫色收音机与撕纸拼贴字母印花，粉色星星图案, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单臂弯曲前伸，身体随动作旋转，力量感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5b96f9ce5168"
+  },
+  {
+    "id": "de76f4f8-e2bd-4175-a4c1-4ad0db6ba12d",
+    "createdAt": 1788926768705,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3490157d-bbf7-469f-a291-6051d80af04c",
+    "refDanceVideoId": "6ef3ec71-766d-4344-a48e-e278b1e5d21e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "441ac65005c3",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 银蓝色金属质感无袖连体衣，蓝灰鲨鱼张口图案覆盖前身，配鲨鱼头盔与银色护腿铠甲, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "441ac65005c3"
+  },
+  {
+    "id": "b011df1f-cf04-4b1b-89c9-955ad2715cc8",
+    "createdAt": 1788926773025,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1f0705c2-8862-41da-8d71-451fbe19886d",
+    "refDanceVideoId": "2afdd830-b355-494c-be6f-697024f92070",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "74c219dca2f7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色西瓜纹理抹胸上衣，红色西瓜切片造型层叠裙摆，黑色瓜子点缀, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲置于身前，身体略微前倾，俏皮可爱的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "74c219dca2f7"
+  },
+  {
+    "id": "3ea43f12-11be-4567-a679-54b59bb79a07",
+    "createdAt": 1788926777096,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "c5b61a5c-98fe-4634-913c-7fdc4d7e653e",
+    "refDanceVideoId": "6ef3ec71-766d-4344-a48e-e278b1e5d21e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "cc9795fd29f3",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色运动文胸，天蓝色滚边，淡紫色高腰短裤，配吊袜带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "cc9795fd29f3"
+  },
+  {
+    "id": "c9cb7b71-4842-491a-a33f-58f442c6c410",
+    "createdAt": 1788926781188,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7d09a69b-2aa1-45af-b281-b10ff0db72ef",
+    "refDanceVideoId": "66186aae-8188-4145-8583-0fcb973b2b9a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "dd7466763253",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 中国红交叉挂脖比基尼，金色凤鸟刺绣，红色流苏坠饰，配红色雪纺披纱与长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近耳侧，胯部微侧，性感慵懒的静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "dd7466763253"
+  },
+  {
+    "id": "6af9359f-3df3-4396-8dcf-72520a3d9a25",
+    "createdAt": 1788926785275,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "18217cdb-af66-4e9b-a461-e0d424e03967",
+    "refDanceVideoId": "171bfbf4-f17b-48e1-9687-4b585c37a733",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "baa034e64805",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红色短袖圆领T恤，黑色BANG字母印花，黑色蕾丝丁字裤，配黑红蕾丝猫耳发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂高举过头，身体挺立，活力洋溢的欢快舞姿 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂高举过头，身体挺立，活力洋溢的欢快舞姿, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "baa034e64805"
+  },
+  {
+    "id": "e9f3271d-f4d8-495b-bea9-d6179c69c27c",
+    "createdAt": 1788926789369,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "54a4feb4-7722-4b7f-8797-aa87d41bf733",
+    "refDanceVideoId": "3cf9c5e0-b516-44e5-a4c4-51c491e3d524",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "209995db508d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝紫渐变全息镭射面料，胸前大蝴蝶结造型上衣，同色花瓣层叠迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂上举交叠于脑后，双腿分立，胸部前挺，自信性感的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂上举交叠于脑后，双腿分立，胸部前挺，自信性感的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "209995db508d"
+  },
+  {
+    "id": "a4aeaa91-9401-4309-98b9-7cd49a411e45",
+    "createdAt": 1788926793484,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3e6e60e3-b7d7-40f5-bf5b-f8075d31fe6d",
+    "refDanceVideoId": "502955dd-b522-4636-910e-abda604368a1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "46de5d6d8f96",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色V领连体短裤，黑色皮质腰带与银链装饰，配警帽与配套长筒袜套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体基本直立，双手自然垂放于身侧，姿态安静柔和 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体基本直立，双手自然垂放于身侧，姿态安静柔和, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "46de5d6d8f96"
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+  {
+    "id": "4850c53f-0c55-4cb8-9d30-15fd49fc940a",
+    "createdAt": 1788926797603,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "97efeea4-6f90-4092-90dd-ba27540d5682",
+    "refDanceVideoId": "164ef68e-650d-4f36-b3ec-8f061826c162",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f0fd2d8fa048",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 浅蓝色露肩针织罗纹上衣，藏蓝色挖腰连衣裙内搭，藏蓝色百褶半裙，粉蓝碎花蝴蝶结发夹, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f0fd2d8fa048"
+  },
+  {
+    "id": "92e2faf8-824f-4b77-8f49-0e1cc9448c96",
+    "createdAt": 1788926801713,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "f24293da-0b82-4ccf-99e7-15575a3a7e23",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "44b618558145",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 渐变绿色波浪褶皱造型连体衣，粉色内衬若隐若现，前卫雕塑感剪裁, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "44b618558145"
+  },
+  {
+    "id": "b996ecab-315f-4b55-9773-24fa5dc4fbc2",
+    "createdAt": 1788926805830,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "d5d86407-843d-4af9-8b2e-50b9ff605bbf",
+    "refDanceVideoId": "0c92f51b-017b-4908-abbf-937c36b24a92",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "709c1a58c39e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝白橙撞色抹胸连衣裙，黄色爆炸星芒图案，黑白漫画人物印花，橙白色下摆滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手指向下方，身体呈优美曲线，性感摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "709c1a58c39e"
+  },
+  {
+    "id": "b27062c1-7d1c-4556-b4ba-512192485cec",
+    "createdAt": 1788926809945,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3da0ae2f-4baa-486b-9128-47379b8864f3",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0712579c21e4",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色拉链连衣裙，红色滚边与红十字标志，红白条纹袖口，配护士帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0712579c21e4"
+  },
+  {
+    "id": "60e641ed-f8bb-43ed-8ad2-8bbb92b86dc6",
+    "createdAt": 1788926814045,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "584fe73c-9857-42c8-8a09-409556b04995",
+    "refDanceVideoId": "27eead9e-6927-4fe0-be81-5b81d1334ad7",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "1a606f690e13",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 棕色长毛绒水獭头造型上衣，粉色芭蕾纱裙，棕色绒毛护腕，水獭耳朵发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手举至脸颊两侧比划框脸手势，俏皮可爱，上身动作为主, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1a606f690e13"
+  },
+  {
+    "id": "b1d50240-d4b1-4b71-8db1-b40cadf85a85",
+    "createdAt": 1788926818148,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "99108133-d912-4462-a9e3-a5f032245c1b",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f687aef813fc",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 橙红色蘑菇云爆炸场景印花紧身抹胸连衣裙，写实火焰云雾质感, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f687aef813fc"
+  },
+  {
+    "id": "b6858adb-f4ec-4548-aac8-5ca6bf4e35cd",
+    "createdAt": 1788926822232,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "51b4e958-c627-451d-b6e7-c3103431646c",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "aff5c8820ccd",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色高光漆皮长袖连衣裙，白色V领拼接黑色十字架，配黑色修女头巾与白色长筒袜, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "aff5c8820ccd"
+  },
+  {
+    "id": "17c2b26f-427e-47f3-9693-2b477e6b25ee",
+    "createdAt": 1788926826312,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ee2e1db783cc",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ee2e1db783cc"
+  },
+  {
+    "id": "8750ed96-62b3-4bda-9194-1d06d0385462",
+    "createdAt": 1788926830421,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "79e50df6-c921-4f1f-bf6e-e76b6a877cf1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f1bbd627a84f",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于胸前，身体基本直立，安静害羞的姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于胸前，身体基本直立，安静害羞的姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f1bbd627a84f"
+  },
+  {
+    "id": "2197ca99-d7a6-4833-82ae-23726778c772",
+    "createdAt": 1788926834522,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "2d32f833-03d6-4cc2-8908-2857db28861b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "270712b18355",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳置于胸前，侧首而望，优雅英气的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳置于胸前，侧首而望，优雅英气的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "270712b18355"
+  },
+  {
+    "id": "c9e2307d-b490-4f62-8e3c-2d202890102d",
+    "createdAt": 1788926838638,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "f21ff2d8-688d-4960-86c0-a4ca2fc26e85",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "acfd7fc09b0d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红金色蝴蝶结与十字系带，米白色多层荷叶边纱裙，酒红玫瑰发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "acfd7fc09b0d"
+  },
+  {
+    "id": "9a60969a-3e41-4b0f-a97e-d3bfa5d7fe7f",
+    "createdAt": 1788926842725,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "2352f88eeb6d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "2352f88eeb6d"
+  },
+  {
+    "id": "24788573-4d2b-41a7-8837-93553c1e2745",
+    "createdAt": 1788926846819,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3d2bf965-5bf2-4d59-8a8c-ecd0a0b81456",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "11a498b43231",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉白色金属光泽连体衣，胸前粉色蝴蝶结硬壳装饰，配猫耳头盔、护肩护腿与过膝靴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "11a498b43231"
+  },
+  {
+    "id": "4717d17a-5947-4ff0-a3f7-4a5b59e7c165",
+    "createdAt": 1788926850915,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "27f579a6-c06c-4d5d-80e1-d6baa2150274",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色牛仔系带抹胸上衣，铆钉装饰，配牛仔项圈与同色迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788926855019,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1645498f-ccc4-48c8-a195-15b7b18241db",
+    "refDanceVideoId": "502955dd-b522-4636-910e-abda604368a1",
+    "batchId": null,
+    "status": "failed",
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+    "error": "Unexpected token '<', \"<!DOCTYPE \"... is not valid JSON",
+    "backend": "h3_console",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄色香蕉外形无袖连体上衣，黑色果蒂，粉色多层雪纺纱裙摆, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体基本直立，双手自然垂放于身侧，姿态安静柔和 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体基本直立，双手自然垂放于身侧，姿态安静柔和, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
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+    "createdAt": 1788926859131,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "86201dee-b460-4f47-8d0a-9667b8894b7f",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
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+    "falRequestId": null,
+    "error": "Unexpected token '<', \"<html>\r\n<h\"... is not valid JSON",
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 玫粉色拼淡紫色短款机车夹克，白色拼粉色抹胸，粉色系带短裤, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement."
+  },
+  {
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+    "createdAt": 1788933343860,
+    "characterId": "8b992ec5-c320-499d-b380-a5907c897474",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "9437127d-260c-4a94-85ae-4a5c068a98cb",
+    "batchId": null,
+    "status": "done",
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，深棕色大波浪长卷发，皮肤白皙，五官甜美，笑容温柔. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举比心，身体基本直立，甜美俏皮的互动手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举比心，身体基本直立，甜美俏皮的互动手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b183a37392fa"
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+    "createdAt": 1788952422303,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "831cb86b-95e2-4898-925e-0d5e8ae3d256",
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+    "status": "done",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，身体微侧倾，另一手自然垂放，俏皮随意, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "44ec37450d40"
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+    "id": "fb8bd697-e72a-4671-a2e8-35e752200637",
+    "createdAt": 1788954206809,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
+    "refDanceVideoId": "632ca109-9b62-4edb-a8e7-ec763c3332c6",
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+    "status": "done",
+    "h3JobId": "00ab0434ab59",
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色蝴蝶翅膀造型抹胸上衣，白色斑纹，配同款翅膀肩饰与蝴蝶结绑带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上，面带笑容，欢快活力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上，面带笑容，欢快活力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "00ab0434ab59"
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+  {
+    "id": "82e7926d-e3be-4bd7-8967-c5be587d8d39",
+    "createdAt": 1788959536979,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "e88267b5-b287-4c05-88fe-4ca31b354910",
+    "refDanceVideoId": "8b0228a0-e117-4cb6-a0ec-740eb04022be",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "d2f12744aeb0",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏青色抹胸连衣裙，酒红色蝴蝶结与金色系带，米白色多层蕾丝荷叶边裙摆，酒红玫瑰胸花, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 侧身而立，单手轻触衣领，身姿婉转，古典旗袍风韵味, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "d2f12744aeb0"
+  },
+  {
+    "id": "de2e790d-39a0-408b-86b2-3dc9b8377ee6",
+    "createdAt": 1788968353548,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "431d68b2-91d1-47f2-ab49-7856d3c48ce9",
+    "refDanceVideoId": "8021f431-bd4c-4dc0-848e-a58e135f41d6",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "7b29bf03a65f",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 红白格纹三角比基尼，浅蓝色滚边与系带，配同款护腕, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂自然垂放随身摆动，面带微笑，轻松俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "7b29bf03a65f"
+  },
+  {
+    "id": "d546d428-dba3-433a-a683-22b73eedb1fe",
+    "createdAt": 1788970021472,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "bfcb4974-bc25-4038-8f0c-ec1cbaf9f92a",
+    "refDanceVideoId": "5fd46c80-c198-4daf-aa36-4cfb6972755f",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a296d512e269",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色高领无袖连体衣，红色蜘蛛网印花，胸前爱心镂空，配黑色长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a296d512e269"
+  },
+  {
+    "id": "2eaca0b7-3ce5-4a2c-863e-63a6a9e284c2",
+    "createdAt": 1788973624516,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "d3fcc391-b941-4943-a163-1c7e00b8b9f7",
+    "refDanceVideoId": "c203a248-bc45-45c6-a32d-70ba4dd42c0e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ed8e8946c5ba",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 淡紫色拼白色贝壳花边文胸，配同色系带短裤，蓝紫滚边, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 自然行走摆臂，身体随步伐轻晃，休闲随性风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 自然行走摆臂，身体随步伐轻晃，休闲随性风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ed8e8946c5ba"
+  },
+  {
+    "id": "f7a31938-886f-491f-8e09-49b63c4a1060",
+    "createdAt": 1788978492294,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "6ef3ec71-766d-4344-a48e-e278b1e5d21e",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5c860e308f30",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉置于身前，身体略微前倾，街头风格的力量感造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5c860e308f30"
+  },
+  {
+    "id": "31a598d9-597c-41b9-b718-a91a1fef077b",
+    "createdAt": 1788982677443,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "62fa067c-69b3-4b01-82d2-12fc8b85196a",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "6653403e3b72",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑色缎面吊带连衣裙，白色蕾丝深V拼接，白色滚边下摆，珍珠蝴蝶结发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "6653403e3b72"
+  },
+  {
+    "id": "c36de703-4a5f-46bf-9b5b-88abf0ce077c",
+    "createdAt": 1788995935887,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "9ea019e0-5ae5-4632-96d6-af8169eb6194",
+    "refDanceVideoId": "0a712633-50b5-4425-bd58-4049c9ce9646",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "63ce6810f035",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抹胸连衣裙上身星空土星印花，下摆向日葵花田图案，写实拼贴风格, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比耶手势置于腰侧，身体活力满满，俏皮欢快的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "63ce6810f035"
+  },
+  {
+    "id": "445c7e6a-e754-4376-b823-f28cf8957998",
+    "createdAt": 1789052509287,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1fe637b1-1ac8-43ca-ab70-141bb9f9f566",
+    "refDanceVideoId": "69612757-6cd1-46bc-8f02-03848ce80539",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0681bed813b7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 蓝色碎花三点式比基尼泳装，白色小花图案，金色系带装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体随步伐自然摆动，单臂前后摆动，轻盈活泼的走位风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0681bed813b7"
+  },
+  {
+    "id": "f1d0d04b-b4e3-4301-9010-2cbca6ec8224",
+    "createdAt": 1789053345495,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "f8fd24e39288",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "f8fd24e39288"
+  },
+  {
+    "id": "72689170-f293-464d-86e4-a48c1702d636",
+    "createdAt": 1789055125644,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3edebab8-d3d9-471e-a9bb-d7ec977ec987",
+    "refDanceVideoId": "bb24e481-af68-48bf-9af6-ab0554203aa9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "457ba6906708",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色卡通大眼睛图案蕾丝抹胸上衣，同色双层雪纺荷叶边半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻扶肩颈，身体基本直立，发丝随风飘动，柔美端庄的静态展示, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "457ba6906708"
+  },
+  {
+    "id": "1181e313-952f-40a3-84d3-0a9a35c435d3",
+    "createdAt": 1789059539401,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "73049ad1-13f9-4360-bf7e-46b89bcf9eef",
+    "refDanceVideoId": "164ef68e-650d-4f36-b3ec-8f061826c162",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "db3216c256ff",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄蓝撞色波普漫画人物印花抹胸上衣，粉色系带，粉色双层雪纺迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手握拳举至肩侧，面带微笑，俏皮活泼的庆祝手势, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "db3216c256ff"
+  },
+  {
+    "id": "3e74945a-8395-483c-b8ee-22ff0fb0ecc9",
+    "createdAt": 1789060461391,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "9c320bc0-330b-44db-bf7e-2384e52f299d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "36fc28ef4b67",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 弯臂举至脸侧，身体侧转下潜，动感十足的舞台造型, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "36fc28ef4b67"
+  },
+  {
+    "id": "e7f9b113-b468-4066-9a3f-56eac75f6034",
+    "createdAt": 1789063156182,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7ee49795-268b-46f5-8d6e-97f2d5970436",
+    "refDanceVideoId": "9f778613-1b39-4664-b939-e5bed55fc7d9",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "e242350cb2b8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黑白底街头涂鸦印花抹胸连衣裙，黄色出租车、黑猫、Dead End路牌图案拼贴, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手举起挥动打招呼，面带微笑，活泼可爱的互动动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "e242350cb2b8"
+  },
+  {
+    "id": "b399111f-3f1a-4d05-b687-824f519cf259",
+    "createdAt": 1789064048868,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "da733477-b2b9-4a7c-b042-a347e8e4b412",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "88d95b0490cb",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色奶油流淌造型抹胸连衣裙，红色草莓质感覆盖胸前，绿色蒂叶装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "88d95b0490cb"
+  },
+  {
+    "id": "d4d160e3-7cb3-48ff-affc-aa2697026b4b",
+    "createdAt": 1789067037643,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "eb86632f05cb",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "eb86632f05cb"
+  },
+  {
+    "id": "41864f49-7b4c-48c7-ac62-8bbae61def02",
+    "createdAt": 1789071517229,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "ba4f51e8-fc17-41c2-9ebe-0cd8504c956a",
+    "refDanceVideoId": "f559e211-3829-4382-b846-169b3e80c569",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "53ef8f701179",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 大红色复古转盘电话机造型硬壳胸衣，粉色垂坠伞裙，黑色卷线装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "53ef8f701179"
+  },
+  {
+    "id": "120f8407-8174-4960-baec-faad0c5da947",
+    "createdAt": 1789073300950,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "bfcb4974-bc25-4038-8f0c-ec1cbaf9f92a",
+    "refDanceVideoId": "273cf11d-bed0-433c-8c43-1e3ec7a09272",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5a0acfd69f70",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 藏蓝色高领无袖连体衣，红色蜘蛛网印花，胸前爱心镂空，配黑色长手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手比划手势置于胸前，发丝剧烈甩动，动感十足的舞蹈瞬间, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5a0acfd69f70"
+  },
+  {
+    "id": "3284ce40-f427-4e6b-b222-444a16335301",
+    "createdAt": 1789076015789,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "236599c2-4e37-447b-9290-40e5ac5741ce",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "11a1228a3d80",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "11a1228a3d80"
+  },
+  {
+    "id": "d88035d3-87f9-45b6-8426-a553ce41b55e",
+    "createdAt": 1789081255966,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
+    "refDanceVideoId": "c2f1c1d0-caba-4682-9181-2acff1bc0e32",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "892bfa35fd35",
+    "falRequestId": null,
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+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉蓝渐变蝴蝶结抹胸，田园牧场奶牛印花硬壳腰封，粉色蓬松纱裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂高举向上伸展，另一臂侧向伸出，舒展有力的舞蹈姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "892bfa35fd35"
+  },
+  {
+    "id": "77d0ca80-95ff-45a2-aa81-e8c7ba1555cf",
+    "createdAt": 1789082154155,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "cddc944d55ee",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "cddc944d55ee"
+  },
+  {
+    "id": "5f07b3db-ce81-48af-93a5-06fe0c6c3fb0",
+    "createdAt": 1789083010541,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "502955dd-b522-4636-910e-abda604368a1",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b6e2543057d6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体基本直立，双手自然垂放于身侧，姿态安静柔和 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体基本直立，双手自然垂放于身侧，姿态安静柔和, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b6e2543057d6"
+  },
+  {
+    "id": "d9785b7d-f3a2-4e78-aad2-ab7bf0e14b05",
+    "createdAt": 1789093214862,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "1f0705c2-8862-41da-8d71-451fbe19886d",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "de4ff63576c7",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 绿色西瓜纹理抹胸上衣，红色西瓜切片造型层叠裙摆，黑色瓜子点缀, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "de4ff63576c7"
+  },
+  {
+    "id": "89f37787-6dbd-4cf9-8948-9136836971cb",
+    "createdAt": 1789115450356,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "2b0fdab0-6fcd-4ea5-ad91-5cb58f740899",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "060bddd6e98d",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手交叠置于身前，站姿端正，安静优雅的展示风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手交叠置于身前，站姿端正，安静优雅的展示风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "060bddd6e98d"
+  },
+  {
+    "id": "8e85d07d-ba51-4cc4-815b-7e281a120c76",
+    "createdAt": 1789121353821,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "9eb80dae-3d26-4379-ae8f-4fe8cd985f2d",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "ec2198ab483a",
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+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 身体随音乐摇摆，双臂自然摆动，发丝飘扬，闭眼陶醉的舞蹈状态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 身体随音乐摇摆，双臂自然摆动，发丝飘扬，闭眼陶醉的舞蹈状态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "ec2198ab483a"
+  },
+  {
+    "id": "311cf5fd-f644-4870-b106-f06321c0a8e8",
+    "createdAt": 1789123487104,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "236599c2-4e37-447b-9290-40e5ac5741ce",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "34881b2d2575",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂前后摆动，身体随节奏轻晃，表情活泼，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "34881b2d2575"
+  },
+  {
+    "id": "15480eba-df9d-4f03-9abe-b544a1427095",
+    "createdAt": 1789128807021,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "71bb6312-6b9b-46fe-9642-d6c11bbec6d0",
+    "refDanceVideoId": "2d09be1b-7f29-49ad-b92d-0aff46a2f7e4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "dee32e6c1af2",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白色小羊造型毛绒连衣裙套装，配带羊耳朵与笑脸的羊羔帽，风格软萌可爱, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叠于身前，身体微前倾，动作幅度较小的安静姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "dee32e6c1af2"
+  },
+  {
+    "id": "39a5ce3f-2bce-4f86-985a-b9a8b8f5d263",
+    "createdAt": 1789135091693,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "e39c5ac7-ac88-4e2c-a196-14f84526388c",
+    "refDanceVideoId": "ef7663bc-84df-4df8-96e4-e0319dc25254",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0d85acf122c8",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深蓝色蝴蝶翅膀造型抹胸上衣，白色斑纹，配同款翅膀肩饰与蝴蝶结绑带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0d85acf122c8"
+  },
+  {
+    "id": "02a767cf-6d78-4ac5-8bf8-bb6280f8c8a0",
+    "createdAt": 1789145082762,
+    "characterId": "4eeea0fd-c012-4219-b611-94f1b1a4f9b1",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "e22ccb01-5821-40e3-9f29-9fcde10b5010",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "0222fb394d97",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 东亚女性，黑色中长直发带刘海，皮肤白皙，五官精致，气质清冷. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手叉腰，另一手轻举至头侧，姿态优雅甜美 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手叉腰，另一手轻举至头侧，姿态优雅甜美, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "0222fb394d97"
+  },
+  {
+    "id": "a7be0b5a-2f3a-4ea5-a17b-1d3b01e41296",
+    "createdAt": 1789150307505,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "280df650-dd58-4877-be92-a6826b6fb7a6",
+    "refDanceVideoId": "62eae4df-68dd-440d-a7ca-212694bbf238",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "fdb1d789b078",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 抽象红绿撞色摄影印花抹胸上衣，白色滚边，粉色双层薄纱迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举过头，胯部侧顶，性感俏皮的水手服静态摆拍, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "fdb1d789b078"
+  },
+  {
+    "id": "eb3454de-7c47-48bc-ae0c-6c913eebe2a4",
+    "createdAt": 1789151221856,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "3edebab8-d3d9-471e-a9bb-d7ec977ec987",
+    "refDanceVideoId": "5fd46c80-c198-4daf-aa36-4cfb6972755f",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "97a52beb6e0b",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色卡通大眼睛图案蕾丝抹胸上衣，同色双层雪纺荷叶边半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背身站立，单臂上举指向前方，身体侧转，发丝飞扬，动感十足, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "97a52beb6e0b"
+  },
+  {
+    "id": "4b824f6d-65a5-4711-98ca-2fb86070380a",
+    "createdAt": 1789152122506,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "73049ad1-13f9-4360-bf7e-46b89bcf9eef",
+    "refDanceVideoId": "38329137-8894-495a-bd59-fc94d704094b",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "a5f659580b39",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄蓝撞色波普漫画人物印花抹胸上衣，粉色系带，粉色双层雪纺迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单手轻放腰间，身体略微侧倾，姿态优雅从容 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单手轻放腰间，身体略微侧倾，姿态优雅从容, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "a5f659580b39"
+  },
+  {
+    "id": "a07f5257-271d-47ad-85d5-e14cbb47b0a4",
+    "createdAt": 1789153025997,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "234450b0-0cd9-4b29-a215-0aac1f034df8",
+    "refDanceVideoId": "0249136d-9969-47a5-9394-79ceb8687fc3",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "bc921383f2b9",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 象牙白缎面抹胸迷你礼服裙，荷叶边领口，配同色长款手套, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 回眸侧身，单手轻触下颌，俏皮灵动的回望姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "bc921383f2b9"
+  },
+  {
+    "id": "5a62888b-a813-46fa-800b-c3f06e95802f",
+    "createdAt": 1789155713290,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "377610b2-e8e6-4177-a734-f0779031c1c3",
+    "refDanceVideoId": "aab2bc80-d09d-4a9c-8fbd-f5966536f9d4",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "4c87459f9796",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 咖啡色蕾丝边吊带文胸上衣，卡其色系带百褶迷你半裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双手于胸前整理衣物，单臂弯曲上举，姿态慵懒随性, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "4c87459f9796"
+  },
+  {
+    "id": "84ab8274-139a-4b25-bc2a-3d0b022666eb",
+    "createdAt": 1789158403573,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "07649902-3fde-4856-b5d0-c756c8ce3e44",
+    "refDanceVideoId": "ef7663bc-84df-4df8-96e4-e0319dc25254",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "8bba00f4fda6",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色绗缝滚边马甲，粉色三角文胸，粉色蕾丝滚边短裤，配同色礼帽, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举拨弄发丝，面带微笑，俏皮甜美的互动姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "8bba00f4fda6"
+  },
+  {
+    "id": "14097503-e835-492b-8aaa-1b844f3350f1",
+    "createdAt": 1789159298909,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "7e4022ee-78d8-4b1d-b92a-eaf9022e4ac0",
+    "refDanceVideoId": "1468fe3c-5cc5-40ab-ae6e-fc5b53e6eb88",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "db3c40c9966e",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉蓝渐变蝴蝶结抹胸，田园牧场奶牛印花硬壳腰封，粉色蓬松纱裙, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂交叉于胸前后单臂高举，身体微含胸，力量感十足的战斗风格, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "db3c40c9966e"
+  },
+  {
+    "id": "9bcaf3d7-048b-40b3-b02d-7d2a1223d4d2",
+    "createdAt": 1789160195129,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "28ae0935-5a8c-45a3-89be-b39a53f91773",
+    "refDanceVideoId": "1ad9e05d-a83c-4bcf-a4e4-2cf1b810d79a",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "b78fe469a675",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 粉色珠光三角比基尼，立体鱼形装饰覆盖臀部，花瓣系带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧摊开，身体前倾，俏皮活泼的展示动作, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "b78fe469a675"
+  },
+  {
+    "id": "dc38b8da-79a6-4b1a-b508-a37009ebdc73",
+    "createdAt": 1789161091783,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "b0b9b310-07ed-413d-a50a-ccf94a99fddd",
+    "refDanceVideoId": "ae2602da-2746-4fec-95ea-6a18d55ac0bb",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "5f89db2bc365",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 白底红色草莓奶油滴落印花三角比基尼，配草莓造型发箍, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯曲侧举，身体基本直立，随性自然的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯曲侧举，身体基本直立，随性自然的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "5f89db2bc365"
+  },
+  {
+    "id": "14d3e0c5-29c9-47fa-bcd0-6fa89d30dd51",
+    "createdAt": 1789166003568,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "d749d02c-b67b-4ed7-a74b-254d9df013a4",
+    "refDanceVideoId": "f559e211-3829-4382-b846-169b3e80c569",
+    "batchId": null,
+    "status": "done",
+    "h3JobId": "3b0013c7de5c",
+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
+    "userId": null,
+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 深棕色羽毛纹理连体泳装，写实白头鹰图案覆盖胸前，黑蓝羽毛肩部与臀部装饰, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 单臂弯举靠近脸侧，头部微仰侧倾，慵懒俏皮的展示姿态, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "3b0013c7de5c"
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+  {
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+    "createdAt": 1789166879147,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "0b03c586-e7f2-4bb1-9f08-61e64d5af4c4",
+    "refDanceVideoId": "1bcc2937-5d81-4a58-bf25-dfb3f4e11136",
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+    "status": "done",
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+    "falRequestId": null,
+    "error": null,
+    "backend": "h3_console",
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+    "priority": "normal",
+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 天蓝色泡泡袖短款上衣，粉色卡通兔子图案印花，同款迷你半裙，银色腰带, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 背对镜头，双臂自然摆动，臀部随节奏轻摇 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 背对镜头，双臂自然摆动，臀部随节奏轻摇, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
+    "generatedVideoId": "1ef11e649e24"
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+    "createdAt": 1789167773987,
+    "characterId": "73c32078-d1b5-4da8-99c0-b12803441678",
+    "garmentId": "5b6e6a82-db20-4955-9891-bb236c54cf98",
+    "refDanceVideoId": "1dd64b55-4ab9-4f15-9659-90c4b0aebe03",
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+    "fullPrompt": "subject_definitions:\n<Subject 1> is the young woman whose visual identity is defined by <Picture 1>: 南亚裔女性，橄榄色肌肤，深棕色长卷发，深邃五官，气质知性干练. Preserve her face, hairstyle, and body exactly as shown; only her outfit, pose, motion, and framing change in the target video.\n<Picture 1> is the character reference frame for <Subject 1>, showing her face, hairstyle, and body in a neutral standing pose, wearing a neutral outfit that does not appear in the target video; her footwear as shown here is retained unchanged in the target video.\n<Picture 2> is the garment reference image: 黄绿黑牙买加旗帜蝴蝶结发箍，黄色抹胸拼绿色滚边，比基尼下装印巴西国旗与Jamaica字样, laid flat with no person wearing it. Only its garment attributes (silhouette, color, fabric, trim, cut) transfer onto <Subject 1>; no other content of this image appears in the target video, and it does not affect her footwear.\n<Video 1> is the reference choreography clip. It defines the dance structure, phrasing, and camera rhythm that the target video follows; it is not a visual identity source, and none of its performer, background, or imagery appears in the target video.\n<Audio 1> is the background music track carried on <Video 1>, reused verbatim as the music bed of the target video. It contains no speech.\n\nsummary:\n[reference generation + attribute transfer + audio reuse] The target video shows <Subject 1>, now wearing the outfit transferred from <Picture 2>, performing 双臂向两侧展开，身体基本直立，动作舒展轻柔，气质温婉 in a vertical studio setting, following the pacing and camera rhythm established in <Video 1>, with the music of <Audio 1> reused as its track.\n\nretention_analysis:\n<Subject 1> (appears in [Shot 1]): fully_preserved - her face, hairstyle, and body are retained unchanged throughout; her outfit changes to the garment shown in <Picture 2>, her footwear stays as shown in <Picture 1>.\n<Picture 1>: fully_preserved - it supplies the face, hairstyle, body, and footwear of <Subject 1> and the opening framing of the shot.\n<Picture 2>: attribute_transfer - only the garment's silhouette, color, fabric, and trim transfer onto <Subject 1>; the image itself does not appear.\n<Video 1>: weak_reference - only the choreography phrasing and the camera rhythm are referenced; no performer, background, or imagery from it is retained.\n<Audio 1>: fully_copy - the music track is reused verbatim as the non-diegetic music bed.\n\ndetailed_description:\nA vibrant, mobile-first vertical dance video with warm, glossy studio lighting, saturated color, and a clean contemporary look sustained from the first frame to the last. [Shot 1] The shot begins from <Picture 1>, with <Subject 1> now wearing the outfit transferred from <Picture 2>. She stands centered in a medium-full vertical frame against a softly lit seamless backdrop that falls off into gentle shadow toward the edges. A warm key light sits slightly camera-left, a cooler rim light separates her shoulders and hair from the background, and a soft fill keeps her face evenly exposed. She begins in a relaxed neutral stance, weight settled on her back foot, hands loose at her sides, chin level with the lens. On the first musical accent she starts 双臂向两侧展开，身体基本直立，动作舒展轻柔，气质温婉, and the routine unfolds continuously from there with no cut. Her weight transfers smoothly from foot to foot on the beat, hips leading each transfer and shoulders following a fraction behind, so the movement reads as one connected chain rather than a series of separate poses. Her arms trace clean, unhurried arcs that extend fully at the peak of each phrase and soften on the release, wrists relaxed and fingers naturally extended. Between phrases she adds small directional changes: a quarter turn away from the lens and back, a step that closes distance with the camera, a shift of gaze that returns to the lens on the downbeat. The camera holds a Static Shot through the opening beats, then performs a slow Push In with small amplitude at slow speed, tightening from medium-full to medium while keeping her head and hands inside the frame at every point of the routine. Her expression stays confident and playful, with a light smile and eyes that meet the lens at the end of each phrase. The fabric of the transferred outfit swings and settles naturally with each step, turn, and arm extension, and her hair carries the momentum of her head movement half a beat behind it. The pacing, phrasing, and camera rhythm follow the structure established in <Video 1>: the routine builds energy through the middle of the clip, reaches its widest and fastest movement around the two-thirds point, then settles back toward stillness. The closing beats return her to a stance, framing, and lighting that closely match her opening position, so the clip loops cleanly for repeated live playback. No text, graphics, watermarks, or overlays appear anywhere in the frame at any point.\n\noverall_soundscape:\nSoft ambient room tone of an enclosed studio sits under the music, with faint fabric rustle as <Subject 1> moves and light rhythmic footfall on the floor as her weight transfers. No speech, no crowd, and no off-screen sound events occur at any point.\n\nnon_diegetic_music:\nAn upbeat instrumental track drives the routine from the first frame to the last; its tempo, instrumentation, and dynamics are copied verbatim from <Audio 1>. Its accents align with the weight transfers and arm extensions of <Subject 1>, and its energy build through the middle of the clip matches the build in her movement.",
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+    "error": "用户手动取消"
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   }
 ]
\ No newline at end of file
--
libgit2 0.21.4